Life in Tokyo starting as a child star

There are indeed geniuses in the world.

Nagase Madou, who has been working in the theater industry for more than 20 years, has seen many geniuses.

For example, an actor can already occupy a leading role in a stage play after just one year in the industry.

Another example is an actress who has only been exposed to stage plays for more than half a year, but her acting skills have already attracted many fans.

But this was the first time he had seen such a servant.

"Really? Then you can already—go die!"

The calm voice was squeezed to the end, and murderous intent suddenly broke out.

After stepping into the predetermined position, the long knife from his waist was instantly pulled out, and he aimed it at the head of the actor in front of him and chopped it off!

The murderous aura was unconcealed, as if the person was about to beheaded in the next second.

Undisguised bloody murderous intent!

A harsh sneer!

The sound of heavy breathing can be heard through the microphone.

The entire stage seemed to be filled with a chill.

Even though they were rehearsing with Minoru Kitazumi just now, and the performance was going back and forth, the male actors who belonged to the protagonist group stood there stunned for a moment.

They looked at Kitaki Minoru in front of them.

He just felt that the other party was as scary as a monster wearing slave skin.

Especially the twisted smile on the other person's face and the gaze that was as sharp as a knife and could cut their skin.

no?

Are you on drugs?

You were not like this before.

As stage actors, of course they knew Kitumi Minoru's shortcomings in stage performances before.

But they didn't point it out directly.

After all, that is the job of theater director Nagase Madou.

In addition, although Kitazumi Minoru is only a sub-contractor, he is also one of the key actors.

To poke his weakness in acting in front of his face - this kind of thing should be avoided.

So the stage actors present said nothing.

But who would have thought?

After talking to Nagase Madou.

Has Minoru Kitumi's stage performance improved so much?

You guys are not here to talk about acting at all, but to 'test the medicine', right?

Otherwise it wouldn’t make sense, right?

The shocked actor on the stage cursed in his heart and felt a huge headache.

Originally, Kitami Minori's acting skills were good, but some of the supporting actors were a bit difficult to follow.

In this way, wouldn't it be more difficult to take Minoru Kitazumi's role?

And why is this servant so evil?

I just got a glare from him.

Do we have an inexplicable feeling of suffocation and fear?

The actors complained endlessly on stage.

Nagase Madou, who had been watching Kitumi Minoru's performance below, couldn't help but scratch his hair.

Is this really a ‘plug and play’ type of genius?

Even sitting in the audience, Nagase Madou can feel the emotions conveyed by Kitumi Minoru's body language.

only.

"Uh-huh."

Nagase Madou touched his chin.

After Kitumi Minoru returned to the stage, her acting skills really changed completely. It was very exaggerated and not abrupt.

how to say

It didn't feel like acting to him anymore, but just showing his true feelings directly, so he could be so natural and unobtrusive.

But showing your true feelings?

Hida in the original work of "Tokyo Cursed Swordsman" is a murderer who can kill people without blinking an eye.

Kitazumi Minoru is a subservient, and he is not really a murderous maniac. How can he act like Hida by "showing his true nature"?

Minase Madou didn't understand.

Kitaki Minoru didn't know what Minase Madou was thinking.

He just captured the feeling of acting on stage.

In short, it is necessary to convey emotions to the audience through various acting skills. This is enough.

And there is no doubt about it.

The most important thing about being able to convey emotions to the audience is acting skills similar to those of the experiential school.

Although strictly speaking it cannot be said to be a real experience.

But Beicheng has experienced the lives of many "murderers" in the life experience game.

The ‘perfect level of corpse destruction’ in “The Resentful Son”.

The ‘perfect abduction and kidnapping technique’ of “Natsuko Kidnapped”.

The ‘perfect murder technique’ in “Night Walk”.

Even in the "Swordsman Den" experience that was not mentioned.

The number of lives lost by Beicheng Sword Master is definitely not a small number!

And these things placed side by side are the gold content of his Kitaki Minoru!

Combined with these 'life experiences', it can naturally convey real emotions to the audience.

Coupled with the 'exaggerated' acting skills required for stage plays.

Kitaki Minoru simply stopped pressuring herself - she acted entirely by acting on behalf of others!

Use whatever you have!

Just like now.

There was a twisted smile on his face.

One hand grasped the hair of the actress beneath him very hard.

One foot stepped on the other person's back mercilessly.

The long knife with a cold light in his hand was placed on her neck.

certainly.

This action is just a pretense.

Kitazumi couldn't really use force.

The long knife in his hand is just a prop knife, it has no edge at all.

It was just the first time that Kitazumi used the 'perfect murder technique'.

This makes his movements look particularly realistic.

The tense and bulging forearms looked like they were pulling hard, as if they were trying to pull the actress' hair and scalp down by the roots. And the long knife that was close to the other person's neck, as if it was about to wipe her throat in the next second.

Gudu——

Obviously, the evil and cruel Hida is in front of them.

The protagonists around them should rush forward to rescue their companions without hesitation.

But the actors around them looked at each other.

At this moment, no one dared to step forward to stop the violence of ‘Hida’, and they just stood there and recited the lines.

In the end, it was Kita Sumi who ‘voluntarily let him go’, and the rehearsal continued.

There was no other way.

Kita Sumi’s aura of ‘I will chop anyone alive who dares to come up’ was too intimidating.

It was in this slightly awkward atmosphere.

The first rehearsal of “Tokyo Curse Swordsman” ended quickly.

Looking at Kita Sumi walking towards him from the stage.

Theater director Nagase Mato was completely relieved.

Originally, he was still worried about whether Kita Sumi could quickly switch the ‘TV drama’ state to the ‘stage play’ state.

Unexpectedly, he just said a few more words.

The other party was able to perform so well.

Nagase Mato didn’t expect anything else.

As long as Kitasumi can keep this state on stage.

There is absolutely no problem with the role of Hida in "Tokyo Curse Swordsman".

Thinking of this, he was about to speak——

"Director Minase, let's do it again later. I think I can do better."

Kitasumi stretched out a finger, looking dissatisfied.

Yes.

He was not very satisfied.

Although he just performed Hida with the help of his experience in his mind.

But after all, this was the first time.

Of course, he was very dissatisfied with the switching of some places.

Let him do it a few more times to get familiar with it.

He can definitely perform more perfectly!

"Can it be better?"

Minase Mato, who originally planned to let Kitasumi keep his state, was stunned for a moment and couldn't help but look at Kitasumi more.

No

Even if you are indeed a "plug and play" type of talent, you can't be so excessive, right?

Other actors have worked hard to improve their acting skills.

As a result, you only rehearsed once or twice, and you can say that you can do better?

Isn't this a bit excessive?

But

"Okay."

Minase Mato nodded.

He had no reason to reject Kita Sumire.

After all, they did have to continue rehearsing.

Stage plays are different from TV dramas and movies.

In order to match the effect of the curtain behind, each actor's position and movement are actually very particular.

This is also an important reason why some large-scale stage plays may even take half a year to prepare.

Although the workload of rehearsing twice in a row is indeed a bit heavy.

But even a child like Kita Sumire did not complain about being tired.

They can't be a bunch of adults here, right?

With this idea.

Minase Mato organized the actors to prepare for rehearsal again.

And then——

It's really much better than before!

Minase Mato looked at Kita Sumire's re-enactment of the image of Hida, his eyes did not blink.

He has always known that there are such things as "geniuses" in the industry.

But is Kita Sumire's "genius" a bit too much?

How could he perform better on stage than before?

He was full of doubts.

It was in his doubts that the second rehearsal ended quickly.

However——

"Let's do it again, Director Minase. I think I can do better."

"Huh???"

Minase Mato's hand trembled, and the mineral water bottle almost fell from his hand.

The amount of exercise in rehearsing "Tokyo Curse Swordsman" is not small.

The actors' running positions and positioning speed are very particular.

Once or twice is fine.

Three or four times without rest is too torturous.

Just like now.

Except Kita Sumire.

A group of stage actors didn't care about their image at all, and sat down on the stage directly.

And when they heard Kita Sumire want to "do it again".

Their faces turned black all of a sudden.

What kind of physical monster is this sub-actor?

It's been running back and forth for so long.

Aren't you tired at all?

The corners of their mouths twitched and they couldn't speak.

And Minase Mato coughed dryly.

"That... Ahem, Bei Chengjun, although you may not be tired, the big brothers and sisters behind you are tired. Why don't you take a break before talking about the next time, okay?"

"Huh?"

After hearing this, Bei Chengshi turned his head.

Looking at the many stage actors sitting on the stage, who looked particularly tired because of rehearsal.

He nodded.

"I understand. Then take a break first, after all, the big brothers and sisters are tired."

When he said the last sentence.

The disappointment in his tone can be said to be unconcealed.

No?

Disappointed?

Who are you disappointed in?

Us?

Many stage actors on the stage were stunned at first when they heard Bei Chengshi's words, and then a sense of shame rose up.

The actors present have performed many stage plays and can be regarded as experienced.

As a result, Bei Chengshi's words, "After all, the big brothers and sisters are tired."

It sounds like he is accommodating himself.

This makes them a little unbearable.

Accommodate?

We adults are being accommodating to children?

When you were still playing in the mud, we were already acting!

OK!

Let me show you what the resilience of a stage actor is!

Isn't it just rehearsal?

They are just tired, not dead!

You speak so nicely now!

I'll give you some strength later, so don't cry while you wait.

Several people were stunned on the spot and spoke directly.

"We're okay, Director Minase."

"That's right. Since Beicheng-kun wants to continue rehearsing, then just keep going. We'll be fine. This intensity of rehearsal is nothing at all."

"." Minase Madou.

Look at the many stage actors who are "excited".

Minase Madou couldn't help but shook his head.

"Okay, since that's what you ask for, let's continue."

Kitami Minoru is just a kid anyway.

Although the recovery ability is stronger than that of adults.

But in terms of overall strength, it is impossible for a stage actor who has been engaged in stage performances all year round to lose to a child.

With this thought.

Minase Madou continued to stand in the audience, giving guidance on acting from time to time.

At the same time, he waited for Kitazumi to show signs of fatigue.

However--

"Let's do it again."

"I think it's okay, but I'm not satisfied."

"I probably understand, I'm okay"

"."

Rehearsal after rehearsal.

One end at a time.

From the beginning, Minase Madou's mood of "taking care of Kitami Minoru" gradually changed to——

"Is it possible that this servant is a monster?"

Look at the many stage actors who have collapsed in the corner of the stage.

Minase Madou glanced at the energetic Kitazumi in front of him, who seemed to be getting more and more energetic in his performance.

It's a real monster!

Plus the previous two games.

This is already the sixth rehearsal!

This can no longer be explained by ‘children’s resilience’.

Kitazumi Minori is indeed a freak!

God knows what he usually eats, how can he be so strong?

I can persist in this kind of high-intensity rehearsal.

The key is--

"Director Minase, we can rehearse again."

With expectant eyes, Kitumi Minoru spoke.

"no."

This time, Minase Madou spoke his mind without hesitation.

It's not that he doesn't want Kitumi to rehearse.

After all, Beicheng is indeed making progress every time he rehearses, and it makes him feel something new.

But this time it really doesn't work.

You must know that all the actors on the stage fell to the ground in a circle.

If someone came in and saw this scene, they might think that some kind of murder had occurred.

If this continues, someone may die.

How could it be possible to continue rehearsing?

"Beicheng-kun, you should also take a break. Look at the big brothers and sisters behind you. They are already very tired after so many rehearsals. They really need to take a good rest here."

Minase Madou coughed dryly and persuaded Kitaki Minoru.

What he didn't expect was the result.

Kitaki Minoru in front of him hasn't spoken yet.

The actors who were lying upside down on the stage seemed to be touched by his words.

"We can continue to persevere. We can do it, Director Minase."

Several stage actors remained lying on the ground and raised their hands.

"." Minase Madou.

He sighed deeply and forcefully.

Can?

You guys can be so stupid!

You all fell to the ground and couldn't get up. Why are you still so stubborn?

Chapter two! I'm in good shape today! Can write the third chapter!

But the third chapter should be after twelve o'clock!

Thank you to Yuye Daodao Fudai Umbrella 69 for the 5,000 starting coin reward! Thank you so much!