Omniscient and Almighty

   Chapter 140 The end of the song is all silent

Originally, normally speaking, Xu Guangling would play "Brightening Qihua", which is also the song he planned to record today. , which flowed from his fingers was another song that was born at the same time as this song that night.

   "Lan Ke"!

At the beginning of the song, the background is laid out, there are peach blossoms and streams, and the series of overtones just now are petals of peach blossoms, leisurely, without any urgency, in the spring sunshine, in the gentle wind. , sprinkled in the creek.

   Then, after the overtones, is a series of, lightly shallow, strokes.

   And in this whisk, the stream, the slowly flowing stream, is presented. The next short paragraph is the accompaniment of overtones and whisking strings. The two go together, the stream flows, the peach blossoms fall occasionally, and with the different and staggered landing points, the wind, this element is also presented.

   After that, with the slight change of the whisk, the flowing stream, illuminated by the sun, the feeling of the light waves is also presented.

   At this point, the background is laid out.

  Peach blossoms, creeks, gentle breeze, bright sun.

This is also the first paragraph of the song, and in the middle of the first paragraph, the second paragraph naturally cuts into the second paragraph. The angle of view, or the center of the song's description, is moved to the shore, from the falling water in the stream. The petals moved to the peach tree on the shore.

   That peach tree that is blooming brilliantly.

   Tao is pear blossoms, not apricot flowers, white and red. Full of trees and delicate blooms, ten thousand branches and bright colors are blooming in spring!

Xu Guangling's hands, on the strings of the zheng, changed from flicking to clicking, and following a series of extremely fast and dazzling clicks, it seemed to be one after another of "white and red". Just like that, in a splendid, enthusiastic, and joyous way, it "blooms" out of the string sound of the guzheng.

  Peach blossoms, creeks, gentle breeze, bright sun.

   is still the same four elements, but at this time, the atmosphere of the song is completely different from before, just laying out just now, and now, it is the theme, it is the heavy color, this is not a brush, but there is a thing called "synesthesia".

   Synaesthesia is beneficial, allowing people to see text from the picture, to hear the sound from the text, and to see the picture from the sound...

   Actually, at this time, even Xu Guangling himself was a little intoxicated and a little shocked.

Intoxication is of course, he is a player, but he is also an appreciator, he is a composer, but when composing, no matter what, it is impossible to present a real voice in my mind, so in a certain sense In other words, this song, and until this time, is not really completed, um, or it is in the process of completion.

   And shocked, it was Xu Guangling who discovered that his current playing level is not only the so-called "now is not what it used to be"? Even the 111,000 of the past self add up, and it is not the first-hand enemy of the current self.

Whether it was the overtone just now, the flick of the string later, or the click now, Xu Guangling felt that his hands were on the strings of the zither, but there was no way to do so, but when the song unfolded in his mind, all the techniques needed , also freely presented between the fingers.

   In other words, his fingers can completely move according to his will, and on the strings of the zither, they can show the effect he needs at will.

   Moreover, the effect was far beyond his own expectations!

   Intoxicated, the second stanza of this piece quickly completed the transition. That’s right, the background of the first stanza just now was laid out, and the richness of the second stanza was also a transition, not the true theme of the piece.

   The real theme is still to come.

   What's next? That is a person, standing with his hands behind his back, standing on the shore, standing in the bright sun, standing in the wind, standing under the peach blossom tree, looking up slightly, looking at the bright tree, smiling, indifferent, loving , in admiration.

   Then, he leaned against the peach blossom tree and sat on the ground.

As the angle of view moves down, the sunshine changes from warm to warm, from warm to warm, from warm to shaded with light spots, and the peach blossom tree has changed from the warm and bright just now to the beginning. , and occasionally, some petals fall down.

   Floating in the stream, on the grass, on the man's hair, on his shoulders, on the scroll spread out in front of him, and on the ground in the gentle wind, like a robe.

This section    is also the section that tests the performance skills the most in the whole piece.

Xu Guangling himself is the composer, but when he composed that night, he actually only completed the general melody of this part, and the specific arrangements were because this was not a commercial composition or a composition for others. He planned to play it himself in the future. There is no specific setting for difficulty.

  Everything can be determined according to his playing level, just like playing certain games, you can choose simple difficulty, medium difficulty, and of course, it can be advanced or even the so-called **** level difficulty.

At this time, unknowingly, Xu Guangling did not have the mentality to show off his skills, and it is impossible for him to have the mentality to show off his skills, but the fact is that the very frequent, extremely fancy, and extremely difficult skills are here. At that time, between his hands, just like the peach blossoms on the blooming flower tree in this song, they were blooming and presenting recklessly.

   This section of the song, in terms of melody, can only be said to be melodious, but not at all high.

The true "colorful" of this piece, in fact, just now, in the second paragraph, has passed, but now, when entering the third paragraph, not only is there no sense of sadness at all, on the contrary, it is like It is a complex of mountains and rivers, like willows and dark flowers, like the spring breeze blowing away a peerless picture.

In this picture scroll, it is still the peach blossom, the small stream, the gentle wind, and the bright sun, but they are both the same and different from the previous two paragraphs. The main character, and the main character, was taken over by one person.

   It's more of an atmosphere than a person.

   Of course, people are presented by the atmosphere. How to express a person in a song? It's not difficult. When you can't express it directly, you can do it indirectly. Just like a painting, if you paint an umbrella, an open umbrella in the rain, you don't need to paint the underside of it, and the viewer will naturally fill it out. Under the umbrella, there is a person.

And if you grasp the umbrella's hand and draw it, you don't even need to draw all five fingers but only one finger, or it is vigorous, old, or thin as green, then next, well, the person who sees the painting Not only does he know that there is a person under the umbrella, but the image of that person is probably ready to come out in his mind.

   But this kind of imminent appearance is different from drawing the person directly on the painting.

   is drawn, concrete, but precisely because of “concreteness”, there is not much space. - space for imagination.

   And many times, beauty is born from imagination.

   At this time, even Xu Guangling himself was slightly fascinated by the person and the image presented in the song. Because what is depicted in the song is pure. It is precisely because of the virtuality that we can remove all the clutter in the world, and only simply express purity and beauty.

   And that kind of purity and beauty cannot be found or hard to find in this world.

This is a melodious and even slow rhythm, but on the contrary, when playing here, Xu Guangling's two-hand movements show the most complicated and fastest movements. Many subtle images are intertwined and parallel Together, let the presentation of this section of the song be completely three-dimensional.

   Then, after this paragraph passes, it is the end.

The end came unknowingly. When Xu Guangling's two-hand movements changed from extremely fast and complex to simple and slow, the piece gradually progressed to the end. Until the end, a series of fast to slow and After the slight overtone, the song officially ends.

   At the end of the song, everything in the piano shop was silent.

   It is obviously in the downtown area, obviously on the street, but at this moment, this piano shop with more than 100 square meters seems to have become an independent little world.

  ==

  Thanks for the support of the recommendation ticket of "Empress Bingling".

  Thanks to "iv Xiaoxi" for the monthly ticket.

   (end of this chapter)