Nomenclature of Night

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   Revised progress chapters 445-464 today.

   The progress is a little faster again.

   I also saw that some book friends complained before: changing the text and asking for leave, or changing a chapter a day.

To be honest, it is not easy to change the text, and it is even more tiring. I usually write 8,000 words, at least I still have time to play a game or two, or watch a movie. Now I really do nothing all day, except for eating and sleeping. Thinking of how to change the text.

   So in this case, I really have to ask for a leave of absence…

   Although only one chapter was changed yesterday, the 7000 or so words in one chapter were rewritten, which is a relatively important chapter revision. It is not much different from the daily update, so it is a bit slow.

  Writing content takes time…

   Of course, just explain it to everyone briefly, everyone should continue to complain (mainly can't stop it).

   Back to today's revisions:

   The plot is currently progressing to the point where Qingchen has finished cleaning up the Mechanic Sect and entered the crew to go to the forbidden land of No. 065 in the north.

  In the previous plot, Qingchen entered the crew without changing his name, he went in swaggeringly, and did not disguise himself with the taboo Ace-005.

   But this is actually very inconsistent with Qingchen's character.

Tell me what you were thinking at the time. It seemed that the film and television copyright was about to be sold. When I was writing this paragraph, I didn’t know why my brain was pumping. I thought that if the film and television were adapted, Qingchen would change. Isn't it necessary to change the starring role? Will it affect the adaptation?

   Looking back now, I really feel so stupid.

   So when the author is coding, he really can't think about the adaptation, as long as he thinks about it, he will be finished.

  Words are words, and film and television are film and television. When writing a story, you can’t mix too many distractions. It is still necessary to return to the story and the characters themselves. The author should not think about those things.

   As for how to deal with this plot during the adaptation, let the screenwriter teacher have a headache, what does it have to do with me...

The experience and lessons I have summarized in this book are quite beneficial. One is that story writers can’t think about how to make them into film and animation in advance. Many of them have been written down in small notebooks.)

  Ye originally had 20 chapters on file, but it was emptied on the day it was released, and it became more and more wrong afterwards.

The early and middle stages of   night were very good, also because the shortcomings of not saving manuscripts were not fully exposed at that time, but they were exposed later, so we still have to save manuscripts and save manuscripts!

   Back to the plot line.

  In the original text, the shadow used Qingchen to fish, ignoring the lives of many people, and Qingchen is not like Qingchen anymore.

  I thought about it for a long time. If it was Qingchen, what would he do in that environment? He should have come forward. That's what he did on Laojun Mountain. He is still a person who loves the world in his bones.

   So this plot is not the same as in the past. Tomorrow, it will be repaired until he comes forward and leads the wolves and the gods to save others.

   In addition, the previous writing about his battle with Yunhe Shendai was sloppy, and he was taken away without much resistance. This is also completely inconsistent with Qingchen's character. He has always been a person who will never give up until the last moment.

   Well, that's all for today.

  See you all tomorrow!