Lord of the Mysteries
: The fourth part of the summary and leave and monthly ticket
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Not dead, a gift, or a curse, this is the fourth theme, in fact, it is reflected in many people, such as Azick, Anderson, Leonard, etc., and finally Xiaoke sees those Silkworm cocoons, seeing the earth people who are wrapped in silkworm cocoons, modern costumes, seeing that three of them have broken, gifts, or cursing doubts, I don’t think I need to point out any more, the world’s horror and suspense crazy darkness The tone of the tone appears again.
This is one of the most impactful images I envisioned before the book was opened. It seems that the effect is still good, laughing.
The entire fourth part, progressive progress, recovery of the foreshadowing, including the line of Anderson from the middle of the third section, and finally had a strong outbreak and reverberation, I am still quite satisfied, the remaining lines, in the fifth The ministry will also do some recycling.
However, there are still some problems in the fourth part. First, the rich people lack daily conflicts. Once they are stretched, they don’t know how to build tensions. Many points have to be explained, and they have to be mentioned. This leads to the door of Chanis. Before, I was a little anxious, the transition was not soft enough, and I lost the last pad. I said it before, I won’t talk much.
Second, the plot has a long range, and the rhythm of the middle and the back has some problems.
From late June to mid-July, my writing status was a bit sloppy. From Klein's recipe, Leonard digted the grave, and the tension of the whole story fell from the peak. I tried to make up and go heavy. Structure, find new stimulating points, but the effect is not very good, as for the reasons, I later roughly figured out that there is no change.
In general, it is too long to upgrade, from the middle of the third section to the secret master, to the second and the middle of the two or three hundred chapters, the aesthetics began to fatigue, the tension began to decline, and urgently needed essential changes.
Therefore, I adjusted the rhythm and pushed it to the back. It can be described on the side, and it is very clear to aim at the two lines of upgrade and revenge. From the perspective of self-perception and specific data, the effect is good. of.
Of course, this has also caused some problems. There are several places to catch up. For example, the Calderon section should be a little more stretched and more tortuous.
Well, for me, the upgrade is not only a refreshing point, it is a point of expectation, or a tool to control the rhythm. The former is easy to understand. Even in the real world, the upgrade is everywhere. The staff has the path of promotion, the businessmen and the officials. Yes, the reality of not upgrading does not exist, but some are not obvious.
The latter one is more complicated. I am simplifying the pursuit of change. The daily books need to change. I need the stimulation of new things. An upgrade can bring a lot of changes, so I can use it to control the rhythm and measure the problem.
After accelerating the rhythm and coming to the final climax story, the most important thing for an author is to straighten out emotions, straighten out the emotions you want to express, and remove harmful and superfluous things to ensure that emotions move progressively. Accumulation and outbreaks are not disturbed, are not interrupted, and are not diluted.
So, in the last part, I gave up a little sense of urgency. First, after Adam’s line was pulled out, unless the rose school was pulled in, it would naturally lack a sense of urgency, and if it was done, the scene would be too confusing. I can't put my emotions on revenge very well and put it on the sadness.
Secondly, this Xiaoke is the director. It is about to let things be under control. Too many accidents and urgency will lead to digestive upgrades, and the revenge and upgrade will be divided into two lines. The latter will be too dragged. The rhythm is definitely a problem, and there is no tension.
Also, the existence of the original red angel evil spirits will also make the sense of urgency untenable. This is a bit of sacrifice for shaping the characters.
Well, I’m going to intersperse the memories of Ince. The plump characters actually don’t help the emotions, so I was sacrificed.
In fact, it is not impossible to shape the sense of urgency in the middle. For example, let Dai Li’s death advance, and the emotion will be detonated in the middle, creating a sense of urgency that can kill everyone, but this way The finishing touch and the beauty of the ending will not guarantee the mood is in place. After the measurement, I can only make such a choice.
For Dai Li, the earliest person set up, I put her into the line of the goddess of the night to pursue the authority of death, and later gave up this idea, let her be a common genius, and the captain this ordinary In the middle layer of the night, there is a story with a less protagonist template, which is very unique and rare under the overall atmosphere of the whole story background.
Ah, yes, I often use words a bit informal, very strange, and the word order is also. I am doing some experimentation. I hope to pass on the pictures in my mind and the emotions in my heart to you in the most vivid way. At this time, I will not consider the use of adjectives, verbs, or nouns, but which words to consider. Or which words are more able to show the key to the picture, more intuitive and more intuitive.
Many authors have similar problems. I remember many books behind Wen Rui'an. Some places seem to be filled with water. For example, a bunch of "knife" characters surround a person's name, but in fact they all want to better shape the picture. Goodly pass the feeling out and break through the limits of the text. At this point, the text is always not painted.
This is the technical summary of the fourth part. As for the third or the first traverser, you can guess, oh.
Well, as usual, one finishes the rest and takes a good idea. Although there is a weekend, it only takes three days off and resumes at 12:30 on Tuesday.
The fifth part, "Red Priest", everyone can read and understand, laugh.
Finally, I pushed two books, one of which was "The Heavens and the World's Dragon System". The stories I cut into are rare, and the **** romance and the people's name are still very innovative.
One is "Speaking to the Sword", the old brand of the Great God Landi.
Finally, the fourth part ends with a monthly ticket~
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