Me, Adventurer! - Undoubled Skills Are Flat Magic

Episode 41 - Thank God No Mapping Needed

Me and Cristella were rocked by a carriage heading west looking at the Great Forest on our left. The destination is Dorton, the city of adventurers.

The morning after the ambassador arrived, the village chief left for work. A single slave of two men arrived and went as a squire.

It's the training of the villagers I was asked to, but eventually 12 people, including my father and mother, could recognize the magic. Only Dad and Mom are still able to strengthen their bodies, but they will all be able to use them sooner or later. I'm not worried about protecting the village without the village chief.

That's why I lost my reason to be in the village, and I decided to head to Dorton, which I once thought was one of the more destinations.

However, in the step of traveling, Cristela refused to use the plane. Cristella's height phobia seems pretty serious. I had no choice but to get rocked by a carriage by land. No, actually, it's not exactly a carriage, and it's not even shaken.

A pitch-black boxcarriage towed by a heavily loaded horse covered with Gotegotte and armor. At first glance it looks like an aristocratic luxury carriage, but this horse and the boxcarriage are all made of my planar magic. You can see the horse's eyeballs and skin from the gap in the armor, but even that is magically made, only the part that can be seen from the outside. It's empty, actually. There's no one inside.

The large wheels on the carriage are gently circling in circles, but in fact none of the wheels are bordered by the ground. It floats about 3 cm from the ground and just turns it to make it look like it's running. It's a dummy.

My planar magic is so good that it's too good, but I still can't use the soft bind (a feature to make it soft deformed). As a result, they were unable to reproduce springs and joints, creating suspensions and horse bodies. It was armor as a measure of bitterness, and a wheel of dummies. Although it was a delightful miscalculation that floating the body prevented the shaking and made the ride more comfortable.

That's why it's not the horses that are pulling and the wheels are just decorations, so technically it's not a carriage, it's not even shaken.

The reason why we're making it look as if it's a carriage, for one thing, to hide the magic. It is a disguise. They camouflage unnoticeably to prevent the discovery of being a wizard and the entry of cross spears from nobility and country. When asked if the boxcarriage of a heavily loaded horse is inconspicuous, I get cramped with a response, but how could it be better than the means of magic?

I don't need you because everything is magically moving, but I wanted to enjoy my journey, and I'm sitting in your seat. I don't have a reins, so it looks really just sitting there. Cristella also wanted to sit next to him, but he's letting her train her to strengthen herself in the carriage. I've been able to manipulate my magic much smoother, but there's still a lot to waste. If you're going to be adventurous with me, I need you to be a little stronger.

It's me at first glance just sitting around, but actually, even while I'm doing this, I can still be verifying new features of planar magic.

A newly liberated feature, which is' camera view '. This is a feature that creates a virtual camera and shows the footage you can see from that point of view into your own vision. It is a very common feature of any 3DCG tool, and instead of the basics in the basics, it is such a feature that it cannot be disputed if it is not said to be a defective tool. It's so strange that I've never been able to use it. It's a really basic feature, so I tried it in my infancy when I was just able to use planar magic, but I couldn't use it at that time. I guess that's why I couldn't use it the whole time, but when I realized I could. What the hell was the terms of liberation? I have no idea.

This camera can be moved at my will, and I can be moved to quite a distance. So far, about 2 km away? In addition, this camera is invisible and physically non-existent, slipping through walls, rocks, etc. The body of man or demon cannot be pushed through. I don't want to see raw guts, and this is fine. Probably means you can't slip through the dark spots of magic vegetables. The wooden board slipped through but not the standing tree, so I'm pretty sure.

Blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah. I won't, though. I'd love to.

Right now, that camera is looking down at me from about 1000 meters above me. At this distance, it doesn't even look like me anymore. Humans are tiny. The only terrain you can see is about 2 km square. It's like google-o-earth... hmm? Google-O? Hey, you can make a map, right?

My planar magic has a 'snapshot' feature that cuts and saves the footage in view. The cut footage is saved as a texture in the library, but if combined with this camera, the plane... no, I wonder if sticking it to a giant sphere makes Google-O Earth really reproducible? No, it's not ground. It may not even be a ball though. What if the elephant supports the basin?

Try it, I got a snapshot without any obstacles... oops, more ability to suck again Yay!

Given the level of civilization in this world, it would probably be military secrecy to call it a map. Location information such as important bases, streets and production sites should never be known to other countries, and if terrain information is known, march routes will be predicted. In fact, even in the original world, maps were not made available to the public until modern times. Besides, my snapshots are highly accurate, not unusual. The map that will be made of this is precisely the most important military secret. If the country finds out about this, it's a good, imprisoned, bad, enslaved, cartographic machine. It's too bad.

It doesn't have to be Chiriko, who can intelligence all he wants. This is convenient, but you can never be known. Nevertheless, I do not intend to hide it even from Cristella on the boulder. If you don't let your people know what you're capable of, it could be dangerous at times of need. But I can't if I've got a regular adventurer in my company who can't enforce secrets. Too risky. It's going to be a slave choice when we continue to increase our company. I have no choice.

By the way, when you're looking at it from this camera's point of view, your original vision is blocked. It's like switching DVD or BD perspectives. It's like watching something grandiose, and if it's true, it's not about driving a carriage. Currently, the right front wheel came into contact with a stone that jumped off the ground about 10 cm, causing it to bounce off the ground. I never broke or rolled over, but I heard Kristera screaming from behind. Reflect and undo your point of view.

"Hey, something happened!?

A hasty Cristella asks from inside the carriage. You seem a little surprised. Reflection.

"No, I just looked at it a little bit and got up on the stone. Sorry. Sorry."

"It was. I thought I was attacking a demon.

"Oh, that's coming.

"Huh?"

"Look, that's where the pigs come in, right?

On the left hand side of the carriage, about 200 m away, I can see three pigs rushing towards us.

"Duh, what are you going to do!? If you want to fight, I can help you with a small amount of strength!

Cristella is in a lot of a hurry. Do you want to speed up a little and run? No, speaking of which, Christella didn't have any real experience yet. A man tells me he's a virgin, but if he's a woman, is he still a virgin? Just fine, let this pig (orc) be his first opponent. Former lady and pig. It's not "Cook, Kill," it's "Cook Cook, Kill."

"Well, let me show you the results of the physical enhancement training. I'll take care of the two, so I'll take care of the one left.

"Wow, I get it! Leave it to me!

Slowly stop the carriage and get ready to intercept the pigs. We get out of the carriage. We pull out each weapon and wait for them to come closer. I'm holding the sword in my right hand, and I'm lowering it down. Cristella pulls out her fine sword with her right hand, standing on her half and slightly bending her knees. Same structure as during training, but slightly stiff movement. I guess I'm still nervous about the first fight in action.

"It's okay. If you do as you train. Because it's not as fast or sharp as Dad's.

Real cheat dad got really strong remembering physical enhancement. Big clawed bears are enough to fight more than each other alone. That's from the top, too. Cristella trained with her father while she was in the village, so she should be able to fight enough to be a pig.

"Oh, right. Just calm down... that's right, it was a balance magic first!

With physical strengthening and training with his father, Kristera's magic had grown considerably. Maybe 1.5 times what I first met. The efficiency of use seems to have increased, and the magic is almost gone. So as a full-fledged combat training, I decided to make them first develop the habit of checking the strength of their opponents with balance magic. Once you know the strength of your opponent, the battle will go some way in your favor.

"... you weigh too much compared to muscle strength. He's also less magical than his stepfather.

"Right? If you're not alarmed, you'll be fine, so calm down and deal with it.

"Yes! I'll take care of it!

While doing so, the pigs were already approaching about 20 m away, and I can see that all three had large round-tailed, sharpened sticks. Whether it was intended or not, it is coming in a vertical row. Though I may simply have different leg speeds. So, does this one work too?

"Please lead the way! I'll take care of the two back there!

That's what I say. I'm going in from the front. I'm using physical enhancement to get all I can. In no time, my distance will be gone.

The pigsty leading me at my speed seemed a little rushed, but the stick is swinging down from the top at the right time. Quite quick to judge and react.

I don't hit a stick. I brake sharply at a critical distance. The tip of the stick passes right in front of you, and you are slapped straight to the ground. Step on that stick with your left foot and jump over it with your right foot further down the pigman's nose.

"Boogie!?

A stomped pigman squeals. "Oh, you stepped on me!? 'Something like that.

The second pig looks up at me flying high into space with a surprised face. Totally defenseless.

Using the momentum of the fall, the sword held back with both hands in the opposite direction is thrust into the middle of its dumb surface and between the brows as much as possible. First one.

Now fly to the left as you step on both shoulders of the falling pig man and pull out the sword. A pig's stick at the rear passes through the space where I was until a moment ago. That's pretty fast. If I hit it, it could have been fatal. I don't think so.

After landing and gaining a little distance, I'll check on Kristera on the side.

Cristella, standing on her half body, keeps moving back and forth, left and right, without ever stopping. Step out a little to induce a pigman attack, poking or cutting an empty gap with the tip of a sword. I repeat that, building up a little bit of damage. If you poke a weakness, you'll soon have a piece on it, but we don't have the technology to do that yet, so we can't help it. You can take as long as you want. You just have to win.

Physical strengthening is also smooth. It's better than training. Looks like Christella's the type to stretch out in action. Apparently, there's no problem.

Turning his consciousness back to another pig, he was just waving his stick down against me. Retract the distance in the backstep. Danger. Danger.

I want room to cover Christella, so I'm gonna ask this guy to sink in a crisp way too.

Step on a stick that slapped the ground with an empty gesture, and grip it right hand (forefoot?) Cut off with a sword.

"Bugooooooooo!?

The pig screams at the pain and wanders around. It's over with a sword jab into the defenseless medulla oblongata. Too bad.

So, suppose I watch over Cristera? Which, give Ochan a look.

Then for about five minutes, it looks like it's time to settle. The pig who is dealing with Cristella is covered in blood all over her body. You must have lost a lot of blood, the movement is pretty dull. My feet are fluttering too. Kristera avoids the obviously slower swing of the stick compared to the first, sparingly, and puts a stubborn blow in her neck. In that blow, which probably reached the medulla oblongata, the pig slowly collapsed and stopped moving.

"Ya did it! I was able to defeat the demon by myself!

For her first experience, Cristella jumps to the dew with joy. Yeah, you must be cute, if you don't have a bloody blade. In the meantime, we need to find a water field.

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