Inherit For Three Thousand Years

In particular, it is very difficult to set and burn the live ring. When the bottle body is put into the sagger for burning, the live ring must be held up in the sagger with a support to prevent the live ring from sticking or breaking between the ears, so it can be seen clearly There are burn marks on the live ring. With this firing technique alone, its accuracy is beyond what ordinary folk kilns can do.

The porcelain of the Qianlong period, whether it is blue and white, bucket color, famille rose, foreign color, and bionic porcelain, are extremely unique. Famille rose is the mainstream of Qianlong colored porcelain, often embossing, marking, painting, enlightening, color glaze, hollowing, stacking, tracing gold and other decorative techniques on a piece of utensils.

It should be said that the famille rose during the Qianlong period not only inherited the elegant and quiet style of the porcelain decoration of the Yongzheng period, but also has heavy colors and icing on the cake.

Emperor Qianlong preferred Maomei Fenhua ornaments, and often had imperial decree for the purpose, shape, and pattern of some pastel artifacts. There must be paintings or wood samples before they are made, and they can be formally fired after review.

Regarding the presence or absence of the utensils, what kind of identification and the poems that match the decorative patterns, etc., must be approved by Emperor Qianlong. On the one hand, Tang Ying, the governor of the kiln at the time, made exquisite court porcelain according to the emperor’s will. On the other hand, while retaining the essence of the previous generations, he also absorbed some Western craftsmanship and created many novel famille rose porcelain wares. .

This Qianlong blue and white famille rose amphora is undoubtedly the work of Tang Ying in the Jingdezhen Du Kiln period. Therefore, Xiao Yao has reason to believe that its firing age belongs to the early Qianlong period.

Xiao Yao opened the bottom of the foot, and there was a red alum inscription on the six-character seal script of the Qianlong Years of the Qing Dynasty.

There is no doubt that this is a Qing Qianlong blue and white famille rose amphibian with a wide door.

This is the largest piece of porcelain placed on the Bogu shelf in the first row. According to its rarity, Xiao Yao estimates that the market value of this piece of porcelain should be around 120 million yuan.

This is the most precious piece of porcelain placed on the Bogu shelf in the first row.

There are many types of porcelain placed on the second row of Bogu racks, but most of them are not high in price. Basically, the price is between 1 million and 5 million.

Xiao Yao was a little disappointed by the porcelain placed on the Bogu shelf in the second row, until he saw the last few pieces, his face finally showed a smile again.

This is a Ruyier Pipa statue about thirty or forty centimeters in height.

The shape is noble and elegant, the decoration is graceful and gorgeous, and the double wishful ears are exquisitely crafted. The first is a red ribbon decorated with the golden color "10,000", which is vivid and elegant. This should be a significant symbol of the high-end fine imperial porcelain ware of the Qianlong Dynasty.

The edge of the mouth is decorated with a wishful cloud head pattern, which inherits the longevity streamer pattern for a week, which is echoing the ear decorations.

The abdomen is painted with the scenery of the landscape garden. In the middle of the painting, the palace is towering, the corners of the palace are raised, and the green pine and cypresses surround it. It is like a fairyland, majestic and magical. The cloud-like pagoda stands proudly on the top of the mountain.

Fishing boats on the lakeshore sing evening, there are several thatched huts in the jungle, and the distant mountains are full of clouds and mist, which seems to be thousands of miles away.

The composition of the fiction and reality are intertwined, the brush and ink are sparse and beautiful, the mountains and rocks are especially wonderful, the light and thick moss, the sharp sharpness, the ink method is subtle, and it is breathtaking.

Shi Caiqing is thin and beautiful, and the color is elegant and timeless. It is easy to see the deep sense of elegance. The view is like the blue and green landscape of the Song Dynasty and the ink, constructing the realm of Qianlong's imperial poem "The light boat floats on the water surface, the beautiful path leads the mountain home".

The shape of the ears echoes with the theme ornamentation, which means "the country and the mountains and all generations", which can be described as ingenious.

The glaze of this ware is exquisite, beautiful, and the decoration and paint application techniques highlight the characteristics of typical foreign colors.

One is that the painting technique imitates the Western light and shadow painting method, paying attention to the distance and the three-dimensional level of the layout of the picture.

The second is that the rim of the mouth and the ears are decorated with round light spots unique to foreign colors.

The third is to depict the waves with a thin hair-like ink color on a large area of ​​white color with opalescence, devitrification and flat texture. This white color is also important for copper and porcelain enamels under the influence of the West. Base color.

Xiao Yao opened the bottom of the foot, and the seal was recognized as: the reign of Qianlong in the Qing Dynasty.

This piece of Yangcai Jiangshan Wandai Ruyier Pipa Zun made by the Emperor Qianlong of the Qing Dynasty is another rare porcelain treasure, and its market value should be around 100 million yuan.

The porcelains placed on these two rows of ancient shelves were rare before the Qing Dynasty. They were not very valuable decades ago, but now, the prices are basically more than one million. This is another sum. Huge wealth.

After appreciating the porcelain, Xiao Yao came to the Bogu shelf where the jade ornaments were placed.

On the first Duobao Pavilion is a white jade statue of the God of Wealth. It is of high quality and exquisite carving. Xiao Yao picked it up and weighed it in his hand, weighing about 4 kilograms.

It is a pity that the producer of this work cannot be verified, but because the quality of the jade is too rare, the market price of this white jade **** of wealth should be at least 80 million.

Next is a set of sapphire cups and pots, the price should be around 10 million.

The next three Duobaoge are all Hetian Yushanzi, but the quality of the jade is slightly worse, and the price is below 10 million.

In the next Duobao Pavilion, there was a pair of white jade lunar ends. Xiao Yao knew this was a rare treasure when he glanced at it.

Luduan is a legendary beast, similar to a unicorn, with a weird shape, rhino horn, lion body, dragon back, bear claws, fish scales, and oxtail. It is said to be able to travel 18,000 miles a day and speak four languages.

This pair of white jade lutoons is superior to white jade carvings, the jade is warm and moist, the jade is fine and firm, icy and flawless, and white and delicate.

His body is strong and strong, four-legged formidable, standing proudly, with round eyes, piercing and majestic. The hair and beards are twisted, the front chest is equipped with entangled bells, the head is separated from the body, and the abdomen is hollow, which can be used for aromatherapy, and the mouth is open to allow the fragrance to diffuse. Both sides of the abdomen are engraved with brightly carved pictures of Shoushan Fuhai auspicious clouds. The carving is smooth and fine, the whole package is thick and dignified, and the brown skin is shiny and gorgeous. The shape is simple and elegant, showing the royal atmosphere.

A pair of similar jade stubs, a pair of sapphire sapphires of the same kind in the Palace Museum's collection, is far inferior to this pair of white jade stubs in terms of jade quality.

Therefore, it shows that this pair of white jade luduan is extraordinary.

This pair of white jade rings should be treasures of the inner palace of Qianlong's heyday. Although it has experienced nearly three hundred years of wind and frost, it still shines on people, and the price should be more than 120 million.

The most precious piece of jade placed on the second row of Bogu racks is the Jade Guanyin Statue.

This jade Guanyin statue is too precious, too rare! It is a gem of emerald!

It is precious because of the texture of jadeite, but it is rare because of the exquisite carving work.

This Guanyin statue is one foot tall, most of which is ice-like sun-green, and a small part is glass-like sun-green, scattered with yellow and red jadeites.

This Guanyin is crafted with superb jade round carving techniques, and its artistic value is extremely high. The overall material is tall, there is an obvious intertwined structure of variegated crystals, the glass is bright, and the polishing brightness is very good.