I didn't want to be an actor

Tell the truth...

"Interstellar" is really a near-perfect commercial movie - the smoothness and completion of the plot, the shaping of the characters, the powerful special effects, and the bizarre alien scenes are almost all achieved to the extreme.

Yes, there is a flaw in the logic, but it later escalates to generating electricity for love...

But science fiction is not a science and education film. If it is all in line with contemporary science, what kind of movie would it be?

"Interstellar" is almost impeccable from the perspective of audiovisual and story.

Of course, from the perspective of investment return, "Interstellar" cost 165 million U.S. dollars, and "The Wandering Earth" cost almost 45 million.

"Interstellar" has a box office of US$670 million, and "The Wandering Earth" has a box office of US$700 million.

Return of Rate "The Wandering Earth" completely surpassed "Interstellar".

Very impressive results!

As for the depth of the plot...

Compare using love to generate electricity and fighting for hope...

Sometimes love can make people fight bravely, but sometimes it can also make people compromise blindly.

And hope is to plant seeds in everyone's heart, and one day they will sprout and grow, heading towards new life!

I still prefer fighting for hope!

If we talk about significance, then the significance of "The Wandering Earth" to Chinese movies can be regarded as transcending the times - in addition to boosting confidence in the field of science fiction movies, the most important thing is to tell all movies: We do not need to deliberately cater to the so-called Western aesthetics...

Guo Fan interjected: "Our science fiction film has just achieved a breakthrough from 0 to 1, but there is still a long way to go. Of course it is a good thing that everyone is willing to compare, and it is also a spur to us!"

Shen Liang added: "I think the most important thing about "The Wandering Earth" is to tell the audience that our movies do not need to cater to foreign aesthetics or so-called Western values. It is better for them to accept it. If they don't accept it, it doesn't matter...

However, I heard that "The Wandering Earth" has a pretty good reputation overseas, which also supports my long-held view that cultural output is overflow, not pandering! "

“Are you criticizing ‘One Second’?”

"...Huh?" Shen Liang scratched his head: "How did you think of it? Are the two related?"

""One Second" withdraws from Berlin Film Festival..."

Shen Liang waved his hand: "This has nothing to do with me... Let's continue talking about "The Wandering Earth"..."

…

Some time ago, at the Berlin Film Festival, the originally scheduled opening film "One Second" was withdrawn from the festival due to a 'technical failure'...

Of course, everyone knows what this so-called technical glitch means!

It’s nothing more than ‘outdated thinking’ or something like that…

In fact, Ah Mou later won the Lifetime Achievement Award at the Beijing Film Festival, and his masterpieces were played on the big screen, including "Three Guns", but not "Alive"...

Let’s not talk about this!

About "The Wandering Earth 2"...

If I may offend people, it feels not as good as "The Wandering Earth": three lines, Liu Peiqiang, Tu Hengyu and Li Xuejian...

The third-line narrative continues in a lonely way. The advancement of the story depends entirely on accidents. Moss wants to destroy mankind but doesn't do it. There is a lot of sensationalism and the characters of several protagonists cannot be established...

Tu Hengyu's story line is so annoying to watch that I can't stand it at all!

Ridiculously, in this movie when everyone is fighting for the future of all mankind, you are bringing personal emotions into it.

——I want to give my daughter a complete life.

So, your wife is not a human?

The same is true for Li Xuejian's story line. From the beginning to the end, he showed an expression that everything was under his control;

The climax part says loudly, "Our people can definitely do it"...

But if you don’t say it, why it must work. Although there is a saying that people from the future gave the hint, but what is shown is that everyone is drunk and I am alone. He is the only one who speaks loudly and loudly, but this momentum is difficult to let people know. Feel the same!

I feel that Guo Fan has put too much pressure on himself - the first part was too successful, and the second part must be bigger. Therefore, the atmosphere is fuller and the scenes are much bigger. There are a lot of hard-coded special effects scenes, a lot of The locations all over the world are more "international" than the first film.

Especially the part about the space elevator, people who watched it were very excited, but they were too paranoid about certain places.

When you invest more crazily in technology and special effects, you will inevitably lose your investment in emotions and emotions!

Therefore, I felt very tired while watching "The Wandering Earth 2"...

It can be cut into two episodes...

There’s a little more writing on character motivations.

One more thing...the conflict between the Digital Life Faction and the Wandering Earth Faction, the latter eventually won, and the former was defined as illegal.

I don’t quite understand the source of this conflict. Digital life and wandering on the earth may not be able to coexist. Some people are willing to give up their bodies to gain eternal life in the digital world. Naturally, some people think that the body is the only carrier of consciousness...

To be honest, it’s better to cut off Liu Peiqiang’s line and just talk about Li Xuejian, Tu Hengyu, and Liu Xuejian’s line… In fact, there is tacit permission for the digital school to do research in the gray area…

This is very good and can be expanded upon...

This way the story is more complete.

Then, film a separate prequel about Liu Peiqiang's line...

Divide it into two episodes...

Kneading them together is really tiring!

…

After visiting six movie theaters, the first day of the road show is over...

A group of people get on the bus.

Following Shen Liang were reporters from "1905 Movie Network".

It's an exclusive interview.

Continue to the airport - the crew does not stop and flies directly to Shanghai.

"Director Guo Fan said that the gap between us and Hollywood is about 25 to 30 years. What do you say?"

"I also thought the gap would be huge before...but now I've changed my mind, not because of The Wandering Earth, but because it's almost the era of artificial intelligence. Hollywood, like us, is facing technological reform and upgrading, and we will be on the same starting line..."

"What's the difference between Chinese science fiction films and Hollywood science fiction films?"

"The spiritual core, the core of The Wandering Earth is the deep feelings of the Chinese people for the land and homeland, which is reflected in people as family affection..."

"Then what do you think is the reason why The Wandering Earth can sell well?"

"I think it's because the quality of the movie itself is good...and the country is strong..."

"The country is strong?"

"The country's development is progressing It provides strong support for the rise of science fiction literature and art. Only a strong country can support a strong science fiction industry and allow the audience to immerse themselves in the plot. If there was a "The Wandering Earth" in the 1990s, do you think it would be appropriate? "

"Then do you think "The Wandering Earth" can surpass "Wolf Warrior 2"? "

Shen Liang scratched his head and said seriously: "It's a bit difficult. In fact, science fiction is a niche genre worldwide. When "Interstellar" was released in North America, it was suppressed by "Big Hero 6" and "Dumb and Dumber 2" in turn..."

"Then how much do you think "The Wandering Earth" will eventually make at the box office?"

"About 5 billion... Pretty good. Whether it's "Wolf Warrior 2" or "The Wandering Earth", Brother Jing is the lead actor!"