I didn't want to be an actor

Chinese Culture was founded by Li Ruigang and serves as its chairman.

Li Ruigang, everyone should have heard of it.

A influential figure in the Shanghai media circle, he was a literary young man when he was a student and served as the president of the Fudan Poetry Society.

Later, he personally directed Dragon TV's "Come on!" The theme song of "Good Man": Today I finally stand on this young battlefield, please applaud me proudly; today I will go to the distance of this challenge, and I will let the world be excited for me..."

Domineering.

This person is very powerful. In 2001, Li Ruigang went abroad for further study as a visiting scholar sent by the SH Municipal Government. After returning, he became the president of Shanghai Media Group (SMG) and established the Chinese Cultural Industry Fund. At the age of 33, he became the youngest head of local radio and television media in China and began to be called "Uncle Li"...

A big boss across politics, business, and culture!

"The Meg" is jointly produced by Chinese Culture and Warner Brothers...

Ying Xujun is the vice president of Chinese Culture, responsible for "The Meg 2". In fact, Chinese Mandarin is also the co-producer of "All or Nothing", but Shen Liang has not met Ying Xujun.

Chen Jiadong should have met her - "Grandma's Grandson", Chinese Culture also invested in it.

This is normal. Shen Liang is now the number one person in domestic entertainment, and a lot of capital wants to establish a relationship with him...

However, the timing was not right. The two exchanged contact information and then left.

Shen Liang has to go to the film summit forum!

…

The theme of the forum is: Light and shadow connect the world and China.

Fu Ruoqing, Wang Changtian, Shanghai Film Chairman Wang Jian'er, Bona's Yu Dong and Shen Liang discussed domestic film box office, high-quality development and other issues.

Oh, Shen Liang mainly listens...

He wasn't going to show off. To be honest, with so many big guys, it was not his turn to speak!

The main topic is ‘With the rise of domestic films, which contribute 80% of the box office, what should Chinese films do in the future? ’

But what these people say are basically things that marketing accounts and self-media have talked about countless times...

Something like 'Our current mainstream audience has undergone some changes. From the beginning of the marketization of the film industry in 2003 to now, our mainstream audience is actually the post-2000 generation! After the changes in the mainstream audience and the entry of new mainstream audiences, they have a greater need for Chinese stories and empathy and resonance with the people and things around them. ’

What else? ‘One of the important reasons why domestic films and domestic film and television works have become more and more popular among domestic audiences in recent years is that realistic-themed works are close to life and resonate! ’

And 'We must respect the market and the audience, because without a terminal film market and without terminal demand, the supply will be relatively empty and pale. ’

Shen Liang listened very carefully at first, but as he went on, he couldn't stand listening anymore.

I feel like what these people are saying is all nonsense!

"What do Shen Liang think?"

"...I think the most important thing is empathy..."

"Empathy?"

"When choosing a topic, we should capture what most viewers care about. For example, the theme of "All or Nothing" released in August is electronic fraud..."

Shen Liang originally planned to promote "All or Nothing", but he didn't know that this topic directly aroused the interest of a lot of big guys, and they started discussing...

Talked a lot about things like being grounded in reality...

In fact, the biggest problem in Chinese movies is the so-called ideological separation between filmmakers and the public!

The so-called elites and celebrities in the entertainment industry (juan) have really grabbed too much huge wealth that should not belong to them at all, and they actually believe from the bottom of their hearts that everything is the result of their hard work, hard work, and dedication...

So how can they really empathize with ordinary people about what they really think?

As billionaires who are making money every day, deep down in their hearts, do they really care about ordinary audiences?

——Everyone, please stop pretending to be stupid, otherwise, where did the word amateur come from?

The elites in the film industry can put on an arrogant posture, but more than two thousand years ago, our ancestors taught us: There is a difference between a gentleman's beheading and the peace between princes and generals!

Don’t imagine that things like money worship will spread...

After making some money, he is regarded as a life idol, a social model, and worshiped by thousands of people. On the contrary, ordinary people are despised and become losers!

Another point is that many celebrities, including those behind the scenes, are surrounded by information cocoons and are self-righteous!

The screenwriter of "Northern and South" responded to netizens' complaints about the plot suspension. She said, "This is my temperament and my life!" ’

Therefore, "Speech at the Yan'an Forum on Literature and Art" is often read and updated.

Some netizens said, 'The current film and television industry is moving closer to the end of Tsarist Russia: during the Tsarist Russia, the upper-class nobles spoke French and ordinary people spoke Russian. Although they live on the same land, they don't understand each other in language and even believe in different religions! Everyone knows the subsequent results...'

…

"It's not interesting, just listen to them bragging!"

In the evening, Wu Jing took Shen Liang to eat crayfish and chatted about the forum during the day...

Wu Jingle said: "Isn't that what forums are like...talking about nonsense that seems useful!"

"What's wrong? Have you participated?"

"That's not true...I attended the filmmakers forum today and chatted with Huang Jianxin and Han Yan all afternoon..."

"Ah..." Shen Liang regretted: "I should have gone with you!"

"What are you doing? You're not a director!"

"No... I'm a producer!"

"No use... This is a forum for film directors."

Shen Liang rolled his eyes: "I just think being a director is boring..."

"Then do it!"

"Didn't I say it's boring..." Shen Liang changed the subject: "Do you think China is suitable for shooting monster movies?"

"I don't know..."

"Watch "Shushan". If "Shushan" does well at the box office, I plan to make a commercial movie about beast control..."

"Beast control?"

"It's a fairy-tale theme, but the masters in it all rely on monsters to fight..." After a pause, Shen Liang explained: "The so-called monster movie is essentially a special disaster movie. The monster in the movie is an extremely concrete disaster, and it can also mix in some science fiction and fantasy content, such as "Pacific Rim" and the like."

"Disaster movie..."

"Yes, monster movies are a deformation of horror movies.

The so-called "monster" is the materialization of people's deep fear consciousness, which is materialized into intuitive biological images... So, I suggest that "The Meg 2" show more deep-sea horror!"

"It's useless..." Wu Jing shook his head: "In "The Meg 2", in the original script, the character I played was named Zhang Jian, a wealthy man who owned his own island. He would occasionally wear a Tang suit and fly back to Shanghai by helicopter after an action scene.

It's full of Hollywood's stereotyped imagination of China, which is only a million miles away from the real China."

"Then what did you change it to?"

"It doesn't matter what you change it to. The script structure is here. The most I can do is... save it?"

"Carving flowers on shit?"

"You are so disgusting... Do you still eat crayfish?"