Made in Hollywood
Vol 2 Chapter 931: God of fate
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"The outline of this story seems to be very good. [ㄨ]"
With eyes off the computer screen, Scarlett Johansson turned to look at Duke next to him and asked, "Couldn't this be leaked by your insiders?"
Duke glared at her. "You think too much."
This version on the Internet looks very reliable, because he is based on the plot of the Star Wars True Story trilogy, but it is specially added that Rey is a descendant of Obi-Wan to support his point of view. .
However, in the end, these things are not useless, so Duke kept watching.
"Rey didn't want to shoulder such a heavy responsibility, just wanted to rescue her friends, but Maz told her that this trip would face the most severe test. Maz watched Rey's spacecraft leave, and a green shadow appeared beside her."
"Under the guidance of the Force, Rey found Finn, and she was greeted by Kailoren, who had completed the Dark Force training and intended to be ashamed. Ren and Rey fought again. Ren was defeated by Rey and his right hand was defeated by Rey. Cut off, at this time the leader Snooker appeared, showed Rey the powerful dark force, and made a condition, as long as Rey yielded to him to learn the dark force, he would let Finn go."
"Rey agreed to Snooker's request. Finn strongly requested to stay by Rey's side and confessed to her affectionately. Rey told Finn that she has her own mission, and Finn is a friend forever in her heart. ."
"Finn returned to the Resistance Army headquarters in frustration. The war between the Resistance Army and the First Order started again. This is the last chance that the leader Snooker gave Hux and the Stormwind Army. The Stormwind Army invaded the Resistance Army headquarters. In the fierce war within the planet, the flying team led by Bo could not destroy the enemy's main ship. Finn returned to Chubaka in time and sneaked into the enemy fleet. Finn convinced Captain Malfas and more Stormtroopers to remove their masks. Leaving the First Order, with the help of the rebellious Stormtroopers, the Rebels defeated the Stormtroopers, and General Hex was killed by Finn."
"Bo’s flying team also made great contributions to destroying the Star Destroyer, but Leia reminded the rebels that the war was not over. She felt that her son was suffering, and a general of the First Order established a brand new The black-clad clones of the army are ready to start a new war against the resistance."
"Kayloran's failure made him question the dark force, and the remorse of father killing was also tormenting him. Snooker told Kailuoren. His failure was because of pride, and he inherited Darth Vader's dark force. , Darth Vader also lost to Obi-Wan because of pride. Snooker believes that Kyloren needs more training so that he can eliminate the resistance and the light force together with the clone army."
"Finn asked Bo to take him to see Luke. Asked Luke to rescue Rey. Snooker talks to a weak soul, Your Majesty. I have found a more potential force sensitive person. If she can fall into the dark , Or will help you resurrect!"
"Bring her to the Temple of Sith to see me"
After watching the story of the next two Star Wars, Duke looked at the following thread again. The page views were very large. Although this is a story adapted by the fan himself, to a certain extent, Propaganda in favor of Star Wars: The Force Awakens.
Duke then hung up a phone call to Tina Fei. Ask her to contact the media and the fan, so that this story that can be used to promote hype appears on the print media as soon as possible.
Duke, Warner Bros. and Lucasfilm’s post-screening publicity and promotion have played a significant role in the box office trend of Star Wars: The Force Awakens, especially the box office on Saturday and Sunday without a diving-like decline. An extremely critical role, the film’s single-day box office has never seen a dive of more than 40%.
For ordinary movies, a single-day box office drop of more than 30% on weekends will make producers and the industry nervous, but this rule is not suitable for movies like Star Wars: The Force Awakens, no matter who know. The single-day box office of this film cannot be maintained at more than 150 million US dollars for two consecutive days, and it is impossible to create a miracle of breaking the 100 million US dollar mark for three consecutive days.
With the continuous creation of all-round topics, coupled with the appeal of Duke and the Star Wars series itself, Star Wars: The Force Awakens completely rose from media marketing to social marketing.
For most moviegoers. The interest in a movie stems from the focus on selling points such as stars, plots, special effects, etc. Few people care about who refines and distributes these selling points behind the scenes, and this is exactly what movie marketing does.
It is difficult to make accurate statistics on the actual investment in film marketing, but in the face of such a huge market dividend, the business opportunities in the marketing link are obviously self-evident.
Judging from the current actual situation in Hollywood, small and medium cost films usually enter the marketing stage after production is completed. The annual commercial blockbuster often introduces a professional marketing team to formulate a complete strategy from the project planning stage. For marketing promotion, the core of the work is to work with the crew and the agency to extract the marketing selling points of the film at different stages. Pass it to the audience. 【ㄨ】
Unlike pure brand marketing, the movie itself has rich content resources that can feed back the brand and provide topics.
Of course, when the content of a single film is not enough, you can also analyze and screen the current social hot topics and correlate the film itself.
Specific to the marketing process, traditional media, landing activities, and new media Internet promotion are required actions that cannot be avoided in film marketing. The information arrival rate and market conversion rate in the actual operation process are also the key to considering the creative ability and execution power of a marketing team.
There is no doubt that both Duke's own team and Warner Bros.'s public relations department have done extremely well in this regard.
In this way, the quality of the film is guaranteed, and with Duke and Star Wars' appeal as the basis, it is only natural that Star Wars: The Force Awakens week box office has a big storm.
On Monday morning, in a villa near the sea on Long Island, New York, Natalie Portman took care of her son for breakfast and took him to the garden with a nanny, and picked up today's New York Times.
Unlike the past, the headlines of the New York Times are not any social current news, but news about Hollywood and the film industry.
"Duke Rosenberg once again broke the opening record of North American film history. Star Wars: The Force Awakens became the first North American film to break the $300 million weekly box office!"
Sitting on the sand in the living room, Natalie Portman saw this title, her thoughts not only went to the past, this is the first time that Duke Rosenberg has set a record in North American film history? Independence Day, The Matrix, Lord of the Rings Trilogy, The Dark Knight, Avengers
She can't even count them too much.
Thinking of this, Natalie Portman couldn't help but laugh. After so many years, she always remembered Duke Rosenberg's things clearly, and there are many that can not be forgotten until now. Perhaps this is the so-called fate?
She knows what kind of person Duke Rosenberg is, and she also sighs that the girl named Daisy Ridley is really lucky, because she has a temperament that resembles herself so much that she is favored by the **** of fate.
"God of Destiny?"
Natalie Portman couldn't help but shook her head. When did she equate Duke Rosenberg with the **** of fate?
But she knew very well in her heart that for Hollywood actors, isn't Duke Rosenberg the **** who can change their lives?
Letting go of these thoughts, Natalie Portman's energy turned to the New York Times in front of her.
"The North American film market at the penultimate weekend of 2014 was completely ignited by Star Wars: The Force Awakens. This powerful force finally broke the downturn in the North American film market in the past month and made a good start for the Christmas box office market. The space science fiction sequel directed by Warner Bros. and Duke Rosenberg, Star Wars: The Force Awakens, slashed $344.51 million at the opening weekend, breaking the North American film history opening weekend record without any suspense. The North American box office opening record has increased substantially by nearly 100 million US dollars!"
"Star Wars: The Force Awakens has a production cost of 200 million U.S. dollars. The film was shot by Hollywood's leading director Duke Rosenberg, and the trilogy of old iron triangles Mark Hamill, Harrison Ford and Kelly Fisher is back in full, with Daisy Ridley, Daniel Wu, Li Peisi, Oscar Isaac and others playing a new generation of roles. The script was written by Duke Rosenberg himself."
"This film was screened in Los Angeles at 7pm on Thursday evening. It collected $720,000 at midnight, breaking the four-year record of Harry Potter and the Deathly Hallows (Part 2) at midnight. The original record has nearly doubled. The film expanded to 4,534 theaters across the United States on Friday. With the support of the largest line in North American history in December, the film slashed $16.50 million a day, a substantial refresh. Year-long record of the opening day of painting in North America."
"Although the film consumes a huge amount of power in Japan, its follow-up trend has no signs of fan movies. The film earned another $140 million on Saturday, plus $75.51 million from Sunday, Star Wars: The Force The Awakening Weekend was finally reported at $344.51 million."
"According to the reputation of the film and the historical trend of this period, the North American box office of the film can almost guarantee that the North American box office rushes to the 700 million dollar mark, and it does not even rule out the possibility of the film and Avatar competing for the title of the most popular film in North American film history."
"The majority of the movie’s weekend audience is male, accounting for 58%; the group under 25 accounts for 49%, which proves that the Star Wars series does not appear to be culturally disrupted among young people. The movie’s weekend income is up to At 75,000 US dollars, this has also rewritten the highest single-library record for large-scale movies." (To be continued.)
When you come to the cloud, you can get the view.]
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