My 1982

Li Lao saw Li Zhongxin, and several people heard the taste of Jinjin. He felt an inexplicable accomplishment, this kind of accomplishment, even in his student, he did not feel.

After Li Lao saw Huang Lao, he touched the Huusu on the chin, and he continued to say: "When the Qin Shihuang is unified, Wahang has occurred in terms of pattern form, the subject matter, etc. Very big change, more colorful.

At that time, Wazang, like a variety of animal patterns, such as Penu, Xuanbird, Four Beast, Sanhe, etc., and also mitigate the bronze coils.

Like other art, it is also a reflection of a certain social and economic concept. It is accompanied by social economic development and people's improvement in architectural art appreciation, there is a process from low to advanced, rough to exquisite, simple to complex development.

For example, there are many words in the Han Dynasty, and the two sides of the Three Kingdoms have saw tooths; Wang Hao is popular with four gods, that is, in the top of Wadang, Qinglong, white tiger, Suzaka increase the inner chain, Xuanwu image, use To express east, south, west, north.

Eastern Jin Dynasty, starting with surface black polished slate, and the head slabs of the tiles began to thicken, and imprintted printing and decoration, which was the abuse of later generations.

To the Tang Dynasty dripping tile "general application. Early drip" and tiles are generally right angles, and the late stage is increased to more than one hundred degrees, with a river diarrhea, which has great scientific, and showed the ancient China's ancient China. The function of the combination of decorative and practicality is a vibrant feast, and the Chinese Dynasty Wattage is one of the epitome, such as the long-term ", long-lived", thousands of years old ", Han and the world", priest Yunshi " No borders "," These text wattage are more harmonious to the small books, arrange organizations and harmonious, layout, can be comparable to a good seal.

This time I found it from the collection! It should be that Wazang, who is Wang Hao period, the pattern above the above is Suzaku, a very valuable thing. "

Li Lao is also a lot of history, and he talks about the things about Wadang, which can let Li Zhongxin have heard them.

Li Zhongxin originally wanted to act in the scene, by the way, asked him to collect the cultural relics, listened to the things explained by Huang Lao and Li Lao, he became more interested.

For the cultural relics and antiques, Li Zhongxin did not learn too much knowledge. He has always been on this, but! He listened at this time is a taste of Jinjin.

When Li Lao said that the Tzata in the collection is Suzaku, Li Zhongxin recalls that his wattage is like.

But Li Zhongxin how to think, it is also unable to connect the image and Suzaku on that Wadang.

"Li is old, you are sure that is Zhu Shuwa. Why do you say this? When I saw that Wadang, I didn't see that the pattern was Suzaku, I can see it is a bird's shape." Li Zhongxin is quite Sorry, Li Lao said.

Li Zhongxin saw the pattern of the four gods seen during the later generations, which is a quite aesthetic thing. He always feels that the above things are not like Suzaku.

Huang Laohe, Li Lao, several people, after Li Zhongxin, they can't help but, they did not expect that Li Zhongxin's knowledge is so small.

But! They can also understand that Li Zhongxin is less than twenty years old, is a young man, if it can be with their elderly, it is a problem.

Li Lao looked at Li Zhongxin, and looked at Huang Lao, he said it was: "The bird is shaped as a phoenix, the eagle, the cervical, the fish tail is called Suzaku. Your Towan is above, Ability can be fully reflected.

If you can see the description of this area in history, you can see such a thing.

Why is this this is the Wato during Wang Hao? Because of the Qinglong, White Tiger, Suzaku, Xuanwu Siwa, Xuanwu, the gods and political integrity, the representative of this period.

"Shaanxi Jinshi" has a specific description of this aspect, saying that it is consistent with you, so I judge, that is the Suzawa Dang, Wang Hao period.

Of course, there are also various animals, plants, such as turtle, mosquito, leopard pattern, crane pattern, jade rabbit, flower leaf pattern, and the Han Dynasty.

During the Han Dynasty and Wang Hao, the number of text wattage was the largest, and the character was characterized by the partitioned demultiplexing. The center is the nut and the beads, arrange a fixed mode to the inscription, which is a fixed mode in this range.

The number of words is uncertain, longest, more than ten words, such as "Millennium", "Changle is not bought", "Wanshou No borders", "Yongjian Jiafu", etc., the font has Xiaoli, Birds, Lishu, Zhen, etc. Dieting, crude with pen, becomes a unique collection of Chinese ceramic products.

The Wadang in the Han Dynasty inherited two types and circles in Qin and previous Wattage. Semi-circular wattage is popular in Han, the shape of the round waddang is: Han Dynasty is approximately the style of Qin Dynasty, and the Emperor is more obvious.

The fabrication is printed with a mold, and then attached to the wallet, and therefore, it is generally the tile that is large, the back is flat, there is no cut and angular angle, the width wheel is wider and smooth, and the texture is obviously a good Qin. Cedar is gray or light gray.

Western Hanzua is more rare, and the sees are mostly triggered, and their trouting watt can also be divided into two categories of image paintings and patterns, and there are many types of images. According to "Shaanxi Jinshi Zhi" records Lin Feng, , Feihong, Pisces, Jade Rabbit, Dragoni and other dozens, composition is clever, unique.

Different from the Qin image, the image of the real life is different. The image of the Han Dynasty is more than the reality, and has passed the highly artistic exaggerated ultra-realistic life. Through rich imagination, clever conception, delicate and not cumbersome lines. Outline, putting the Han Dynasty, walking, and the magnificent art style is full of performance, the romantic color, the four gods are this.

The style of Vaatang, a three-grade, both painting, craft, engraving art, but also art combined with art, playing in the ancient buildings to add flowers on the browning, it is not only elegant, magnificent, giving people beauty Art enjoyment, and in archeology can help us discriminate, and to study the precious information in my country's calligraphy, engraving, painting, etc., and have a certain reference value for studying the political, economic, cultural, etc. of our ancient times in ancient times.

Although the wattage of the faith is not the kind of treasure, it is also a rare good thing, and these two Wadang have not seen it outside the National Museum. Therefore, it is necessary to have many reference value. "