I Have No Interest In Devil Fruit

  End (S) Knot (B) Feel (S) Say

  嗐.

Since there seem to be a lot of people who hate this book, I didn't want to write a final testimonial to criticize; but after all, there are readers who like this book, and readers who have liked this book, so I'll give a little testimonial here Come on, it can be regarded as an explanation for this journey of three million words. Let us use a little tidbit as an introduction-a year and eight months ago, it should be around the time I uploaded the first chapter of this book, an unnamed author of pirate writing, Happy Luo said. : You wrote later to remind me when you get on the boat, I will go to your book review area to see the excitement.

   Then start the first, only and last SBS of this book!

  D: (Applause) (Applause), listening to your accent, it means that when you wrote the first chapter, you already decided that this book is a "follower"?

  Y: ?

  D: ?

  Y: Your question reminds me of a little tidbit...

  D: Why do you have so many tidbits?

Y: It was almost in the early 100th chapters of this book, when Lynch and Robin passed through Gan Island, Shemale Island, and Boeing Islands one after another. I also forgot to see a comment somewhere. Why do you always run to the island of the plot in the past two years, do you want to follow the boat?

  D: ...so?

  Y: I mean, if you look from the back to the front, the smell of this book on board is actually pretty obvious. Otherwise, why did the protagonist enter the Great Route for the first time and pass by those islands related to the straw hat doubts? Why does the protagonist hardly call himself a pirate group and never recruit new crew members? Why do you have to turn a corner and go to Nine Snakes? Why didn't they go to Fishman Island because they had already arrived at Chambord? Something like that (laughs).

Y: By the way, the title of chapter 610 is "I don't want to be a hero". When I wrote that chapter, I felt like I was almost making it clear... The "hero theory" in Lynch's mouth is basically a copy of the cartoon Luffy and Zoro have similar speeches.

  D: ? Let’s not talk about what’s not obvious; I didn’t go to Fishman Island, wasn’t it to treat Whitebeard? What does it have to do with getting on the boat behind?

  Y: After the treatment, Whitebeard died on the top, didn't he?

  D: When you say that...

  Y: The treatment for Whitebeard is just a cover-up, and the cover is that I absolutely do not let the protagonist and Robin go to Fishman Island before boarding the ship. It seems strange to take it out specifically, but when I wrote it, I had such a self-restraint: If I slanted my hand while writing and asked Lynch and Robin to go to Fishman Island in advance to "step on a little", then I gave up on the boat later.

  D: It's good to give up, it's a sin...

Y: Similar also: If you accidentally write that Lynch lets people other than Robin get on the boat, forming a pirate group in the true sense, then you will also give up following the boat; Lynch wrote it in a style like "I am the captain of the JOJO Pirates", and then gave up following the boat; if the first half of the story was accidentally written in a style of "not so pirate comics", then I also gave up following the boat later...

  D: You wait. Written like a pirate comic style, is it actually intentional?

  Y: Then what? (laughs) In fact, there is a special thing to ask Lynch to do something that people on earth can't do but people on a straw hat boat can do. My own impression is that in the early stage in the West Sea, Lynch would face the gun. At times, I deliberately played with fire; I directly robbed Caesar on the flower boat; when I fought Haiina on the island of Kraigana, I would not go to the "thinking cycle" and make a "safe plan" in the face of the strange ability of the enemy... To put it bluntly, it means to deliberately make him "indecent" and "brainless". Lynch's speech and behavior style, while trying not to deviate too much from the line of the protagonist of the online article, also try to fit in with the atmosphere of the Straw Hats.

  D: If you say that, in the first chapter, when Lynch faced the gangster, he would have that kind of "seeking death" reaction...

  Y: It was written like that on purpose (laughs), to highlight a brain with a bag.

  D: Also, Lynch is sometimes said to be a benevolent pirate, because the book seldom writes about how he slaughtered trash...

  Y: If the writing is too bloody, if you describe how many people Lynch killed, it will always feel that it is not suitable for the style of the straw hat. So yes, the depiction of murder was intentionally avoided - just like in the comics.

  D: I feel so bored all of a sudden...

  Y: (laughs) You have to talk about it from a writing perspective. Writing novels is inherently boring, especially when you already have the overall outline of the book at the beginning of writing, which is even more boring. But looking at the story itself, when did Lynch decide to get on board? It's the end of the battle on top. For Lynch at the time, not getting on the ship had little impact on him, and he himself didn't mind it very much, plus Luffy's insistence, so it was natural to get on board - at least I hoped. effect achieved.

  D: There is no such effect.

  Y: It seems so.

  D: So back to the beginning - why follow the boat? It's too outdated, what's the deal with that rotten ship in the straw hat?

  Y: I also hate the New World chapter, especially Luffy in the Big Mom chapter, and even the entire Straw Hat gang. It doesn't feel like it used to be.

  D: ?

  Y: That's why I miss the Straw Hats in the first half, don't you think? If the straw hat group in the first half and the straw hat group in the second half are divided into straw hat A and straw hat B, then I think the reason why I want to write a boat is that on the one hand, I feel that there are some things in the story of straw hat A. It would have been better if it had been made (like leaving Merry and putting on the rag), and Straw Hat B's bad, unpleasant story would have been better if it didn't happen at all, or if Straw Hat A had taken its place. Humans are well-informed... For example, just to make Luffy tell Xiaoyu that her ability is disgusting, and to make Luffy say that Oden is too naive, so he doesn't write uncomfortable...

  D: Okay, "I made this dumpling for the sake of this vinegar." It's because of the rotten stems...

  D: You haven't answered the previous question: Why follow the boat? Do you have any hobbies?

  Y: I actually don't see much of Pirates. I read Naruto the most, and I wrote it myself; I like Dragon Ball the most, but I don’t read much (because there are only a few people who write it), I have written it myself, and I have written two books; the words of the pirates... I can think of it so far. I was impressed. One was "One Piece: My Devil" and the other was "One Piece: The Legend of the Mage"...Unfortunately (laughs), both of these are so-called "followers", Especially the latter, the protagonist of the latter is also a mode in which he takes risks first and then gets on the ship.

  D: ...What kind of ancient tombs are these two dug up texts?

  Y: So I don't see much. In addition, I have never written a piece of pirate writing. For the first time, what reason is there not to write my favorite genre?

  D: Oh. So write with the boat. Oh.

  Y: When I decided to write with the boat, I encountered a very difficult problem.

  D: No one likes watching this stuff at all?

  Y: I personally don't really like nanny-style protagonists with boats. Although the above I am the legend of the devil and the mage, especially the legend of the mage, is a bit of a nanny... On the other hand, other pirate texts, even if they are not related to the ship, sometimes when they meet the characters in the plot, they obviously have nothing to do with the protagonist. The protagonist will still go all the way to deliberately run over and take the initiative to give without asking for anything in return. This feeling is actually quite annoying.

  D: Didn't you **** say that you read very few pirate articles?

  Y: It’s a little, but it’s not that I haven’t seen it. Many of them just glanced at them casually. If they didn’t like them, they would throw them away, so they didn’t leave any impression in my mind.

  Y: Since I don’t like the protagonist who does this, I try to avoid similar feelings when I write. Taking the plot in the book as an example, the design that I am more proud of is the arrangement of Momonosuke in the Wano country chapter-Lynch subjectively never thought about targeting Momonosuke as a child, but Momanosuke will end up in that kind of situation, and it is closely related to the incident where Lynch killed Doflamingo. To sum up, I just like this feeling: no matter how hard I want something to happen, if it is not very suitable for the protagonist to do it, then I will not force the protagonist to do it himself.

  Y: For example, the story of the windmill village Garp taking Shanks and the others to meet Ace. This is of course my intentional plot, but on the surface it has nothing to do with Lynch. But if it wasn't for Lynch, Tulip would not have gone to Windmill Village alive, and if it wasn't for Tulip, Garp would not have returned to his hometown in Donghai ahead of time, and he would not have met Shanks who had not left in time. Now that Garp meets Shanks, things will follow naturally...

  D: Pulling so many hammers, isn't it about talking about the boat?

  Y: Since I don't like nanny-style protagonists, the first plan to kill them is to follow the boat from the beginning of the story. From the beginning, I have been following the boat and writing a million or two million words, it seems that it is a little difficult to think about being a babysitter.

  Y: On the other hand, this way of catching up with the ship at the beginning will have a problem that is difficult to deal with: When encountering a boss, is it for Luffy or the protagonist? Fighting Luffy, why did the protagonist come here? For the protagonist, the limelight and experience are given to the protagonist, so why did Luffy come? ——And if you choose to follow the boat, it is obviously out of liking the Straw Hats. In turn, the protagonist of the same person wants to grab Luffy's BOSS and experience pack, grab the limelight and grab the highlight moment, which seems to put the cart before the horse.

  D:  …

  D: So that's why other people don't like to follow the boat or write about it, don't you see? This topic is born deformed in the online text!

  Y: You can’t give up if you can’t meet a problem, right? Think again. Then there is another question to consider: the protagonist wants to get on the ship, and when he gets on the ship, what range should his strength be positioned in? When the protagonist gets on the ship, his strength is less than or equal to Luffy Zoro, then obviously this is a way to grow together - but this will lead to, if the protagonist's growth rate is not as fast as Lu Suo, it will be a bit useless, and the strength is not as good. , then obviously the quality of the monsters brushed on the road is not as good as Lu Suo, and handing over the highlight moment and the BOSS to Luffy, although I personally don't think there is anything, but I also know that it is definitely not suitable for the reading habits of online texts; and if the protagonist The growth rate of Lu Suo exceeds that of Lu Suo, which is even more nonsense. In this case, what is the meaning of Lu Suo's existence? The characteristics of the two characters of Luffy Zoro are in the battle, and the characters who lose their characteristics are boring...

  D: You said that as if Lynch was not as strong as Lusuo...

Y: When it exceeds too much, it will not affect it (laughs). It is based on this view that the current plot context is finally finalized: the first half is the protagonist's own adventure, and the middle part is officially on board after the battle on top , the protagonist only participates in the second half of the new world process.

  D: I lost my memory? How can I remember that the first half of it was also written?

  Y: Because I really want to write. She also said in her testimonials, how could Mei Li just give up? ? ?

Y: But there is another new problem: since it has been decided that the protagonist will officially board the ship, then obviously the protagonist's strength is already in the first echelon, but the first half of the story has to be written, so that As a result, does the protagonist board the ship before the New World Chapter, or the first half of the ship? If it's the latter, the protagonist, the nanny, seems to be set...

  D: Isn't Lynch now a nanny? Raising Luffy's group to full level directly in situ, this is not a babysitter...

  Y: If you take a closer look at the first grade, isn't it because Lynch doesn't want to be a nanny and thinks that it's not interesting, so it took a year to upgrade everyone to the full level?

  D: ?

  Y: ?

Y: (laughs) It is because Lynch is too strong that he has enough time to give Luffy all the bosses in the second half. It is also because Luffy has been directly upgraded to the full level, so there is no need for Lynch to intervene and help. Brush BOSS.

  D: All the bosses in the second half are given to... Then isn't there only one Kaido? Oh, and a black beard. Aunt and Dover have long been booked, Caesar of Ice and Fire Island is gone, Dressrosa has not gone, and Zou Island has not gone...

Y: It was precisely because they knew that the straw hat would not go to Zou in the follow-up, so Lynch and Robin went ahead and got the redstone; it was precisely because he did not want to write the Tokushima chapter, so Lynch solved Tokushima in advance. The hidden dangers of the game, I went to Beihai and killed Brother Doflamingo... This is actually a bit like the type of "nothing to look for" I said above, but after all, it is not to help the plot characters for free, but to look for trouble. I stomped on one to death...so it felt okay. The former is pure white for the protagonist, and the latter can also gain some combat experience and the like.

  Y: Back to the topic just now. This is the situation in front of us now: when the new world chapter is on board, the protagonist's strength must be particularly strong, preferably to the point of being detached; the first half of the story I really want to write, but the first half of the story tells the truth. The impression is very good, and I don't think there is a need to make huge changes - but instead of changing, it needs a reason. My first reaction was: Wouldn't it be nice to give the protagonist a reason why he can't take action casually!

  D: ...waiting here? So the reason why "B.I.B" has a setting of "the longer you leave the main body, the more fatigue you will accumulate", is it designed for getting on board?

  Y: Divide the protagonist into two people! It's such a simple idea. So to write like this, the other protagonist must be temporarily offline, otherwise there is no reason to think of a way to solve the reason why he can't shoot casually, and stay on the boat honestly... At that time, I happened to be watching the fifth animation of JOJO, Golden Wind, and felt that The stand-in thing is very suitable for this idea, so it is used.

  Y: Why did you stay in Nine Snakes for so long? Because I want the protagonist and Robin to be "intimate" with Luffy, I hope it can reduce the discomfort of getting on the ship in the later stage; why do I meet Robin at the beginning, and only Robin is a companion for a long time? In fact, it was to pave the way for the protagonist's disconnection in the mid-term. The original plan was to attract the World Government to kill because Robin's identity was exposed... But it seems that this is not persuasive enough to make the protagonist. Dropped and had to introduce Im in advance. In the setting, Lynch is a fan of Robin. I'm sorry I'm not. I like all the beautiful characters in Pirate, but unfortunately in the plot arrangement of this book, the heroine at the beginning can only be from Robin and Na. Misato chose one, and Nami was obviously not as suitable as Robin. It was actually an accident that the Empress became the second heroine... When I wrote about the Nine Snakes, I suddenly remembered this matter. Because of the heartthrob setting of the queen herself, I persuaded myself to embrace Lynch, who did not have a harem mentality. Because only exceptional female emperors have such a possibility for Robin to accept it, other female characters, such as Haina, Ayu, Nami, Shirahoshi... No matter what I think, I have no choice but to forget.

  D: ...I haven't recovered from the sentence that the protagonist must be disconnected.

  D: Speaking of which, do you have a habit of abuse? The last book is being abused, and this one is coming again, is it over?

Y: Regarding this point, I can only say that in the early stage of the first book, I couldn't stand it myself... This book, like a lot of explanations mentioned above, is not intended to abuse the master, but to Let Lynch's body drop. I also tried to moisturize as much as possible during the period when Lynch was disconnected. It is...

  D: Robin's only two character tags, one of which is "Nicole Robin's autistic decade", you call it moisturizing...

  Y: She can only be closed off. Could it be written like this: The protagonist is in prison here, and the heroine is playing happily outside... This is actually the reason why Robin was chosen at the beginning. To put it badly, the character Robin itself has the autistic gene in the comics, so writing it at this time will not violate the harmony. It is also for the same reason that I think that the plot must also be developed from the perspective of Robin... If you put the perspective on Lynch's side, after ten years in prison, look up and see that the wife is leading a group of people. Bustlingly came to find himself. It feels a little weird. In view of the fact that after writing this now, there are even people who have even added a group of angry comments such as "green hat" and "send wife" that I can't understand. I really can't imagine what it would be if I skipped Robin's point of view and only wrote about Lynch. repercussions……

  Y: Other than that, here's what I can think of to get on board in a situation like this: using Luffy's character traits. Luffy will not give up easily if he believes that Hei Zai is already his partner, and Luffy's role is also convincing enough that he really regards Lynch and "B.I.B" as the same person.

  D: In short, in one sentence: You want to write about following the boat, and now this is the only way you can think of and want to write about the boat you like to write, isn't it?

  Y: About the same.

  D: If that's the case, why didn't it indicate that it was following the boat in the introduction?

Y: In that case, there will inevitably be such a situation: the person who wants to watch the boat comes in because of the introduction, and reads tens of thousands of words, hundreds of thousands of words, hundreds of thousands of words, why the **** hasn't followed the boat yet, so anxious ? On the other hand, I also have this idea after all: as long as I try to write the atmosphere of the first half of the story in a more comic style and a bit more "straw hat", it may not be impossible for people to see the second half of the story when they board the ship. , it is easier to accept... Take a ten thousand steps back and say, even from a utilitarian point of view, if you mark a follower in the introduction, maybe someone will coax "It's boring, anyway, the back is the follower, the better the front. The more boring it is," I doubt I'll be able to finish the book if I receive this kind of feedback all day long.

  D: You said it so nicely, don't you just want to trick more people to come in to see it?

  Y: You can say so if you want to. I also apologize to the readers who are "injured" and unacceptable even after seeing this. I really have no intentions subjectively. This belongs to the fundamental contradiction in the structure of this book. I have tried my best to improve the reading experience around the line on board. If more than one million words are unacceptable, then I have no more recruits, at least I have more than one million words, so I will finish it there! In the end, I personally feel a little helpless to the fact that my colleagues who are obviously One Piece have the elements of "following the boat" and "leaning the straw hat" as stinky **** that they can't avoid, and the atmosphere that needs to be specially marked with advance warning... One thing to say, this is After writing this book, I feel quite tired of the One Piece theme. It belongs to...

  D: Don’t write pirate essays in the future?

  Y: I will also write two books.

  D: ?

Y: (laughs) This is the idea that came to my mind when I was upset in the second half of this book, and differentiated into two other fan stories based on different time points of Lily and Lynch. The general direction and ending of the two books I thought about it inadvertently, and it would be a pity if I didn't write it. In particular, the volume name and introduction of one of the volumes have been finalized, [“Brigadier General Qilin, may I ask why you chose such a remote South China Sea branch instead of the naval headquarters in Marinfando? I think everyone knows, with you His talent can easily pass Marin Fando's enlistment assessment." "Because it's closer to home."] Even if it's just for this brief introduction, I want to make it out.

  Y: But it should not be written in the next book. Because I said that I am bored with the pirate theme, this is sincere... take a breath.

  Y: As for the third One Piece, I decided to wait until Oda finished drawing One Piece and the manga story was settled.

  D: You think a lot. Well, after writing so many testimonials, it should be enough to rush the word count of this book to three million. Anyway, there is no charge for testimonials, so there is no need for water. Just here, make a final summary!

Y: (laughs) According to the pre-determined outline, I did not deviate from the track, and I wrote a novel smoothly. This is another kind of experience that I have never had before, which is different from the previous writing in a daze. Especially after finishing Heina, at that time, the follow-up outline was completely perfected, so the update speed became steady and fast after that), in short, I am very happy to finish this book.

  D: What else?

  Y: The serialization of chapter headers is a genius idea! Luo Mou next door said that it is very easy to use the word number of water with this thing! The chapter head dark attack in the battle of the top part is my favorite one. The chapter head serialization and the text are perfectly synchronized, which is amazing!

  D: What else?

  Y: Follow the boat, only a fool writes. I'm an idiot!

  D:  …

  Y: It's great that the first pirate article was written with the ship. See you next book!

   (end of this chapter)