Land of Nothingness, 12 hours and 25 minutes.

The Palace of the King.

Dozens of people in white robes and hoods were standing quietly on the side of the hall at this time, and their expressions could not be seen under the cover of the hoods, but in terms of atmosphere alone, they seemed more sacred and solemn.

On the other side of the temple is a group of people who seem to be more free and loose.

Their costumes do not have the uniformity of the left side, but the color is dark throughout, like a ghost in the night.

And from the momentum they inadvertently emitted, it can actually be seen that this group of black-colored people is obviously a grade higher than the white-robed people in terms of overall strength.

The gate of the king's palace was not closed, but due to the light, the gate of the palace looked like the entrance to the abyss from the outside, quietly waiting for the arrival of its prey.

It was not the first time the red-haired man had come here, and naturally he would not be frightened by this bluffing light scene.

He tensed his expression to prevent accidents, and then walked straight into the darkness.

After about 2~3 seconds of blindness, this is the scene inside.

When you look at it, the first feeling is emptiness.

This emptiness is undoubtedly fatal to people suffering from emptiphobia, and they will even faint the moment they look up and see the top of the palace interior.

Since the exterior building itself is designed with the tip in mind, when you look up from the inside, you will feel the darkness at the top inexplicably rich, as if you have absorbed all the light around you.

The red-haired man just glanced at it subconsciously and immediately looked away, no one knew what was hidden in that darkness, in order not to increase curiosity, it was better to ignore it directly.

The interior of the palace is extremely large, and both groups are standing on the second-floor stands on both sides of the palace at this time.

The central position of the second floor is hollow, which is why the second floor is called a stand.

If you focus your eyes from both sides of the second floor to the middle, you can easily see the situation on the first floor.

There is a huge chess table in the center of the first floor at the bottom, but there is no figure on this chess table for the time being.

Then diverge the line of sight from the center, on both sides of the first floor, that is, under the platform on the second floor, there are neatly arranged humanoid sculptures of different shapes.

The sculptures vary in pose, but in general they are both eyes looking high into the air, and their hands and limbs are mostly oriented upwards, as if they are supporting the two platforms above.

Anyone who knows a little about the history of the holy city will not be particularly unfamiliar with these sculptures.

Because these sculptures depict the kings of their previous black beaks, which is also a unique building as the palace of the king, other buildings in the holy city cannot build these sculptures of the black beaks no matter how famous they are.

Extend your gaze inward along the two columns of sculptures, and after a long gaze, you will finally be blocked by two steps that span diagonally.

Then the gaze will naturally move up from the center to the center, after which you will see a series of huge pointed windows in the center of the palace wall.

The window surface is a number of strange-looking stained glass that is divided by rules.

Unlike the normal church glass stained windows, these glasses do not look neat and harmonious, but a rough look at the past messy while the colors do not appear redundant, but there is an alternative harmony.

When you gaze at yourself and focus all your eyes on a piece of glass, you can see the background depicted on that glass.

Most of these backgrounds depict people and scenes, but there are rarely some unimportant patterns, which seem to record the history of the holy city.

I have to sigh at the designer's aesthetic design and scientific process design techniques, using the transparent and refractive characteristics of glass, and skillfully combining palace glass with other light, which can forge such an amazing artistic effect.

Of course, the red-haired man was not here for sightseeing, it was not his first time here, and a cursory glance was just to find out if the situation around him was the same as expected.

"It seems that it hasn't started yet, but it should be soon."

Although the time of the natural disaster is theoretically 24 o'clock sharp, this is not absolutely accurate, just in case, it is naturally impossible to wait until that time period to start.

He walked to his own "black camp", where although the crowd looked more scattered, but in order to prevent the loss of lights, basically no one spoke.

Even if someone really gets bored and wants to talk, it's mostly just innocuous and irrelevant information.

The red-haired man's gaze searched quickly through the crowd and quickly found the person he wanted.

Without the slightest hidden meaning, he walked straight over, and when he encountered people along the road, he only chose to push away gently, and did not deliberately detour.

As for those who were pushed away, they did not show any unnecessary expressions after seeing the appearance of the comer, and very consciously gave way to the red-haired man.

Finally, the red-haired man stopped in front of a mysterious man wearing a black hood, put his right hand on his left chest, bowed slightly and said:

"Lord Eli, all the work is ready to be completed at present, but there are two special points to pay attention to."

The mysterious man raised his head slightly, the hair color under the hood was gray, and his cheeks looked quite old, but his cyan pupils looked particularly spiritual, and in this spirit, it was inevitable to reveal a bit of mystery and enchantment.

The finger lifted, a soft sound sounded, and the two disappeared instantly.

When I opened my eyes again, I was surrounded by a minimalistly dressed room.

The sound of snapping fingers sounded again, and a cyan flame instantly enveloped the two.

The strange thing is that this flame has no temperature, and the object touched by this flame will not be harmed in any way, not even a piece of cloth,"

he said.

"First of all, the twelve days bridge was destroyed, and due to time reasons, there is no way to go over to investigate, I don't know if this will have an impact on the next plan.

Secondly, the Holy City entered a little mouse not long ago, and Bevan had already come to contact it for the first time, but in terms of results, I suspect that Bevan had already had a problem.

He has arranged for his subordinates to guard Bevin, but due to manpower, the little mouse has no other spare power to probe for the time being, do you think you should..."

Auston, don't be afraid to get into trouble, sometimes the more you don't want to get into trouble, the easier it will be to find you.

There are still a little more than 11 hours left in the catastrophe, and the torch ceremony will not be held for long, so it is completely timely.

What's more, if we can't solve even a mouse, then how can we withstand the erosion of waste energy.

As for the matter of the Twelve Heavenly Bridge, we can't manage it for the time being, I'll take a look again.

I went back without anything else, and being away for too long was not a good sign.

"Yes."

The red-haired man, that is, Auston, once again did the same etiquette as before.

The Twelve Heavenly Bridges were naturally the ties around the ball of light that Luo Li had seen before, but there was a more professional statement for them.

The snapping of fingers sounded again, and the figures of Eli and Auston returned to the platform on the second floor of the previous palace.

As for what exactly was said between the two of them, the people around them were naturally not very clear.

Of course, they don't really care.

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