I Teach Kendo in Tokyo
Vol 2 Chapter 66: Awei, I want to prove you wrong this time
The chairman continued: "The district qualifier is the first appearance of this piece. I think the original author has the right to play his own piece at this important ceremony. At that time, many people in the music industry will come to watch the qualifier, and the judges will all be there. Influential masters."
When talking about the second half, the chairman rolled his eyes and looked at Kazuma. Obviously, this second half was for Kazuma.
Kazuma looked at the chairman, and at this time he finally understood what the old woman said at the old bookstore that day.
Chairman, this is the hope that Kazuma will run at full speed every day on the road to become stronger.
Moreover, this strengthening is a comprehensive strengthening.
In the chairman's plan, Kazuma will personally play its own tune and make its debut in the district qualifiers, which is an established matter.
She intends to force this matter forward and let it be completed.
If it were the Kazuma of the previous life, he might have retired, but the Kazuma of this life has this creed: You can't assert "I can't do this thing" before trying it.
So he felt that even without BUFF, I might not be able to play in person.
What's more, even if it turns out that it can't be done, there is no loss.
So Kazuma said: "Let’s do it, I try to practice on my own, and the wind department prepares a harmonica player to practice with everyone in the wind department. Before the district pre-selection, let us compare who can play. Okay, how?"
Consultant Yokoyama nodded: "This is also a way. The pre-selection for the district is in mid-June, and the pre-selection for the Kendo district is similar. Are you okay?"
Kazuma laughed: "No problem. Although according to the news so far, there should be some demons and monsters in the National Convention, it is quite simple to win in a district qualifier... I mean the individual competition."
Team competition is really afraid to pack tickets.
Consultant Yokoyama smiled: "If you are so confident, then it's okay. On the first Monday in June, we will conduct a selection, and those who blow well will participate in the district pre-selection."
Kazuma is a little relieved, there is still time to practice.
At this time, consultant Yokoyama turned his attention to Nanjo-student: "What's the matter with this student? I remember I only said that I wanted to talk to the composer..."
Talking about this, consultant Yokoyama looked at Nanjo again: "Isn't she wearing our school uniform?"
Nanjo’s transfer was too sudden, and the school uniforms could not be done so quickly. Even with the strength of the Nanjo family, the new school uniforms would have to be delivered tomorrow.
The chairperson explained directly: "This Nanjo classmate, plays the piano very well. I think that adding the piano when adapting the music should make this song much more colorful."
Kazuma agrees with this statement, because the original version of the star is where the piano is used for the harmonica.
Consultant Yokoyama glanced at Nanjo's hand and immediately understood.
"Well, it's great. It's great to have a piano! This will enrich the sound during the adaptation process. What is your name?"
"Honami Nanjo." Nanjo classmates simply reported their full name.
"Wait a minute! Your teacher is Motoji Kurizawa?" Consultant Yokoyama asked with a frown.
"Yes." Nanjo tilted his head, wondering why consultant Yokoyama responded so much.
"Are you the eldest lady of the Nanjo family?" Yokoyama consultant asked again.
"Yes, I don't know how many Nanjo chaebols exist in Tokyo. If there is one, this eldest lady should be referring to me."
"Why does Nanjo's eldest come to this kind of civilian school?" Yokoyama consultant exclaimed.
"A lot has happened." Nanjo replied calmly.
Consultant Yokoyama thought for a while, his eyes turned to Kiryuu Kazuma.
He once again looked up and down the person in Kiryuu Kazuma, as if to re-establish the cognition of Kazuma.
Then Yokoyama consultant smiled: "I understand! I understand! Miss Nanjo, please tell your father, I Yokoyama Hikari must fulfill his intention!"
Kazuma frowned, wait a minute, this Yokoyama consultant, what does he understand? I always feel that he has misunderstood something very important!
**
Yokoyama Hikari is very certain that this Kiryuu Kazuma is likely to be the son-in-law of the Nanjo Foundation.
This harmonica was not written by Kiryuu Kazuma at all, it was bought by the Nanjo Foundation from a composer who has lost the arrogance of the creator!
To gild the future son-in-law!
This kind of thing is actually quite common. It is too common for sons-in-laws or descendants of big consortia or family members to have one or two "classic songs" with one or two "classic songs".
With this aura, you can then participate in various art salons grandiosely, form gangs with those artists, and expand your network of relationships through artist relationships.
This set of Hikaru Yokoyama is clear, because he is still a music critic, and one of the jobs of a music critic is to tout the heirs of these magnates.
Of course, there are also musicians or entertainers who tout those big consortiums.
Outside of these "jobs", the rest of the work for music critics is to tout each other to maintain their popularity and status in the circle.
Hikaru Yokoyama graduated from the Conservatory of Music. He often praised his classmates who graduated from the same school, such as the conductor Eilao Guangji. After Eilao Guangji gained prestige, he would backhand introduce Hikaru Yokoyama after entering the upper salon or banquet.
This set of things, Hengshan Guang has been in the music circle for many years, and has long been familiar with it.
However, it was the first time he took over the Nanjo consortium.
The person responsible for this consortium has always been the founder, Hiroshi Nanjo. Although he has recently passed the throne to his son, Hiroshi Nanjo’s style of handling still permeates all aspects of the consortium.
The Nanjo Consortium doesn't like to engage in such corners~www.readwn.com~ However, the older generation will get old after all, and the Nanjo Consortium cannot continue to be so "noble".
Isn't this here? First, the son-in-law is plated with gold, and then the son-in-law will be admitted to the University of Tokyo.
After he graduates and exercises a little bit, Nanjo Hiroshi estimates that he will promote his son to a false position and gradually hand over the real power to his son-in-law.
Hikaru Yokoyama felt that this must be the case.
That being the case, what he has to do is also very simple, to make this song, which he didn't know where to buy, the arranger orchestration into a masterpiece.
Fortunately, the quality of the song itself is very good, and it is not difficult to do this-even if it is barely enough for the name of the masterpiece, as long as Hikaru Hikaru pulls up the group of music critic friends and blows it all around.
What belongs to the miracle of the Japanese music scene, what the perfect ending of the 70s symphony creation, what the best harmonica solo of this generation, are all on.
The scores are all very good!
Anyway, normal listeners are not interested in listening to the symphony.
Now the Nanjo Consortium is happy, and it's not beautiful that he is also the head of the Nanjo Consortium in the future.
As for the beginner of Kiryuu Kazuma as the harmonica player, this is not a problem. As long as the arrangement is properly handled, it is easy for the general audience to ignore the harshness of the harmonica player's skills.
Hikaru Yokoyama is gearing up for a big fight.
**
Kazuma can tell that Hikaru Yokoyama is now ready to do a big job, but he pays more attention to the smile on the chairman's face.
——Is this also in your calculations?
and many more! Awei, don’t you think I can win at the beginning?
Kazuma suddenly came up with this idea, and then he looked at the chairman's expression and felt that there was no need to ask, it must be the case.
This makes Kazuma a little unhappy.
——Fuck, I still have to win with strength to show you.
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