Our family is in decline

The plot of this volume should be divided from chapter 359 to chapter 523. The plot of more than one hundred chapters involves a lot of plots, but it can be mainly divided into several major events. Let me help you sort it out.

Chapter 359 begins the official invasion of the Wolf Warriors into the realm of Hamlet. The Wolf Fang Barbarians, the Bastia Knights, the Leper Immigration Team, the Ovendo Jean Merchant Group, etc. who spent a lot of ink in the previous volume appeared one after another.

If the three lines of the invasion of the Wolf Warriors, the invasion of the Knights of Bastia, and the invasion of the outpost by the cult saint were separated separately, they would be considered branch lines, just like the previous volume.

And together they are the main line, because the complex relationship between them can form an entire plot line surrounding Hamlet.

Wolf Warrior because of his blood, the Earl who is interested in land, and the ancestor who wants to take advantage of the opportunity to add insult to injury. The three of them gathered on the stage of Hamlet for various reasons.

The result of this battle is that Wolf Warrior dies, Lance is promoted to champion, Greendale's inner demon is eliminated, Wangcai (forced) to give up flesh and blood and ascend to spiritual power; Tom and Mary both awaken, and Amandana casts her name.

The eagles Laura leads to the Knights of Bastia, the cavalry duels to capture Alvin and Lawrence, and the Guards are established.

The outpost was successfully defended. Geralt cut off the Saint's arm and captured those weird flesh and blood staffs. The second team won the title of [Iron Wall].

The melee came to an end, but it also aroused Count Bastia's ambition.

The real branches are Leprous, Roma, the fleet returning to port, Orvindo, and the casting of cannons.

The first three branches are the leper swordsman Baldwin, the omen seeker Amanda, and the mysterious scholar Alhazred.

As for Owendo's line, it is actually foreshadowing. Everyone who sees this should understand that this line introduces Michelle, an external force, to explain Jean's behavior, and Lance arranges for Vic and Walter to fight against Owen. Wendo's control.

As for Cast Cannon, it roughly describes the development of Hamlet through this line, which is also a foreshadowing.

Then here follows a large plot of Bastia, which can be divided into Margaret line, Laura line and Gunsan line.

In fact, this is an extension of the results of the multi-party melee that occurred in Hamlet, which explains many problems.

For example, why do Margaret and Laura the Eagles appear in Hamlet later?

Count Bastia's ambitions and historical reasons, as well as strategic changes to the mountains.

There are also the reactions of the mountain barbarians to the changes in the situation, etc...

There are actually requirements for writing novels, which is to strengthen the main line and weaken the branch lines. Simply put, it means strengthening the main line and weakening the branch lines. The perspective should stay on the main line. The function of the branch lines is to adjust and ease the plot.

But there are so many things happening above, and I have used so much pen and ink to describe various complicated branch lines, but what about the main line?

At this time, our protagonist is attacking the Big Pig Library, the Pig Killer, the Holy Girl, and the Killer.

After coming back, I was busy dealing with the things I had laid out before.

Laura brought Margaret to surrender to open up the situation and control Lawrence...

So when I watched it, many people felt that the plot was dragging. For this reason, there were a lot of descriptions other than Hamlet, but there was not much in the main plot of conquering the map and killing monsters.

Of course I knew it, because I designed the plot, so it was natural for me to throw myself into the street.

But I still have to explain why I wrote it this way, because these large plots that have nothing to do with Hamlet and the protagonist are all taken over.

This volume is the turning point for Hamlet from behind the scenes to the stage. It is also the moment when the protagonist has accumulated strength to a certain extent and is no longer a nobody. Hamlet's re-emergence will definitely cause fluctuations.

The small place of Hamlet, which also has a wide range of eyesight, is expanded into regional events such as Bastia, the mountains, Ovendo, and the Empire.

I want to present a larger world view, use historical trends to add depth, and create an epic legendary story.

But the idea is good, but the actual effect cannot be said to be no, it can only be said to be violent death.

My ambition is as ridiculous as Count Bastia, I don’t have the ability to know...

In order to write these complete plots, I had to bite the bullet, and I was almost perfect at writing. A book that was originally quite normal was completely destroyed by me, and the data dropped to a terrible level.

I still overestimated my own level and ability. If I could do it all over again, I'd better not make too big a deal. I don't have the ability to end it. I should just write something about beating my ancestors and sticking up with the female characters.

Okay, the following plot will return to the development of Hamlet. I will not describe too much about the branch plot. The priority is to defeat the ancestor.

Thank you all for seeing this, and thank you for your support. (End of chapter)