Because only this actor can fully interpret this role in the script.

It is also in line with some characteristics of the original script writers, which can make them reflect the character of this character.

It is completely reproduced in this actor, which is a perfect fit.

And an actor also hopes that he can have a good script to show his performance.

If there is no good script, any actor, even if he has acting skills, will not be able to make this work well.

So there is a saying that is often circulated in the entertainment industry, that is, sometimes a good script can set off some traffic florets who are not very good at acting.

Or it can also make a movie shot by an actor through a script become a blockbuster.

This is the so-called good script, which can drive the development of an actor.

And there is another saying that a good actor can set off a script.

Originally, the script of 25 didn't have any special features, but after this actor's interpretation, it showed different effects.

If you use all the actors, the most common thing to say is that sometimes it is the script of the people's insurance, and sometimes the script can save a person.

So this is a two-way result, and the effect that Ye Han and the screenwriter want to achieve now is also like this.

It's just that the screenwriter now recognizes Ye Han very much.

They thought it would be of great benefit to them if Ye Han could make his first breakthrough in the movie and hand over this script.

Because the image of the characters in this script and Ye Han's popularity can attract a lot of fans, and there is absolutely no lack of topicality.

So facing Ye Han's still hesitating mood, these screenwriters actually had some worries in their hearts. They were afraid that Ye Han would reject them in the end, because these screenwriters knew how successful Ye Han's last movie was.

And this time, if Ye Han takes advantage of the heat from the last movie and continues to interpret this script.

Even with their eyes closed, everyone can guess the box office because Ye Han's appeal and influence have reached this point.

So now the screenwriter can be said to be a little eager and praying that Ye Han can accept this script.

But when Ye Han's own instinct faced this script, he still resisted a little, but Ye Han didn't completely reject it, which gave these screenwriters a glimmer of hope.

And now that Ye Han was still discussing the script with them, the screenwriter felt that Ye Han was really thinking about these things seriously.

It's just the final result, as Ye Han said, they don't know yet, but they can only let themselves strive for it as much as possible, hoping to have a good result.

And they also hope to continue to refine the character they wrote, so that it can be combined with some of Ye Han's acting skills and personality.

In this way, Ye Han can relax a little more when performing, the chief screenwriter also said to Ye Han.

"Although the protagonist in this Shaolin football movie looks like a very sloppy dreamer, in fact he also has a delicate personality."

"If you can see the extension of his delicate emotions from some details in my script, I think this is a very suitable role for you."

"In the past, when your works were presented, they were more of a soft and feminine character."

"So every work looks very clean and refreshing, and even makes people feel that seeing your picture is like a kind of enjoyment."

"But this time the character in our work is just the opposite. The poverty and abjection at the beginning, as well as his temperament, have fallen to the bottom."

"But as the plot of the character's main story unfolds, you can see a completely different side of the protagonist's personality, and his grievances and hatreds can all be reflected."

"Especially the emotional interpretation between the protagonist and the supporting actress, which makes people feel that there is a kind of hazy beauty, and it also feels like a very practical life."

"If this point can be grasped well, it is actually a very plus point, just like everyone can empathize sometimes and find the same example around themselves.

"And the optimistic character of the protagonist is reflected in a humorous way, so when the protagonist's optimism and sadness collide with each other, people can see the most exciting part."

"Of course, this is just a line of the protagonist. The brotherhood and team spirit of the protagonist are faintly visible in this line, and it becomes clear in the end."

"It also reflects the protagonist's pursuit of his dreams, and the spirit of never giving up. Even when facing a strong opponent's team, he will never admit defeat."

"Of course we will also add the main character to this, a more rich inner one-man show, which can reflect the step-by-step transformation process of the 697 protagonist, and can also reflect the protagonist's confusion and struggle process."

Ye Han knew that the chief screenwriter tried to use it as much as possible. This character was attracting him, and he hoped that he could see many good sides of this character.

Only in this way can I fall in love with this character, and then I can be fascinated when I analyze this character. Only when Ye Han is really fascinated can I accept this character.

So now the chief screenwriter will use his own language to explain to Ye Han what kind of mental journey this character has, and what is the most exciting part of this character's performance?

Moreover, he also told a few main lines in the whole story, so that Ye Han can understand how rich this story is and what aspects it can use to impress other people who watch this movie.

If these methods can reflect the very positive side of this movie, the chief screenwriter believes that only artists like Ye Han who set an example can

It can be deduced.

Others already have flaws in themselves.

When they perform such roles, they will not convince anyone at all.

So in the end such a role is a failure.

Chapter 434 Charming Personality of the Character!

Ye Han did find this role a bit attractive, especially Ye Han felt that the character conflicts in this role made Ye Han feel that he could improve his acting skills.

The personality conflict is mainly reflected in the protagonist's depression and sadness at the beginning, and the excitement of being able to have his own team in the end.

And at the end, this kind of excitement, the interpretation of the mentality after being directly hit the bottom by the opponent, all the way to the final success.

So for Ye Han, several of these turning points need to be grasped by himself. As the chief screenwriter said, this is a fascinating character.

But some images in this character really made Ye Han hesitate.

But the whole story system made Ye Han feel that it was really good. It not only embodies friendship and love, but also embodies a heart that never gives up and pursues dreams.

So now Ye Han hesitated and told the chief screenwriter directly.

"Your explanation and analysis just now really moved my heart, but I also know how difficult it is to play a role, so I will seriously consider these things."

"Another point is that I think the character of this character is not full enough, and needs to continue to pay. Since it is a comedy, of course it must have this kind of comedy conflict."

"At least for now, I don't see too strong conflicts from the script, but only various twists and changes. This is actually a shortcoming for a protagonist's character."

"I hope that if you really adjust the script this time, you still need to start from this aspect, so that the image of the protagonist can be revitalized first."

"As long as the protagonist's image can meet our needs, it means that these things and series around the protagonist can continue to pave the way and perform according to the protagonist's personality.

.

"When all the plots related to the protagonist are connected in series, in fact, the compilation of this script is almost the same, but the specific characters of some supporting characters also need to be controlled'"

"Because everyone knows that the main character is a safflower, but the supporting role is countless green leaves. Without any green leaves, the color of the safflower will not be reflected in the end.

.

"Although I haven't completely read all the content of the supporting roles, but after I read a part, I found that the character of the coach needs to be refined."

"There is also the heroine who acts opposite to the protagonist. Although he is just a worker in a noodle shop, he also has his own emotions and characters, which are not highlighted at all."

"I think there are still many places that need post-processing. What makes me most satisfied now is that your story line is relatively complete and can be seen. This is indeed a good story."

"What makes me most dissatisfied is the refinement of each character's personality and the conflicts of various comedies. Since it is a comedy, it cannot simply make people laugh through the story line."

"The dialogue between the characters, or some sense of comedy in the character, in this script, at least for now, I haven't seen much."

"These are the places that you need to figure out later, and also the places that you need to rectify later. I think it's better to start with these places first."

"Even if there is no detailed personality of a supporting role, or a detailed personality conflict without a protagonist, you still need to have an overall draft plan." The purpose of Ye Han's words is very simple, just to hope If I can accept this script, I must let myself see a satisfactory work presented.Just a simple story line to satisfy myself is far from enough to involve many characters in a story.

As for how each of these characters is portrayed and how to cooperate with the protagonist, there are many things involved, although Ye Han is not good at screenwriting.

But Ye Han could indeed find through his own observation that some of the details were not perfect at all, especially Ye Han often appeared in women's clothing.

So his character has actually been stained with a part of delicacy, like the whole of the current script.

Although Ye Han didn't finish it, at least Ye Han has already had his own feeling, like a person who knows the way after taking ten steps, and how to take the remaining steps.

Ye Han also just read the outline of a script and already knew the general story line of the script and the portrayal of some characters.

It was precisely because of Ye Han's homework that he said what he said today, and Ye Han's words were also recognized by the chief screenwriter.

Because not all actors are able to read the script carefully, even now there are many actors who only read the script when they are filming on the spot.

And I don't take it very seriously when I read the script, I just need to know the general plot of my own.

There is even no need to mention the lines at all, and there will be some post-production synthesis and dubbing in the future.

It is precisely because the basic skills of these actors are not solid, they are not capable of filming TV series or movies with their lines.

What's more, they just used some partial close-ups to make themselves stand out, and the handsome side is enough.

Although Ye Han was also very chic and handsome in the previous movies, of course, if it is correct to use another adjective, it is charming and tactful.

However, when these two words are used on Ye Han, they are reflected respectively. Ye Han's male side and his female side (Zhao's) show that Ye Han still has something to do.

Although Ye Han made his debut by singing, now Ye Han's acting skills are absolutely top-notch after years of experience.

And the chief screenwriter also knew that Ye Han still had some studies in normal times, and these studies were for Ye Han to improve his acting skills.

Even in terms of lyrics creation and arrangement, Ye Han is still learning, which shows that Ye Han has a completely different concept from ordinary artists.

It is precisely because of this understanding that the chief screenwriter made up his mind. No matter what the script is, Ye Han must act in it. Only in this way can he guarantee his box office and at the same time, he can fully present his beloved works. .

Instead of finding some other people and finally letting my own work, it is because these people have lowered the grade and there is no way to satisfy the chief screenwriter.

Chapter 435

After Ye Han communicated with the chief screenwriter today, the other screenwriters also listened carefully to Ye Han's words. Through Ye Han's words, the other screenwriters actually felt Ye Han's sincerity.

If Ye Han simply rejected the script, or just wanted to allow himself to have more performance fees.

If he even allowed himself to take the opportunity to put forward some other conditions, he would never be as serious as he is now.

Then it is obvious that I have reviewed the content of some scripts in advance before I can make such targeted suggestions.

But how this proposal will work in the end still needs to fall on the heads of all screenwriters and chief screenwriters, which is why these screenwriters listen very carefully.

Because these screenwriters know that if they want the final presentation of this work to conform to the character of the protagonist and some actors, they must have something that can catch people's attention.

Now that the protagonist has made a request, of course they need to adjust according to the protagonist's instructions.

Otherwise, no matter how well the decision is adjusted, the protagonist will be dissatisfied in the end and think there is no other way.

If he deduces this character according to his existing acting skills, it means that their adjustments are useless.

So what a screenwriter is best at is to be able to let himself handle 700 according to the personality of some people when writing the script.

And when making some minor adjustments while shooting in the follow-up, he can quickly come up with some adjustment plans, which is the ability of a screenwriter.

Now they listen to Ye Han's words and remember these things seriously, which is actually a manifestation of their abilities.

They need to use some techniques that Ye Han told them or some goals that Ye Han needs them to achieve.

In the end, it can be realized when it is combined with their actual adjustment process. It can not only satisfy Ye Han, but also meet their original plan.

So now, when Ye Han and the chief screenwriter communicated for about an hour, Ye Han checked the time and felt that at least at Ye Han's level, he had already put forward all his demands.

And now the chief screenwriter and Ye Han have done some analysis of the script, and the two sides have had some discussions during the analysis process.

The discussion was not completed until three hours passed before we knew it. Ye Han also directly followed what he told everyone before, and brought everyone to the restaurant to have a happy meal with everyone.

And during the meal, Ye Han didn't put up any airs of his own.

Just like when Ye Han met all the fans at the fan meeting back then, it was no different from ordinary people meeting their friends.

Now Ye Han still shows such a character and attitude, which made the chief screenwriter and editor admire him very much after seeing this side of Ye Han.

It is true that some people say that being famous is not as good as meeting, or the other way around, meeting is not as good as being famous.

And Ye Han confirmed that his name and what he actually did were consistent with each other.

This also let the chief screenwriter know that Ye Han is definitely not a person with a vain appearance, but just hides his character or actions under his appearance.

Because the appearance is for all fans and some other people to see.

But in fact, there is a different side in his heart. What Ye Han shows now belongs to the unity of exterior and interior.

Such a person is very difficult to find in today's society.

It was precisely because of this reason that the chief screenwriter chatted with Ye Han and the others very happily.

And during the meal, although everyone didn't talk about the script, they also talked about some other things in the industry. Although Ye Han has been working in the industry for several years.

But the experience is not as rich as the chief screenwriter, precisely because the chief screenwriter has 20 years of experience in this industry.

Otherwise, how could he write such an excellent (cfac) script?And the chief screenwriter's network is also richer than Ye Han's.

Only then did he ask someone to find Tang Shuyue, find Ye Han's body, and ask Ye Han to play this role. Otherwise, Ye Han really has no connection with the chief screenwriter.

So now Ye Han is also very humbly asking the chief screenwriter for some things.

Tap the screen to use advanced tools Tip: You can use left and right keyboard keys to browse between chapters.

You'll Also Like