Movie Master

Lance narrowed his eyes slightly, and carefully looked at Joel sitting on the chair.

Joel straightened his back and raised his right hand high, like a straight young poplar. The eyes hidden behind his curly hair were full of undeniable authority and firmness. It could be seen that even if Lance did not call his name, he And definitely will not give up easily. This is a very interesting thing, because in the previous conversation, Lance could detect Joel's rejection of him, so is Joel planning to come here to pick on him now?

Lance raised his chin slightly, agreed to Joel's request for questioning, and then saw Joel stand up slowly, staring at Lance motionlessly, as if the focus shifted slightly, and Lance would immediately flee As if without a trace. The two of them faced each other like this, without taking their eyes off, not even blinking, like a childish game where children are competing to see who will blink first.

The audience at the scene also noticed the sparks overflowing here one after another. Almost everyone recognized that the status of the Joel-Coen brothers in Sundance is indeed unrivaled, and they immediately became interested in the relationship between Joel and Lance. The ideological confrontation was full of expectations. Instead of becoming lively, the scene became quieter and more tense, and the sense of suffocation that was about to explode was slowly spreading.

In the end, it was Joel who moved first. He took the microphone from the staff and said in a deep voice, "Excuse me, is there any meaning in the ending of the movie? Why is only Red Hair arrested, while Shuai Ned and the bully are dead ? And Shuai Ned was killed by Otto, and Xiaobawang was killed by the little ghost head, does this imply a tragic fate?"

Lance barely had time to think, so he explained straight away, "These are three different branches. The red hair represents the original dark forces. Lawless and ambitious; Shunaid represents the forces that are pushed into the endless abyss after failing to resist, just like Lucifer who fell from light to darkness."

The concise but clear explanation did not seem to answer Joel's question directly, but it triggered more thinking.

The red hair was replaced by the little bully, which is a collision between the new forces and the old forces, but the bully finally died in the hands of the new generation of forces. The change of the times has inherited the criminal tradition in an absurd way; Shuai Nai De joined the gang for revenge, but finally died at the hands of another revenger. The vicious circle of **** for tat and eye for an eye goes on endlessly.

Without pausing, Joel raised his voice and said, "So, this is an irresistible fate!" This is an affirmative sentence, not a question sentence. So Joel didn't give Lance the world to answer, and continued directly, "Excuse me, is there any deep meaning in the film's shots? Throughout the film, there are two particularly noteworthy details. The first is the composition In many cases, the background picture is infinitely wide, and even gives people a feeling of boundlessness, but the characters occupy most of the theme of the picture, which makes people feel like a cage, especially for the wide and boundless background picture. The sense of contradiction becomes more and more obvious; the second is the use of tones, transitioning from warm tones to cool tones, and then allowing warm tones to infiltrate into cold tones. A fictional story has suddenly been added to it. Is there any meaning to it?"

Lance didn't interrupt Joel, even though he had the chance, he still listened carefully to all Joel's narration, and then he answered, "The second question is very simple, this sense of separation is exactly what I want The message is that the City of God is a whole other world to middle-class people living in America, and even to most residents of Rio de Janeiro, an area with which they have no connection. But the reality is that Not so, it really exists, like a parallel two-dimensional space, and the status quo of this area is inextricably affecting the real world."

All the audience at the scene fell into silence, unable to extricate themselves from the back and forth between Lance and Joel, completely affected by the collision of two people's thoughts, and began to think deeply.

"Back to the first question, in fact, this feeling of contradiction and sense of separation are the same. For the three young heroes, and for the little bully, the city of God is their world. This world is infinite, as if at any time They can stand on top of the world; but in fact, we all know that this is an illusion. The city of God is just the tip of the iceberg of this world, but they will never have a chance to see the outside world, because they have been I'm stuck here." Lance's words made the audience cheer, obviously, many people ignored the film's use of the lens, because the sharp and fast editing almost stole all the limelight, but now from Lans In the conversation between Sis and Joel, he has a deeper understanding of the movie.

Lance's voice fell, and Joel's voice sounded again, leaving little room for the rest of the audience to breathe, and continued to push the game of thought, "Then, this is also a kind of fate! An irresistible fate Is the movie implying that the city of God is a siege that cannot be escaped, and all people born here will walk on a fateful path of a vicious circle, and will never see any hope. Such despair is a tribute to God The irony of the city, or the refraction of real life? From the perspective of God, is the over-emphasis on the sense of destiny weakening the philosophical thinking and value reflection of the whole movie?"

"Yes, the core idea of ​​this movie is an irreversible sense of fate; no, this method will not weaken the core idea of ​​the whole movie." Lance's answer is like a solid concrete wall, and Joel head-on. The sparks that burst out made all the audience in the auditorium hold their breath, and the excitement was no less exciting than the movie itself.

"Before I explain this question, I want to ask a question. Does anyone hate the little bully? Or when the little bully is brutally killing, he feels disgust, resistance and rejection..." Lance looked around the audience, no one The man raised his hand, which made Lance smile, and looked at Joel again, "The bully is a complete villain, there is no room for any explanation, but why no one hates him, because each of us I know, this is fate. For people living in the city of God, in the 1960s, and in that impetuous environment, they actually had no choice at all, and behind this helplessness was the entire era The sorrow and sadness of the little Bawang is just a short-lived flower in the City of God, and after him, there will be the Little Devils, and there will be younger giants... The fate of the City of God It won't change, and people's choices are either to leave, to linger, or to take up arms."

"Not just Little Overlord, but also Benny, Handsome Ned, and Red Hair, and the Three Young Heroes, and Steak, and Otto... No one will remember the process of falling and the way of falling, There is only fate, a fate that no one can escape." Lance's voice made the scene fall into a deathly silence, and the desolate and mournful mood began to spread slowly.

Despair, that kind of fatalistic despair is like a black hole, devouring the vitality of everyone present. Everyone in the "City of God" story is entwined with despair, and as the story progresses, that despair becomes more and more violent, and finally becomes a bottomless abyss, ruthlessly and bloodily devouring everything in the world. Hope, as if not even a ray of light can be seen.

"Then, A Pao is the only hope in the City of God, right?" Joel asked again, but this time he did not have the previous aggressive momentum, but asked with a doubtful voice.

Lance paused slightly, but the tense atmosphere between the two of them not only did not ease, but became more suffocating because of this silence, "I want to ask, what made Ah Pao survive, Or more profoundly, Jean out of the city of God? Anyone want to comment?"

Joel opened his mouth, but finally chose to remain silent, giving the opportunity to others.

"Brave! He has courage that others don't have!" "Dream, when Amao was shot dead, he saw the cameraman, so he had a dream." "The experience of being bullied since he was a child kept him away from the bully and was forced to When he was desperate, he chose to leave." "Family, father's guidance is very important!" "A lesson from Dumb."

Voices echoed one after another in the corner of the auditorium, and even Ethan raised his voice to join in the fun, "Education, the education he received since childhood gave him a wider horizon!"

Lance turned his head and looked at Alexander who was standing beside him~www.readwn.com~ The little guy seemed to understand the meaning of this look, and recalled the discussion between him and Lance back then, and a smile appeared on his face. A shy smile.

"I think, this is the thinking left by the whole movie." Lance finally interrupted everyone's various guesses, and pointed to the big screen behind him, "This is a desperate world, this is a world that cannot get rid of the entanglement of fate. This is a world that cannot see the sun of tomorrow at all. Then, how should those souls who are trapped in the city of God break free? Cannon is not a hero, but Shuai Ned is. Cannon is too daring Small, too cowardly, he can't even hold a gun steadily, but why is Pao leaving the City of God, not anyone else. This is the answer I hope to find after shooting this movie."

Lance did not give his own answer, but answered Joel's question mark with a question mark. Everyone at the scene fell into deep thought again, including Joel.

Joel looked deeply at Lance, then picked up the microphone and said, "Excellent work, excellent work!" Then, Joel nodded his chin at Lance and sat back in his seat. This is a result that Lance did not expect.

However, Lance didn't have time to think deeply, and the next question was thrown again, which made Lance listen carefully, "Excuse me, you just mentioned that the city of God is another world to many people, but This world is quietly affecting our real world, how is this reflected?"

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