I Teach Kendo in Tokyo

Until the next review, 24 working days, a total of 480,000 yen!

Kazuma is staggering. Although this little money is not enough to fill the huge funding gap that Chiyoko just showed him, it is also enough to greatly ease the financial situation of the Kiryu family.

Even if Chiyoko didn't speak, he would take the job.

Okada Koji continued: "We have prepared the title of series director repair for you. What do you think?"

Okada Kouji had a good relationship with Kazuma before. They used "you" to address each other. At this time, they changed their honorific titles, perhaps to match the title of Director Xiu.

Kazuma: "Yes, very good."

In fact, he didn't care about the title at all, as long as the money was called anything.

It can be called a sweeping monk.

"Then, tomorrow you come to us after school." Akito Anno's name for Kazuma has not changed.

Kazuma took a look at Akito Anno and said, "Okay, we'll use 24 days to get something that can be understood by those fat-eared guys, but is also worthy of our conscience in art."

Anye Mingren heard that he must be worthy of his conscience in art, and he immediately came up with his spirit: "Okay, that's it."

**

The next day, after class Kazuma, they went directly to Okada Kouji and their company.

Because the revised version of the book passed the review, Yuzao went with him.

Okada Kouji's company is a five-story building, and it is not obvious from the outside that it is a place that is burning real money for investors.

The front desk on the first floor was empty, not even a little **** duty, and the elevator next to the information desk did not even tear the wrapping paper of Sileng Heavy Industries.

Kazuma estimated that these people found it troublesome to go up the stairs, so they used the investor's money to build an elevator, and the whole thing was used up to now, without careful care at all.

Kazuma pressed the elevator button and the door opened directly.

Even the three-ply panels in the elevator are not dismantled-the main function of this kind of three-ply panels is to protect the metal box inside the elevator during construction to prevent scratching. Generally, when the panel is removed at the end of the construction, the smooth and beautiful metal inner wall can be directly exposed.

But they didn't dismantle it, so they just used it, highlighting a lazy word.

After the elevator doors closed, Kazuma pressed the button on the fourth floor.

Yesterday, when Okada Kouji introduced, he said that the second floor and the third floor are mainly for the work of the team responsible for painting, the fourth floor is the working place of the original paintings, and the fifth floor is the work place for senior positions such as supervisors and art directors.

It can only be said that it is a company established by the Japanese, with a clear hierarchy.

At the same time as the elevator went up, Yuzao spoke: "If the capital of the dojo is really not open, I can introduce you to the underground bank."

"Usually you should lend me the money directly, right?"

"Although the Japanese wagashi shop in the Jinguji family is a century-old store, it is a small business, and there is not so much money to lend." Yuzao said with a smile, "That's why I want to make money by publishing books."

I believe you a ghost, you a thousand-year-old fox has accumulated wealth over so many years, I am afraid that there is a pile of gold bars buried in the ground at home!

Yuzao: "No, the wealth I have accumulated was used for restoration in order to see more of the outside world and the possibility of seeing more human beings."

Is that so?

Kazuma was about to complain about Yuzao, the elevator door opened, and when the door opened, I heard someone shouting outside: "Oh, my energy drink is finally here!"

Then Kazuma heard someone running quickly.

The man arrived at the elevator door, and before he looked inside, he spoke first: "Energy drink, hurry up, I'm waiting to get rid of fatigue... Uh, who are the two?"

Kazuma observes the man carefully. He has a chubby figure, a pair of glasses, a checkered shirt on his upper body, and a pair of colorless toad glasses—now intellectuals, regardless of liberal arts and sciences, are dressed almost like this.

At this time, Okada Koji appeared: "Oh, is Miss Jinguji also here? Great, our main beauty is doing some gentle design, so I just invite Miss Jinguji to take a look."

Jinguji Tamamozu smiled and said, "I'm not very knowledgeable in Japanese art, so I probably can't give much help."

Kazuma subconsciously dismantled the stage next to it: "You have done Japanese dance for three hundred years..."

"That's an excuse for rejecting the invitation of the Japan Dance Association. It happened half a year ago. How do you remember?"

Kazuma I want to remember is not only me, your statement has become an urban legend of the University of Tokyo.

Okada Koji: "In short, please...oh yes, this is our conceptual design, Kunikida-kun from the Musashino Art Academy."

Kunikida bowed slightly to Kazuma: "When we first met, you were the Kiryuu Kazuma right? Can you actually perform ninjutsu?"

Kazuma looked blank: "Now?"

"Yes... Uh, no! I can do it whenever I have time. I will be responsible for drawing the original concept of cyber ninjutsu."

Kazuma was speechless, and then turned back and stepped on the wall, and the person stuck to the elevator ceiling and stuck to the corner like a spider.

Kunikida exclaimed: "Oh, that's great, so you can't see Kiryu-sensei at all from the outside!"

Kazuma landed calmly.

Kunikida is still muttering to himself: "It turns out that it is so simple and unpretentious and conforms to the laws of physics, but it can achieve the same effect as ninjutsu. Wow, this kind of ninjutsu is comparable to the weird power of ninjutsu in the Koga Ninja Book The technique is so cool! I feel inspired!"

While talking, he turned and ran back to his place.

Kazuma asked Okada Kouji worriedly: "Are all the people you recruited like this guy?"

"Yes, they are a little weird, but they are absolutely talented." Okada Kouji showed a proud expression, "We are probably the most talented team in the history of Japanese animation."

Kazuma sees his confident look, and vaguely predicts that the animation made by this group of people on this world line will probably follow the old path of the Wangli Universe Army.

——Finally, leave them alone, anyway, I'm here to earn 24 days of food, and I will leave after earning it.

"Let me show two of you around our working environment." Okada said, making a "please here" gesture.

Kazuma just got out of the elevator.

Tamamo followed him halfway up.

Kazuma has visited domestic animation studios in the past life, and the impression is that there are a lot of computers with electronic drawing boards.

But now there is no such advanced equipment, Okada Kouji and the others look like a large studio.

Kunikida-kun, who was just inspired by Kazuma)," is now sitting in front of a large drawing board, holding a paintbrush and quickly drawing something.

On the other hand, Akito Anno sat in front of a machine that looked like the teaching slide projector that Kazuma had seen in school in the last life.

It is the kind of machine that has a backlight to illuminate the film on which the title and blackboard are written, and then uses a mirror to reflect it on the screen.

The backlight of the machine was turned on, and the white light cast the pattern on the film placed on the machine onto the face of Anno Akito.

Okada Kouji brought Kazuma and Tamamo to him, and patted him on the shoulder: "Teacher Kiryu is here, and Miss Jinguji is here with me."

Akino Anno turned his head and glanced, nodded even if he had greeted him, and then said to Okada Kouji: "I suddenly had a wonderful idea yesterday. You see, we changed the main character from the 112th to the 140th square to Will it be more expressive like this?"

Speaking, Anye Akito picked up a dozen films that he had put aside, put it into a hand-cranked device, and put it on the backlight.

As he turned the handle, the film in the device began to flip at a constant speed, and the characters drawn on the film moved.

Kazuma opened his mouth wide. When he visited the animation studio in his previous life, he had also demonstrated how to make the painting move, but that was done with a computer.

This is the first time I have watched this kind of hand-cranked demo Kazuma.

Okada Kouji leaned over to look: "It's true... it seems to be a little smoother, what do you think of Kiryu-sensei?"

Kazuma: "I remember that in the demo you gave me yesterday, this scene should be a scene with a lot of furniture and debris, right?"

"Yes." Anye Akira asked suspiciously, "What's wrong? Do you think too many elements in the scene affect the visual expression?"

Kazuma shook his head.

No, I think you didn't use the props in the scene.

Kazuma: "I will actually show you it faster. Do you have a place with a lot of clutter and furniture?"

Okada Koji: "Yes, we have all the equipment on the second floor, but we haven't hired animators yet. The entire floor is just set up and there are no people."

Kazuma was shocked. These people really don't treat investors' money as money, no matter how many animators there are, they should prepare the equipment in the workplace first.

"You don't have an animator, how did you make the demo that you showed us?" Kazuma asked in surprise.

"That's fine as long as the original painter simply draws the middle frame." Anye Akira waved his hand, "It's just a matter of effort."

Kazuma glanced at the film still in front of him in the hand-cranked device, thinking that for this guy, it might really be a matter of drawing.

Okada Koji: "Anyway, go to the second floor to demonstrate? A small part of the third floor has been activated. Several animators started working today."

Kazuma: "Okay, just go to the second floor. It may be broken a little-I mean broken some stools and the like."

Okada Koji: "It's okay, just add a chair or something."

Kazuma nodded, and then said to Tamamo, "I will trouble you to come and play with me later and play the bad guy."

"Is it okay to embroider my feet?" Yuzao asked with a smile.

"Of course, just have a meaning."

So Yuzao nodded: "Then leave it to me."

Anye Mingren clapped his hands: "Everyone! Our supervisor is going to demonstrate ninjutsu for us. Let's stop working and go to the second floor to observe! Whoever, you go to the fourth floor and let the original paintings stop. Watching the theater on the second floor."

Kazuma has a wry smile on the side: "It's not ninjutsu, it's just a demonstration of some indoor fighting skills."

"Anything will do." Anye Mingren urged, "Let's go."

**

When Kiryuu Kazuma and Tamamo went down to the second floor, the entire company gathered.

Kazuma heard someone exclaiming: "It's really the Kiryuu Kazuma!"

He glanced at the crowd, and effortlessly found the young man in his early twenties who had been exclaimed - no, he was less than twenty years old now, and he could not call someone in his twenties as Xiaoyou.

It should be called Big Brother...

Kazuma introduced itself to everyone: "Yes, I am the Kiryuu Kazuma. Today I will show you how to deal with the superior number of enemies in such a complex indoor environment full of clutter. ."

As soon as Kazuma was finished, someone raised their hands and asked: "Mr. Kiryu, is Miss Fujii really taught by you?"

——Sure enough, the topic turned to Mei Jiazi again.

Akito Anye sullen his face: "We are still at work now, and we can wait for the lunch break for small talk."

Kazuma waved his hand: "Everyone is curious and there is no way. Yes, Mikako Fujii is my apprentice."

"So those predictions she made are actually your predictions?" Someone asked again.

Kazuma said in his heart, "Yes, it is my prediction", but replied: "I am just Mikako Fujii's kendo teacher. Although I often discuss with her about international relations, I have never taught her anything. I’m from the University of Tokyo Law School. International relations is not my area of ​​expertise."

The person who just asked the question immediately asked again: "So Ms. Fujii is really smart?"

Kazuma was like denying this problem at the first time, but that might lead to Mijiazi being dropped out of school.

After she dropped out of school, she probably stayed in the Kiryu Dojo all day long.

As for Mei Jiazi's appetite, if she becomes the proprietress of the dojo, Kazuma simply cannot support her.

After all, there is already an edible Qingliu.

But let Kazuma praise the monkey without conscience, he refused, so after tangling a bit, Kazuma replied: "Mikazi has a very bright head, but he doesn't like to use his brain, nor does he like it. Learn.

"Look at her recent performance as a guest on some talk shows, it is estimated that you have discovered it.

"Sometimes she is very methodical, and other times she behaves like a headless fly, winning by unstructured sophistry.

"This is the result of her knowledge reserve. She only remembers the things she said when discussing with us, except for those things, she usually doesn't take the initiative to study on her own.

"Once she surpassed her knowledge reserve, she started ramming everywhere."

After talking about this, Kazuma is still a little proud: it will not cause Mei Jiazi to be exposed and drop out of school, and it does not overly praise her.

In fact, what Kazuma said were basically facts except for not admitting that all the predictions were made by him.

This should not make Mei Jiazi's arrogant reputation become even higher!

He was proud, and the person who asked the question sighed, "It turns out that this is the case, so the wonderful counterattacks she has on various shows are all based on her haste to perform on the spot!"

Ok?

Kazuma frowned involuntarily and found that things were not simple.

"Ms. Fujii really is a very smart lady." The other person sighed.

Ok? ?

The third person was speechless: "Sure enough, the new era of Yamato Nadeshiko should be like this."

New era...Huh?

Just her?

Kazuma was too embarrassing. At this time, Okada Kouji stepped in and said: "Let’s let Kiryu Supervisor demonstrate it. You can ask about other things when you have the opportunity to work here. Kiryu Supervisor will work here. Twenty-four days."

Kazuma also cleared his throat: "Yes, I would like to ask you for your advice in the next 24 days. Let me show you the hand-to-hand combat in a complex environment. First, there are more than one enemy. Does anyone sign up? Villain combatant?"

A group of animated young people looked at each other, and then one of them raised his hand and asked, "Is there that kind of shameful line to say?"

"No, you will besiege me in any way you can think of. Miss Jinguji will do it with you."

When I heard that Yuzao would do it, several people raised their hands immediately.

So a temporary villain team was formed.

They surrounded Kazuma with mops and brooms in their hands from the cleaning tool room on this floor.

Kazuma: "Come on!"

Yuzao acted first, and Kazuma immediately performed Jack Chen's good at flipping the table and dodge.

The crowd onlookers made "Oh" sounds.

The conceptual designer Kuni-kun exclaimed: "Is this the so-called wooden escape in ninjutsu?"

No, it's not! Don't explain it blindly!

The person next to Kunikida and the fine art Sadamoto Yuzhi who has been silent for a while shook his head: "No, this should be a'substitute technique'."

You guys wait for me!

Kazuma was distracted for an instant, and was almost poked in the face by a mop. He flashed over the mop and grabbed the hem of the mop-holder's shirt. He lifted the hem of the mop all at once, and there was a knot on the cap.

"It's cocooning technique!" Sadamoto Yuuki said loudly.

Enough of you! If this continues, Jack Chen will become a master of ninjutsu!

Hey, wait a minute, he is indeed a master of ninjutsu in a sense...

At this time, those guys who played combatants saw Kazuma responding in this novel way, and obviously they were playing with each other and their desire to offensive became stronger.

Kazuma also had to toss and turn around seriously, and there was no time to complain about the two people next to each other one by one.

One minute later, the four combatants who came to make up the count, one was hung on the coat rack, the other was pushed down into the vat of copy paper, the other was photographed on the photocopier, and the photocopier was activated. Zhang Zhang spit out the audio-visual picture of his embarrassed profile. The last jacket was lifted and knotted. Now he has not broken free, he is standing there twisting.

Only Tamamo, standing by like a okay person-she just got up and then withdrew from the circle of war.

Kazuma: "Have you seen it? In this kind of complex terrain, we must make good use of everything at hand to fight."

The crowd applauded.

The one on the coat rack clapped and said, "Well, can you get me down first before summarizing the statement?"

The person in the copy paper bucket kicked his leg to agree.

Okada Koji: "Go and help them, today you are all considered work-related injuries. Go to the finance and get a work-related injury subsidy."

The voice did not stop. An Ye Mingren clapped his hands: "I understand!"

Kazuma looked at Akito Anno: "What do you understand?"

"This kind of battle is art in itself!"

Anye Mingren clenched his fists with both hands: "As long as we show this cool battle in animation, we can impress most people, just like I am convinced by this kind of artistic battle!

"So we should simplify the plot, or even disperse it in fragments throughout the play. The main part of the story will be used to show the cool battles! Then those who are subdued by the battles will delve into it and discover what is hidden. The plot!"

Kazuma looks at Akino Anno-this guy seems to be getting further and further away from that Anno Hideaki in his previous life.

Is EVA no longer born?

Akino Anno bowed to Kazuma: "Thank you for the teacher's guidance, I'm going back to continue working."

"Ah, oh, good." Kazuma nodded with a complicated expression.

To be honest, if EVA will not be born from now on, it is still a bit regrettable. After all, Kazuma has loved this movie in the last life.

Even if he was given such a big mouthful in the old theater version of "True For You", he still likes EVA.

Forget it, if the ruffians of this world line can't create EVA, then-then I will create it!

Huh, still a little happy?

Kazuma tried to conceal the smile at the corner of his mouth, and said to Okada Kouji: "Sorry for messing up your second floor."

"It's okay. The level of damage is much lower than expected." Okada Koji waved his hand, and then said to everyone, "Well, I've read it all, let's go back to work. There are still 24 days before the next review meeting, definitely To make a demo that can be passed!"

The crowd responded with a mixed, weak response: "Understood."

Kazuma wanted to yell to these slackers for a moment: "It's boring! Want to do animation so quietly?"

However, doing so may have the opposite effect. After all, most people engaged in literature and art in this era are leftist and hate the old navy.

This group of people are also young people, and they are basically college students who have experienced the student movement. It is estimated that they are even more disgusted with this set.

When everyone started walking up the stairs in twos and threes, Sadamoto Yuyuki and Kunikida pulled another young man who they didn't know from Kazuma to him.

Sadamoto Yuzuchi said, "This is our painting supervisor Kazucon Tsurumaki. He is now also part-time in color designation. He has some questions about the color of the work."

When I heard Kazuma, I knew who this was a different time and space conglomeration, so I looked at it a few more times.

While he was looking at it, Tsurumaki Kazutsu also spoke: "The result of the previous discussion between Mr. Kiryu and Anno is that I don't like the overall use of gray and cold tones. I still tend to use richer colors..."

Kazuma: "Of course you can use rich colors. In fact, to highlight the contrast of'high technology and low life', you need some gorgeous colors to contrast with those dark and cold tones."

Tsurumaki and Gang looked puzzled: "High-tech should make people's lives better~www.readwn.com~ How can high-tech low life be possible?"

Kazuma asks in return: "The Japanese economy is also very prosperous now, but is it not the same that you can see homeless people everywhere?"

Homelessness is the elegant Japanese way of saying homeless people.

Tsurumaki and Gang stunned.

Kazuma also said: "I know it's difficult for you to understand all at once. If you don't give me a way to see the contrast intuitively. Let Okada grant you a grant for a business trip to Hong Kong. Look at the Kowloon Walled City next to Kai Tak Airport. Remember, don’t enter the Walled City."

Okada said with a distressed expression: "He is the main painter on our side. He is indispensable to ship the goods at the next review meeting."

Kazuma: "It's okay. Just go for four or five days and go around the Kowloon Walled City. When you come back, you will know how to describe the world of cyberpunk."

Tsurumaki and Gang looked embarrassed: "Hong Kong speaks Cantonese, right? I don't know how."

Kazuma: I will! I can be your guide!

Before he could say this sentence, Yuzao spoke: "There are two courses ending this week. You don't need credits?"

Kazuma scratches his head.

Tamamo continued: "Also, you don't even have a passport, right? After all, our high school is not the kind of school that will go to Hawaii for school trips, so there will be no good thing about uniformly assisting in the passport."

Kazuma muttered in my heart, even if our high school school trip would go to Hawaii, I couldn't afford the travel expenses.

At this time, Okada Koji made a decision: "Since Mr. Kiryu said so, then I will find a friend who understands Cantonese to lead the way, Tsurumaki, you can go there. Don't sharpen your knife and chop wood by mistake."

Kazuma is sore with hatred next to it-ah, ah, you can drink morning tea when you go to Hong Kong!

Haven't had morning tea for more than a year!