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Time passed quickly, and it was late September.

During this period, Ye Zhiqiu was almost immersed in the crew of "The Legend of the Condor Heroes", and he became more and more familiar with the role of "assistant director".

For the actors in the crew, the two words "Director Ye" were also very easy to call.

In fact, before, a group of actors doubted Ye Zhiqiu's ability as an assistant director. In fact, this is normal, after all, his age and experience are there.

Although they think so in their hearts, they will not show it on the surface.

No one in this circle is a fool. Everyone knows that although Ye Zhiqiu is an assistant director, if we really talk about his status in this crew, it may be higher than the director.

It can be seen from the audition that Ye Zhiqiu is the one who really controls the "power of life and death".

As for Director Zhang Kaicheng, he is a bit like assisting Ye Zhiqiu.

Zhang Kaicheng had no objection to this role. At the beginning, he had failed several works and was almost reduced to a director who only shot commercials. If he had not directed Ye Zhiqiu's "Legend of Sword and Fairy", he would probably not have been able to turn over.

Now, after shooting two popular "Legend of Sword and Fairy" series, he is also a well-known director in the industry who shoots costume dramas. It can be said that he was cultivated by Huahai Entertainment.

If everyone called him "Director Ye" out of respect for his status, as time went by, the actors gradually became convinced by Ye Zhiqiu's ability and progress.

At the beginning of the shooting, Ye Zhiqiu mostly observed and learned from the side, and rarely got started.

After all, filming is not a child's play. The crew has strict requirements for the shooting progress. Delaying for one day is a big cost, and you can't do it carelessly.

After getting familiar with it, Ye Zhiqiu occasionally got started, starting with some simpler scenes and then gradually increasing the difficulty.

Anyway, with the experienced Zhang Kaicheng "backing up" on the side, there will be no problem.

When Ye Zhiqiu was getting started, Zhang Kaicheng was observing and was getting more and more surprised.

—— He adapted too quickly.

In fact, the style of a play is greatly affected by the director. The same script, the same group of actors, directed by different directors, the final style of the film may be very different.

The shooting habits of the directors themselves are also different. Some directors know what effect they want to achieve before shooting, while some directors prefer to "grind" or think while shooting.

Sometimes inspiration comes during shooting, and the script and lines are changed on the spot, and it is done again.

When encountering the latter kind of director, the actors suffer more. After all, it is quite torturous to shoot the same scene so many times, especially the difficult ones.

Zhang Kaicheng looked at Ye Zhiqiu's shooting techniques and didn't look like a new director.

There were many scenes that Zhang Kaicheng felt that he was not sure about, but Ye Zhiqiu took a few glances and passed them once, as if he had it all planned out.

After several times, Zhang Kaicheng couldn't help but remind him that some scenes could be shot several times for backup.

After watching the playback carefully, Ye Zhiqiu's reply was "It has achieved the desired effect in mind, so it's not necessary."

To be safe, Zhang Kaicheng also watched the playback several times, and then he had to believe it, but he was even more confused.

He felt that Ye Zhiqiu had an almost scalpel-like precise intuition for the language of the lens, which was not innate, but could only be formed after a lot of practical operation.

But Ye Zhiqiu had just started, where did he get a lot of practical experience, which could be seen from his slightly unfamiliar techniques.

Forget about music, there are also geniuses in the theoretical and empirical discipline of directing?

All of a sudden, Zhang Kaicheng was a little confused.

Ye Zhiqiu didn't know what Zhang Kaicheng was thinking. In fact, for him, he had a plan in his mind for how to shoot the drama "The Legend of the Condor Heroes".

In the past, the classic "The Legend of the Condor Heroes" was repeatedly remade, and a total of 7 versions were born. Among them, the most acclaimed versions are 83, 94, and 03.

The 83 version is the most classic and has been popular for nearly 40 years. The actor Huang Rihua played Guo Jing, who was honest and narrow-minded, and was loved by many audiences.

Most of the post-90s watched the 94 version, starring Zhang Zhilin and Zhu Yin. It is the most handsome and clever version. Although it is controversial, it is still a rare classic.

As for the 03 version, many viewers actually expressed their dislike. Ye Zhiqiu personally felt that it was slightly inferior to the 94 version, but it did not prevent this from being a hot drama in the year, and it still had many advantages in the shaping of supporting roles.

Especially Mei Chaofeng in the film, the actor combined the Nine Yin White Bone Claw with dance, which can be said to have amazed many people.

In fact, each version has its own advantages and disadvantages. It happened that Ye Zhiqiu had seen them all, so the next thing was a lot simpler,This will also allow the crew to take fewer detours and save a lot of trouble, and the shooting efficiency will naturally not be slow.

For Tang Meiyu, who plays "Huang Rong", she feels that the crew of "The Legend of the Condor Heroes" is a little different from what she imagined.

She feels that she has encountered the most stressful crew since her debut.

After all, she is called one of the "Four Little Flowers" and is also a leader among the new generation of actors. Tang Meiyu is quite confident in her acting skills and thinks that acting in a costume drama should not be a problem.

As a result, after entering the crew of "The Legend of the Condor Heroes", she has doubted her acting skills more than once.

There are many people from the National Theatre in the crew. When these old actors act, it is so wonderful that many actors on the scene applaud.

Some scripts have empty characters that can be summarized in one or two sentences, but "The Legend of the Condor Heroes" is obviously not one of them.

Every character here has flesh and blood, and even the character of each supporting role is extremely full, and there are too many things worth talking about.

In order to study the roles, this group of veteran actors each had a copy of The Legend of the Condor Heroes. In the evening, they would always talk to Ye Zhiqiu, the original author, all night long, as if they were fascinated.

This brought great pressure to Tang Meiyu.

Ye Zhiqiu was not the kind of director who had a hot temper and would scold people at every turn. When he encountered a clip that he was not satisfied with, he would just say "do it again" in a calm tone.

If he was still not satisfied after several attempts, he would also tell you about the character's background and personality, and why this character did this, breaking it down and explaining it in detail.

As a result, the more this happened, the more pressure Tang Meiyu felt. She cried secretly alone in the hotel where she was resting for several nights.

She didn't blame Ye Zhiqiu, but herself.

She had been smooth sailing all the way before, but this time she felt for the first time that she couldn't keep up with the rhythm of the crew and was a bit of a drag.

In the past, costume dramas, or idol dramas in costume, were not like this. There were directors with high requirements, but they were almost passed. After the broadcast, the audience praised her acting skills.

But filming "The Legend of the Condor Heroes" is like a top-notch student in a technical college who suddenly mixes into a group of PhD students. The sudden high requirements made Tang Meiyu feel a little overwhelmed.

Perhaps seeing Tang Meiyu's state, Ye Zhiqiu later took the initiative to set up a reading session with a group of veteran actors in the evening and let her participate in it.

"The Legend of the Condor Heroes" is a work worth watching repeatedly. As Tang Meiyu's understanding of the characters in the play deepened, she became more and more adapted.

What Tang Meiyu didn't realize was that this was also a process of gradual transformation of her acting skills.