Isekai Taneuma

"Soon after my apprenticeship as a painter, I thought about the contour line. When they draw a picture, they first draw from the outline, but in reality there is no such line. In fact, where is the line drawn in front of you right now? And when you draw, you start with a line that doesn't exist first.

Where did this line come from? It's in your head. In fact, there is no method of perspective, and if humans just look at the world as it is, they will only see the world where the seepage color spreads. Not because humans are rebuilding the world in their heads.

It is the dog that is there. It's a cat. They are chickens. It's a donkey., etc., and they categorize any object that appears in the field of view. And since you recognize dogs and cats as separate, you can see a line to distinguish them.

By the way, what's the difference between a dog and a cat? Whether it's a desk, a chair, a round or a triangle, anything. Humans can distinguish between dogs and cats almost unconscious the moment they see them.

For example, when a human sees a cat, he instantly calls the image of the cat in his head and compares it with whether the cat in front of him is the same. And when it is judged to be the same, it recognizes the object in front of it as a cat for the first time.

If you see a dog in the same way, call the image of the dog in your head, compare it, and determine that this is a dog. And by comparing the cat earlier with your dog today, we have determined that these are different kinds of creatures. This type of operation is not carried out almost instantaneously.

Plato called this image the idea that humans are calling into their heads to compare what the object is.

In reality, cats exist as sesame animals, and even though everything should look different, humans can immediately recognize cats as any cat they see. That's because there's a perfect cat image in your head, a cat idea. Similarly, ideas exist in dogs, desks, chairs, circles and triangles. Because there is a complete image of Idea, we can not recognize the world.

Conversely, the real world is created by imperfect materials. Even though the spiritual world is complete, Plato lamented why the material world in which we live is so incomplete....

When this is linked to Christianity, there is another interpretation. When they look at the same thing, they have the same feelings because the ideas of thousands of people are common. But why do all the people who are supposed to have lived different lives in different countries, different races, all have the same ideas? They thought it must be because God gave man a soul.

It is written in the Bible that man was born out of God's mud, and breathed into his mouth. Therefore, all the ancient Christians thought that the soul came and went through the mouth by breathing. To put it plainly, it's called ectoplasm. A long time ago, people didn't look like that, but they didn't think that smoke was coming in and out of their mouths.

And that soul is connected to the spiritual world. It is in that soul that there must be an idea, and there must be a complete world. Therefore, those who believe that if we abandon the imperfect material (material) world and return to the spiritual (ideal) world, humans will be allowed to approach God have emerged.

Groups that emerged in the second to third centuries with this mindset are called neo-platonists. This is a similar idea to Buddhism's liberation, and it probably had its effects. But the Bible has the idea that at the end of the world God will appear, and that the evil and the good will all be brought back to life equally, and judged by God. I mean, it goes without saying that this is heresy. Thus, neo-platonism was branded heresy and buried in darkness.

But then, nearly 1200 years later, the Florence humanists who found it in the Oriental literature touched on this idea of neo-platonism and interpreted it differently. I have a perfect image, an idea in my head, but is it possible to reproduce it in reality?

Everything has an idea, like a cat idea, a dog idea, a chicken idea, a donkey idea. In other words, there are ideas in humans, but what happens when you reproduce the "human idea = complete human image" in reality?

The ultimate beauty, the complete human being, is already in our minds. You can do it any way you want. Whether it's sculpture, painting, literature, medicine, or alchemy, reproduction in reality should give birth to a complete human being.

God created man like himself. A complete human being is God.

Aesthetics (art) was a discipline that was originally intended to present its complete beauty to the world. The people of the Plato Academy, gathered in the Salon of the Medici family in Florence, were serious about showing how God created man by pursuing beauty.

That is, it is nothing more than an act of God. Immediately in the neighborhood, there is a Christian headquarter called Rome, and they have been doing that kind of thing with Kokoshi.

When he heard it from Botticelli, he thought it was interesting. Due to the influence of Scorponok, it was normal for them to think that a metaphysical existence like God was above the sky. The idea that it was actually in the human mind seemed very novel.

Certainly, there is something in the head of the pigeon that resembles a complete human image. When you look at a human, you can always wake it up. But if you try to express it outside, it disappears like grabbing a cloud. I wonder if you can describe the "human idea" in this jar somehow....

Then, he began to think about what a human being is, what a god is, and how he could erase that contour.

But unlike ancient Greece, which laid down slavery in Italy, humans cannot live by thought alone. In the end, he wrote a brush for his life, and eventually forgot about God.... "

Having completed his training at the Verrocchio workshop, Leonardo sought refuge with the Medicis in Florence, but instead went to the Principality of Milan as a goodwill messenger. Therefore, it will be used heavily by the then Duke of Milan.

This is also the heyday of painter Leonardo da Vinci, who draws his last dinner with the Virgin of the Rock, also synonymous with him, during his stay in Milan.

For his part, he intended to bury his bones in Milan as it was. Around 1490, he summoned his biological mother to live with him, but unfortunately, she will die a few years later. Moreover, in 1499, the Second Italian War broke out and the Principality of Milan was occupied by France, as if to chase him after his disappointment.

Leonardo, along with his fellow mathematician, fled to Venice where he was hired as a military advisor. His talent as a painter was good at drawing maps, and his knowledge of geometry seemed to have been useful for laying out cannons and so on.

The following year, when he triumphed over his hometown of Florence, he was enthusiastically welcomed as a great artist, but he behaved more like a soldier. In fact, two years later, in 1502, he joined Lord Romagna's ranks and became a military advisor. Two years later, he joined Florence's Pisa strategy and collaborated with Macabelli in a water offensive.

He was of course active as an artist. Around this time, he painted Mona Lisa and the Virgin Mary of the second cave, competed with Michelangelo, and painted the battle of Anguiari (unfinished) in the Florence Mansion.

But he was also famous for not keeping his promise.

According to records around this time, he is obsessed with geometry and can find many things his client laments for not completing the painting at all. Apparently he was trying to invent a flying machine or researching celestial bodies for military purposes. Written around this time, he said he would find everything from the moon shards and the earth's lights to obvious geodynamics.

In this way, later in his life, he will change places as if he were being manipulated in a turbulent era, compared to the milan era, which was relatively calm. Later, he lived in the Vatican, where Michelangelo and Raffaello were active, and was asked by the Pope to meet the King of France for peace talks with France, which occupied Milan, which he later invited to France.

And he went, ironically, to the land of France, which drove him out of Milan, and ended his life there.

"It was François I, the King of France, who invited me to France. I didn't like it very much, but when I first met him unexpectedly, he told me that he was a fan of sardines. I wonder why he painted two pieces of the Virgin Mary in the cave, but the French royal family owned the first one to let go. He was invited to France for the restoration.

François I was a gentle man who often invited his wife to court and wanted to hear all sorts of stories. Paintings, mathematics, anatomy. I have lectured on star tours, actual wars, and monarchy like Macabelli.

One day, he talked about the Plato Academy, which was held at a medic salon. But this is a Christian heresy, and the priests have bullied him.

Just when Luther went to France, the Church was tingling in the north as a result of Luther's adversarial religious reform. Since neo-platonism was not originally considered heresy in the third century, it would be blasphemy against God to speak. The church was overwhelmed with words to hunt for. Only half a century ago, I could not talk about it in a tavern around here anymore.

Honestly, the Reformation didn't matter, but the French priests remembered it, so even the trivial things had to be a little bit more frustrating. Besides, they were famous people, so if they were converted by their sermons, they could also be used for the authority of the church. That's why they slammed the pigeons, and the pigeons didn't feel like pulling because they knew their soul and gall, so they could continue the heated argument forever.

After that, a priest came to replace him. He defeated them all the time with words. The King of France saw it interesting. Originally, he was not invited by the King of France, so the priests could not say that they were heretics.

That's why he was able to argue with the priests and think about the idea he had been thinking about when he was young. By that time, I had no idea that I would become a god, but I was as interested as ever in the complete human being in my head.

Then the moon and the day passed, and the time of death approached. By that time, the priests of the church often came to the church, pressing for a renovation. We've become each other's lives now. The priest comes to the hospital bed, as he does every day. You're wrong, so I suggest you change it and take the mark of the end of oil.

The pigeon was a little tired. It was, in a sense, a pleasure to have an argument with them. Now I think it's time to do exactly what they say. Honestly, there is no reason why we should stick to this. I didn't hate the invisible things such as the authority of the church, the glory of God, and kept confronting them, but I was interested in the things that pushed them so far.

And when he tried to admit them... he remembered the paintings he had painted when he was young. It's not a story of a man or a lid, but he was painting because he had an order from the church in the first place.

They used paintings to convey God's mercy and the authority of the church in order to spread the word to people who did not know the letter. So orders from them were always specific and cumbersome in a way. Sometimes, the client and the filling didn't fit and were said to be different from the order and refused to receive it. When they said so, they somehow tried to express their majesty and beauty.

For example, there is a painting called the last dinner painted by Jin, which at first glance does not seem strange, but when viewed closely, there is an incredibly vast space behind the table where Christ and the Twelve Apostles sit. If you look at the tapestry hanging on the left and right, you'll see. Outside the window, the ridges of the distant mountains form the horizon, as if they were overlooking from a height. In this way, he did not express the greatness of Christ in the middle by creating a vast space behind the subject.

I already painted something invisible. Such invisible things as greatness and majesty can be painted in this way. After all, it means that there is an idea in the invisible image.

He was trying to paint a complete human being, studying anatomy, using shadows, and using perspective to continue a realistic approach, but he couldn't achieve his goals in that way. Because God is great. If I hadn't expressed what I couldn't see, I wouldn't have seen any ideas there.

I regretted having noticed it at this time. We need to change the way we do things now, but we don't have time for that anymore. However, for the first time in my life I prayed to God that he would give me a little time because he was still more motivated than ever.....

And then I realized... that there was someone there. "

In the hospital bed, Leonardo, obsessed with his new ideas, twisted his upper body in an attempt to wake him up. A stranger stood next to his bed.

At first, I thought the priest of the church would come, as usual. However, I think he's in a different state, and when he glances... the man doesn't have a contour line, no, but he's bleeding constantly, and he has an atmosphere where he's not sure if he's there or not. Leonardo, who realized that it was clearly not unusual, did something to the man.

Then I answered it with a stronger voice than I thought.

"His name is Maitreya, and his true name is Milok. It is said to be a god that appears in another universe beyond the time of time. He speaks to the past from somewhere far away in the future. There is God there besides him, trying to make a complete human being. The humans that they make are fighting the humans that other gods make. I was wondering if you could help me with that fight....."