I became famous after I didn't grow tall

After the filming was confirmed, Ye Luoxue really took Wei Lan to and from get off work every day.

Coincidentally, the filming location of "Swordsman 4" was in Studio 3, the place where Wei Lan used up all the data streams when she used the director's machine for the first time.

"Mom, I don't think you really need to do this..."

Wei Lan looked at Ye Luoxue who was holding her in her arms. She was wearing a three-piece suit of sunglasses, a mask and a hat, a windbreaker, and even gloves on her hands, making her look like a female spy in a movie - of course, in a comedy movie.

"You are more eye-catching like this..."

"No." Ye Luoxue supported Wei Lan's legs and adjusted the pink bonnet on her head: "There are also many celebrities here, so this kind of dress is not surprising."

She sighed: "Your mother also filmed a movie back then. After all, she is a public figure. What if she is recognized? I am your "assistant" now."

"..."Have you never thought that a fully armed woman holding a child is more eye-catching?

Wei Lan stopped talking, buried his face in Ye Luoxue's arms, and chose not to face the strange looks along the way.

The entire "Swordsman 4" crew received very little support.

Because it was a sequel, this gave Xia Yangqiu a reason to cut investment, so there were no costumes, props guidance and other staff that were originally in normal costume dramas, and even the soundtrack was used from the first three parts, under the name of unified style.

So except for the actors and a martial arts instructor who had already been determined, the rest of the work of the entire crew had to be done by Wei Lan, the director, and because there were only three episodes, it was also stipulated that the film should be produced within 20 days, including the editing time.

This can only be done in the holographic era. If it was placed in the studio era, even if Wei Lan was an all-round genius with three heads and six arms, it would be impossible for one person to handle so many tasks in a short time.

The data flow share was also very small, and only 200,000 was given to Wei Lan.

This brings us to a feature of the director machine. In fact, every time a work is constructed, it is equivalent to creating a new world. Before this world is made into a holographic image, it can only access the brain waves of the original creator. Therefore, there is no situation in holographic movies where one director directs half of the work and then gives it to another director to continue to complete it.

However, there is no such restriction for items that have been constructed through holographic technology. Props that have appeared in a movie can be directly copied to new works with only a small amount of data flow.

In other words, Wei Lan now has only 200,000 data flows to freely play, and can only make changes in some details. It is impossible to make major changes.

Fortunately, Wei Lan did not plan to make major changes from the beginning.

In a small inn, there were a few travelers eating and drinking tea.

The actor who played the protagonist Lu Anning was called Li Feng, who was 42 years old this year. He was not a young man. He was strong and had a rough and majestic facial features, and looked righteous.

The time background of "Swordsman 4" is ten years after the first story. Li Feng's current age is about the same as Lu Anning's in the play, but because the actor himself is well maintained, Wei Lan also made some aging treatments on his face, which makes him look more vicissitudes than the original, and more in line with Lu Anning's age in the play.

Li Feng wore the same clothes as the first appearance in the first "Swordsman" and walked into the inn in a dusty manner.

His performance was deeply influenced by stage plays. When walking, he deliberately exaggerated the swing of his hands and feet, which had the flavor of walking on the stage in the old days.

When walking into the inn, he didn't hear the director shouting "cut", and Li Feng felt a little more relaxed. When filming other dramas, those directors always had opinions on his way of walking, but in his opinion, the ancient heroes should walk like this to highlight their momentum.

He appeared like this when he filmed the first "Swordsman". At that time, the audience praised him for his style and momentum!

Later, a new director was appointed for the second part, who insisted that he change his way of walking. The actor could not resist the director, so he did it in the end. However, the second part was a mess, and the third part... he was not asked to act in the third part.

Li Feng thought to himself, it seems that this is a knowledgeable director, or he knows how to respect the senior actors... After all, when the director called the start, it was a young female voice.

"Sir, what would you like to eat?" The actor who played the waiter came forward and asked with a smile.

Li Feng sat down with his horse and sword, and said very heroically: "Waiter, bring me a pot of old wine and cut three pounds of beef."

Who knew that the waiter's face suddenly changed when he heard this.

He smiled reluctantly: "Sir, what did you say you wanted? Can you say it again?"

Li Feng frowned and thought: What's the point of this extra? He can't even hear a line clearly, what kind of drama is he here to act?

But the director didn't call for a stop, so it couldn't be stopped. Li Feng claimed to be a senior professional actor, and often criticized some of the new actors signed by Wei's for not being professional enough and bringing the impetuous attitude of the entertainment industry into acting. At this time, even if he felt that this part was not going well, he continued to act.

He looked at the waiter in confusion: "I said, bring a pot of old wine, cut three pounds of beef..."

As soon as Li Feng finished speaking, two men in yamen uniforms stood up.

"Bold!" The two shouted, rushed over in two steps, and drew the long swords at their waists and pointed them at Li Feng: "You actually said you wanted to eat beef, knowing the law and breaking it, your crime is even more serious!"

The waiter on the side quickly explained: "Two adults, what you heard was this crazy man uttering arrogant words. We don't dare to sell beef in our store!"

Li Feng was dumbfounded and completely confused.

A clear female voice came to the ears of two actors playing government servants: "Come on him with a knife."

In the holographic world, it is not an exaggeration to say that Wei Lan's ability is like that of a god. Her thoughts can be transformed into sounds and transmitted to the actor's ears. This sound is naturally her original sound in the previous world.

However, this kind of creator ability is one-way, and only Wei Lan has it in the entire holographic world.

The actors who enter the holographic world through the actor cabin can only have basic interactions with the matter of the holographic world. Some special abilities, such as the light skill of flying easily, are all given by the director in disguise.

This kind of endowment does not mean that the actor really knows Qinggong in this world in a fantasy sense, but that the actor makes corresponding movements and the director controls the gravity on his body, or more directly, creates an invisible pedal to lift the Actors sent to heaven...

After hearing Wei Lan's words, two actors approached with long knives.

Props in the holographic world look very real because the director can adjust the characteristics of the props, such as making a weapon that looks heavy be light, or making a bladed knife feel as soft as a feather.

But the eyes can be deceiving. The two knives looked very intimidating. Li Feng instinctively panicked and asked subconsciously: "What is going on? What's going on?"

He seemed to be talking about lines here, but he was actually asking.

Just when Li Feng was about to call the director, Wei Lan's voice sounded throughout the teahouse: "Cut! This one has passed."

Everyone breathed a sigh of relief and stopped moving.

Only Li Feng shouted quickly: "Director! What's going on? This doesn't match the script!"

"Ah?" Wei Lan asked in confusion: "The script has been revised. Didn't I send it to you? Didn't you read it?"

"I watched it..." Li Feng was blocked for a moment. In fact, he didn't read much because he had been preparing the old script. After Wei Lan sent him the new script, he only glanced at his lines and found that there was nothing. After the big changes, I thought it was just some details that had been changed, so I didn’t look closely at other people’s lines. I didn’t know the changes in the plot, so I thought it would be too late to take a look at it before filming.

This scene was in the old script, and it was a provocation from a few unsighted people.

Lu Anning's attitude was calm and he did not start a fight, but he slapped a handprint on the table, which shocked the provocateur.

This plot in the original script was intended to express that although Lu Anning had aged and tempered, his martial arts skills had not diminished, but had become more powerful.

Wei Lan's rhetorical question made Li Feng, who claimed to be a professional, unable to stand. The momentum of the questioning suddenly weakened, and he said with an embarrassed face:

"...Sorry director, I haven't read the entire new script yet."

Wei Lan seemed to be very talkative and said: "It's okay. The plot behind is simple. Your current state is quite suitable. Just follow my instructions."

"Okay." Li Feng, who was feeling aggrieved, could only listen to Wei Lan's instructions and finished the rest of the plot.

The once heroic hero Lu Anning was helplessly interrogated by two government officials. Because the other party was not a bad person, of course a righteous hero could not confront them. He could only accept the guidance and admonishment of the government officials after explaining.

Wei Lan was very satisfied with Li Feng's emotional performance at this time.

The last scene ended successfully with the waiter sighing.

"Hero, times have changed."

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