Omniscient and Almighty

   Chapter 352 Jiang Nanchun

  When the painting was completed, a song was formed in Xu Guangling's mind at the same time, and the theme was Jiangnan.

  Xu Guangling had this idea before and wrote a set of songs about Jiangnan.

   But at that time, he was too far from "Jiangnan".

   In the previous trip of thousands of miles to the south, and the subsequent trip to the north, Xu Guangling saw a lot and felt a lot along the way. At this time, taking the content in the painting as an opportunity, the song was formed naturally.

   Jiangnan.

   Many people have written about Jiangnan, from ancient times to modern times.

  Zheng Chouyu wrote "Error", "I traveled through Jiangnan", Jiangnan is the background, and lovesickness is the theme.

  Lin Junjie sang "Jiangnan", "The wind is here to stick, stick to the thoughts of passing passengers", also, Jiangnan is only the background, love and fate are the themes.

  Xu Guangling's Jiangnan does not involve the slightest love and hatred in the world, but just looks at this natural landscape from the perspective of a quasi-great master.

   Jiangnan wind, Jiangnan rain, Jiangnan water, Jiangnan moon.

  The wind is Jiangnan, the rain is Jiangnan, the water is Jiangnan, the moon is Jiangnan, the swallow is Jiangnan, and the willows are Jiangnan. Everything happens in Jiangnan and is interpreted in Jiangnan.

   Here there is "the color of grass is seen from a distance but there is none", here is "the spring breeze in February is like scissors", here is "scattered flowers gradually want to be charming", here is "mountain blue and flowers want to burn".

   This is Jiangnan where the grass grows and the warbler flies.

   This is Jiangnan with a thousand colors.

  Spring comes and spring comes and goes.

   In March, the remnants of flowers fall and bloom, and swallows come flying every day on the small eaves. Zigui cried blood in the middle of the night, not believing that the east wind could not call him back.

  The world is full of fragrance in April, and the peach blossoms of the mountain temple begin to bloom. Chang regrets that spring has nowhere to go, and I don't know where to turn.

   Festivals urge each other to be new, and infatuated children retain spring. Why should Fang Fei take a break, Xia Mu is lovely.

   These are the three attitudes towards spring return.

   Sadness.

   A unique surprise.

   Comply with the open-mindedness of natural creation.

When the    music progressed here, it also entered a little stage of rendering and splendor.

  Melancholy is expressed in the song, which is agitated, inquiring, with a dash of sadness or even tragic. The surprise is expressed in the song, it is sonorous, but it is also like a lotus boat on the water, it is relaxed and swaying.

The expression of    open-mindedness in the song is a kind of nature as if the wind overwhelms the earth, and then the whole piece of music enters the end in this natural atmosphere.

  This is a song.

   is followed by a word.

   Comparing music and words, Xu Guangling was good at music but not at words.

   This may also be because he has a lot of dealings with music, whether it is composing or arranging. And writing words, from childhood to now, there are not many times.

   But in fact, as long as the song is in place, the words don’t have to be good, it just needs to be suitable.

   This is also the advantage of the same creator of lyrics and music. Xu Guangling knows exactly what he wants to express. When the expression of the song is already in place, he only needs to describe the "duty" truthfully about the filling of the words.

   Jiangnan willow, the spring breeze.

  An Ran is as motionless as the earth, but uses the slack as a hook.

  Jiangnan Yan, busy building nests.

   Shuangfei tapped the water between the reeds, and Shuangfei murmured before the hall.

  …

  Twelve paragraphs, twelve kinds of Jiangnan scenery, and the arrangement of these twelve kinds of scenery constitutes the entire "Jiangnan" image that Xu Guangling wants to express. At this point, the song is completed.

   Xu Guangling first wrote "Jiangnan", and then added the word "spring" at the back.

   "Jiangnanchun".

   The name of the song.

   found a recording studio, and after getting the accompaniment ready, Xu Guangling sent the lyrics and music to Zhou Lanlan together with the previous painting.

   Read books, play seal cutting, paint paintings, and write songs.

   This is Xu Guangling's "adjustment".

  Adaptation is rest and recuperation. For example, after a big battle, you should step back to recharge your batteries, adjust your body and mind to the best state, and wait for another battle.

During the days of    adjustment, Xu Guangling did not run the fundamental tricks again.

   But the practice of Fuxi Jue, he still did not stop for a day.

  Xu Guangling's schedule is generally that in the afternoon, after dinner, he will leave the institute and take a walk to Changbai Mountain, which is dozens of miles away.

   Then, from a different location every day, climb the mountain.

  The altitude of Changbai Mountain is not high, the highest is only two or three kilometers, but the range is very large, large enough for Xu Guangling to explore.

   This is also because he has an eye-catching relationship.

   For the average person, this mountain range, including the surrounding small mountains, may not be able to be explored in a lifetime.

  Under the exploration of Tianyan, the detailed topography of Changbai Mountain, including the growth of plants and medicinal plants as the focus of attention, was added little by little to the "Map of Changbai Mountain" in Xu Guangling's mind.

   This is actually one of the adaptations.

   "If someone comes to the mountain, he will bring a female radish with him."

  Xu Guangling is like a male mountain ghost, walking among the mountains and jungles. It's just that in this severe cold season in the north, there are neither lilies nor female dills in the mountains, but there are only pine birch that is resistant to frost and snow, as well as frost and snow.

  The snow is three feet thick, covering a thousand miles of Yaotai.

   In fact, the Spring Festival is over, which means that winter is coming to spring, and it is time for spring to bloom slowly.

   But just yesterday, there was a whole night of heavy snow in this area. And today, as the occasional weather reporter, Old Station Manager Xu told Xu Guangling that the lowest temperature today was -33 degrees below zero.

   This refers to the ground!

   As for the top of Changbai Mountain, it is very likely that it was more than 40 degrees below zero and went to 50 degrees.

   Such weather, in Changbai Mountain, is naturally the image of Liu Zongyuan's "Jiang Xue". So much so that even the most lively squirrels huddled together as a family, cuddling in their nests to keep warm.

  Xu Guangling was concerned about the little tree.

  The first time he went up the mountain, he went to visit it. But in fact, it is not very worried.

  As expected, although Xiaoshu was bullied by Xue Xiaoxiao because he couldn't move, apart from being a little embarrassed physically, he was still mentally energetic.

  Xu Guangling carefully removed the snow for it, but only on the branches, and the snow on the roots remained.

   Then, I added a meal to it with the air of plants and trees and the air of the earth, mountains and rivers. ——He was still a little afraid that it would freeze, and that was comforting.

   After that, Xu Guangling himself absorbed the energy of grass and trees.

   In the severe winter season, the air of vegetation is too thin, and Xu Guangling also did not absorb it too much. This thin fog is probably very important to the plants in this area.

  If he learns too much, maybe there will be news next year.

   "Shocked! The cold-resistant pine forest in Changbai Mountain has withered in a large area! What kind of changes and mysteries are hidden behind all this?"

   So Xu Guangling just strolled in the mountains, collecting the scattered mist.

   And when he strolled from evening to night or late at night, wandering from the foot of the mountain to the top of the mountain, the breath of the grass and trees was almost absorbed.

   Then go down to Tianchi and absorb the breath of the earth, mountains and rivers at the bottom of Tianchi.

After the    right heart aperture was opened, Xu Guangling absorbed these two kinds of mist again, and they all passed through here.

   The feeling is very different from before.

The    is drawn through the right-hand heart orifice. After the mist passes through the right-hand heart orifice, it seems to have been transformed, and the nature may have changed in some way.

   But Xu Guangling is not very sure about this.

   All he could feel was that under the influence of these two kinds of mist, the blood in his body became more and more dense.

   In the beginning, when Xu Guangling was naked in this severe cold, he could only say that it was not cold, but now, he felt the whole body is full of yang.

   This is also why, it is obviously cold winter, and it is clearly the north, but Xu Guangling's song is writing, spring, south of the Yangtze River. ——

   His body and mind, after the opening of his right heart orifice, was in the midst of the thawing of the earth in spring, and the warm grass and warblers flying in the spring.

  ==

  Thanks to "SWORDMAN" for the support of the recommendation ticket.

  Thanks to "Fujimine Seiyu" for his monthly ticket.

   (end of this chapter)