The treeman's appearance gives people a strong sense of oppression.

But for Li Qianfan, who often plays virtual online games, this barely "normal" BOSS style is obviously not enough to scare him.

Therefore, looking at the treeman BOSS slowly emerging from the shadows, Li Qianfan just frowned slightly, without a trace of panic on his face.

"I have been paying attention to you for a long time... When did you find out that there was something wrong with her?"

While speaking, the treeman pointed at Li Qianfan with its right hand that had completely turned into a tree.

And the "she" it mentioned was obviously referring to Yue Yejiang who was betrayed and stabbed by Li Qianfan.

Therefore, after hearing the tree man's question, Li Qianfan, who had been prepared, immediately answered:

"From the moment she let those Indians go."

"Oh? What else?"

"There are too many suspicious points exposed on her, just like a leaky sieve, everything is wrong."

Although the tree man's face looks like a statue carved out of wood, after hearing Li Qianfan's answer, this wooden face still showed a very vivid expression, that is, impatience.

Obviously, Li Qianfan's answer is too general and is not the answer that the tree man wants at all.

Therefore, after listening to his words, the tree man continued to ask again in his hoarse and weird tone:

"Be more specific."

"You want suspicious points, right? Okay, then I'll pick a few key points..."

Then, Li Qianfan listed all the suspicious points he found.

In fact, from the moment Li Qianfan met Yue Yejiang, he has been doubting Yue Yejiang's motives.

Although Li Qianfan had never experienced a honey trap, what was the difference between Yue Yejiang's previous actions and the legendary honey trap?

Everything must have a motive.

The fundamental purpose of criminals designing honey traps is nothing more than to make money and kill people.

So the question is...

What is Yue Yejiang's purpose?

At first, Li Qianfan thought she was a beautiful bait sent by the Koreans to lure those lone players to take the bait, and then kill them and loot them.

But after a period of contact, Li Qianfan found that Yue Yejiang's purpose seemed to be different from what he had imagined in advance.

Under normal circumstances, after a player is ambushed and attacked, it must be a situation of life and death, but Yue Yejiang showed mercy and let those three brothers go.

This is undoubtedly a very strange move.

If you say there is no trick here, Li Qianfan will not believe it even if he kills him.

After all, how could someone who could fight his way into the God-forsaken Land with his hard power be a good man or a believer? So when Yue Yejiang let a few of the third brothers go, Li Qianfan had been thinking over and over again why Yue Yejiang had such a seemingly reasonable but actually stupid operation.

Do you understand the principle of letting the tiger go back to the mountain?

Isn't Yue Yejiang afraid that the third brothers will not accept it and then go back to call people to block them?

From this moment on, Li Qianfan would repeatedly consider every word Yue Yejiang said and silently put a question mark.

And if Li Qianfan guessed correctly...

The real purpose of Yue Yejiang letting a few third brothers go was actually to catch more fish.

And this is the fundamental reason why she asked Li Qianfan if he had other teammates.

The trap can trap one person, but it can't trap hundreds of people at the same time, so when Li Qianfan came to the inner city lake, he immediately overturned his initial guess and changed the target of suspicion from "player" to "NPC".

Of course, if it were just the above, it would obviously not be enough for Li Qianfan to conclude that "Yue Ye Jiang is the boss's lackey".

The real reason why Li Qianfan came to this conclusion was actually Yue Ye Jiang's inexplicable personality change and the mysterious legend about the "Pisces Jade Pendant".

Don't forget...

"Pisces Jade Pendant" is the core theme of the entire task chain.

This is a story based on the "mysterious legend".

As the main line of the story continues to advance, players as participants will naturally slowly come into contact with some "surreal settings" that only exist in legends.

Of course, the appearance of supernatural elements does not mean that the overall style of painting has become fantasy.

On the contrary, the appearance of certain surreal settings in the background of the story will make the entire work more exciting, and various magical reversals will emerge in an endless stream.

For example, the "Death Note" that fights the ceiling of wisdom, the "Gambling Apocalypse" that is an absolutely fair game based on the rules, and the "Steins; Gate" that plays with the closed loop of time and space, are all created based on their "core settings".That is, a setting is provided in advance, and the whole story will revolve around the setting, so this type of work is also collectively referred to as "setting-based works".

Setting-based works seem to be wild and unrealistic, but in fact, they are supported by a complete and meticulous logical system. It is necessary to cleverly nest "fantasy" and "logic" together so that readers or viewers can find no faults.

In addition, "readers" and "audiences" are both third-person perspectives, while "players" are first-person perspectives.

Therefore, it is usually difficult for "players" who are in the game and witness the development of the story as parties to the game to jump out of the fixed thinking framework and think at a higher level from the perspective of God.

And this is the real charm of the "ninth art", and it is also a high-dimensional experience that cannot be achieved in novels and film and television works...

...

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