Inherit For Three Thousand Years

PS: Thank you Mo Kan for the reward of 999 coins!

Lin Yuxuan admired it for a moment again, and said, "You portrayed the demure and calm temperament of the little girl very vividly. She has been a model for you. I don't know how you two have a good relationship.

The old man is really too satisfied with this painting. Cheng Yu's soft and demure, through the hands of Xiao Yao, under his superb painting skills, it embodies incisively and vividly, giving people a great artistic impact.

In this work, Xiao Yao depicts the moment when a girl dressed in white and reading a book looks up and thinks.

Xiao Yao deeply and carefully portrayed the girl's facial expressions and hand movements, and easily drew the character's clothes and background with large brush strokes, which were tight and relaxed and natural.

The purity and concentration of the girl is ready to come out. Xiao Yao's modeling layout is simple but precise, and the overall harmony between the characters and the background color, which perfectly expresses the peaceful inner world of the girl.

Without waiting for Xiao Yao's answer, Cheng Yu said: "I have only met him once or twice before, and I'm not familiar with him. Where can I be a model for him? This painting is his own imagination."

"Since I met with Ms. Cheng, her elegant and unique temperament has left a deep impression on me and inspired my artistic inspiration, so I created this work." Xiao Yao is a little regretful, "because I am with Ms. Cheng I’m not familiar with it and dare not take the liberty to ask her to be a model. I can only portray the Miss Cheng in my impression. The capture of her temperament is not very comprehensive. This is the biggest regret in my heart."

"I think it is precisely because of this regret that you can capture the most unique point of her temperament in this work, and have such a strong artistic appeal." Lin Yuxuan did not think so, "No matter what. Whether it is regret or fulfillment, the classic and success of this work is beyond doubt."

Even Lin Yuxuan, the Taishan Beidou in the painting circle, praised so much. Cheng Yu, who has just started flying solo, has admired Xiao Yao from the bottom of her heart. A certain foundation of Chinese painting. After I studied oil painting, my painting style is a bit similar to this one of yours. Of course, it certainly can’t be compared with your level. It can only be said to have a little shadow. In this work of yours , Both form and mind are vividly reflected. I want to know how you did it? What do you think I should do?"

As for Cheng Yu’s question, Xiao Yao naturally did not perfuse, and answered very carefully, "I pay more attention to the inner expression and emotional expression of painting. I think: the artist can use the beauty of nature, regardless of any phenomenon or object, to take his Feelings are conveyed. However, when painting, you must have your own feelings and feelings. You must first have this feeling and emotion in your heart before you can focus on it through painting techniques. What I said focuses on tracing, including the picture and the object being depicted. Harmony to achieve the fusion of the picture and the painter’s feeling...

Next, Xiao Yao took this work as an example. In terms of painting techniques, Xiao Yao focused on explaining how to express the artist's inner feelings through painting techniques.

Xiao Yao's personal style is very strong, and he is also very innovative in his painting techniques. Not only Cheng Yu feels that he has gained a lot, but Lin Yuxuan also feels he has benefited a lot.

This "Girl Reading" permeates Xiao Yao's strong sense of self-expression, and the artistic impact is very strong. This painting reflects Xiao Yao's superb artistic accomplishment, even a master like Lin Yuxuan must do it. Surprise and admiration.

With an extremely confident attitude, Xiao Yao understands and absorbs the nourishment of Western art, and integrates Eastern and Western painting art into one, forming a strong personal painting style. Moreover, this style is not the embodiment of embryonic form. It is already very mature. It can be said to be Created a new genre.

What is even more amazing is that this new genre represented by Xiao Yao has stood on top of the pinnacle as soon as Pu appeared in front of the public.

In Xiao Yao’s work, there are not only innovations in painting techniques that push the use of light and light to a new level of art, but also through this new painting technique, the image and image of the work are perfectly Combine, and further sublimate and push up the expression of intention.

In the history of the painting circle, there are many works with extremely high achievements in the expression of images, and such works are all handed down classics. In Lin Yuxuan's view, in Xiao Yao's work, the perfection and innovation in painting techniques are second, and the most commendable is the expression in image.

The imagery expression of this work is really too strong, and the artistic appeal is rushing over his face. Until now, he is still shocked by it. He can affirm that this is definitely a handed down work, and it will certainly occupy a very important position in the painting world.

Xiao Yao brought two works in total, and Lin Yuxuan also looked forward to his other work, "Hurry up and turn over your other work. I can't wait to appreciate it."

"Xiao Yao, don't sell it, turn it over and let us have a look." Cheng Yu also urged.

"Well, then please ask Lin Lao and Ms. Cheng to look up and appreciate it." While speaking, Xiao Yao turned the other painting over.

This painting is "The Frog in the Lotus Pond", and it is also a work that Xiao Yao is more satisfied with.

What is presented in the painting is a grand scene of a lotus pond in midsummer. In the painting, the pond is covered with lotus leaves, the lotus leaf pavilion is like a cover, and the lotus blossoms are vying for the show, as if trying to absorb the warm sunshine to thrive.

The lotus flower in the center is even more beautiful and looks at the surroundings. It unhurriedly opens the buds, revealing the full petals and stamens, showing the most bright and colorful appearance.

Below this lotus, a little frog leaped up, and the moment it preyed on moths, it was extremely vivid.

The central axis composition of the picture is stable and powerful, giving people a stable and concentrated visual effect; the dense and plump lotus leaves are full of vitality, and the viewers can imagine beyond the picture to see the endless green lotus leaves.

In the use of color, Xiao Yao enjoys the heavy texture of the oil paint. The brush strokes are full of paint and full of emotion. The green tones are distinct and convey the depth of space, even temperature and humidity.

The lotus sculpt is free to go between sketching observation and freehand creation. The depiction technique of space is cleverly used, and the two angles of looking down at the lotus pond and looking up at the lotus are combined to stretch the length of the lotus leaf and make it more prosperous than reality. Upright and upright, rendering the artistic atmosphere.

In terms of detail management, the brush is cleverly reversed, and bright lines are scraped out from the top of the pen barrel, so that the picture is exquisite and exquisite, which shows that Xiao Yao's mastery of oil painting language has reached its peak.