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Indeed, if we look at the corruption cycle of the painting world described in the previous book.

Passing fire seems to be a cursed reincarnation.

Everything Sullivan has done is to shatter this 'status quo' era.The world he sees after coming to reality is no different from the world of painting, it is also corrupt and depraved.

In his eyes, the gods may be no different from those residents of the painting world...

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Some people speculate on Sullivan's inner process in this way.

"Sullivan... Maybe he feels hopeless in this world!"

——Because I am desperate for the world and no longer have expectations for the gods, I am determined to use my own means and abilities to change everything.

It is assumed that he was disappointed with the people in the painting world, and he had the experience of leaving the painting world.

When he found that the real world was no different from the painting world, but there was no other world for Sullivan to escape.

Akado chose to curse the gods, abandoned his human identity and fled to the powerful monster.

Sullivan chose to overthrow the gods and usher in a new era by himself.

All these have created the emergence of an ambitious pope.

Of course—some people feel that Sullivan is a pure careerist, such as the old dean of the Academy of Magic.

Being cautious, he has always regarded the second part of Dark Souls as the second prophecy of the flower magician.

He believes that Sullivan has been unwilling to be peaceful since he was painting the world, and has been longing to come to the outside world, which is a symbol of his inner strong desire and ambition.

Ending the reincarnation of fire transmission may just be an excuse for Sullivan to find for his own series of actions. He is an out-and-out careerist.

But Claire, the little princess and more people felt that Sullivan was more than just a careerist, or more than just a careerist.

It may be true that he has great ambitions.

But his desire to end the reincarnation of fire transmission is also true.Girls are sensitive and sensual at heart.

For the first time, they experienced what is called——

If a person has worked hard for this action all his life, then even all the ideas he reveals are false.

But if he carries it through to the end, that fake part has long since become real.

The hero who spreads the fire seems to have done nothing wrong, and the starting point of Sullivan's idea seems to be no problem.

Readers who have read many of Andersen's works, and gradually understand that there are no pure villains and villains in his works, are beginning to get used to this kind of seemingly contradictory, but actually exuding charm everywhere.

In other words, just because they are human beings, they have emotions.

The villains can't be completely cold and rational, let alone pure evil.

Such a flesh-and-blood villain has a more distinct personality.

The story continues to look backwards...

There were five war knights sent by Sullivan to Losric, and one guarded the entrance to the Road of Living Sacrifice.

One lurks in the basement of Lothric City.

The third one is hiding in the big library, and the remaining two are Bordeaux and the dancer.

They were stationed at the exit and entrance of Losric City respectively.

The location of the knights who fought was not a coincidence. Even though they were far away in Illziel, Sullivan seemed to firmly believe that the last blood of the Gwyn royal family was in the city of Lothric.

His eyes and ears have already been all over this crumbling kingdom, watching the Lothric kingdom painstakingly produce heirs capable of spreading fire.

And once the two princes fail to spread the fire, Eldridge will come as the salary king instead.

Sullivan then awakened the cannibal.

The cannibal who came to summon the new church was ecstatic to find the god who was bound by five flowers-the shadow sun Gwyndolin. For this madman, what joy was beyond words.

So he evolved from a cannibal to a god eater.

And Sullivan does not know what role he plays in it.

All these seem to have an inseparable relationship with him.

The prince did reject the transmission of fire, and one of the important reasons was the thought influence of their teacher, the original sage of Lothric.

The sage with a lot of profound knowledge had doubts about transmission of fire a long time ago.

The princes who have been taught by him since childhood also had the idea of ​​whether it is correct to spread the fire, and finally regarded it as a curse and resisted the idea of ​​​​passing the fire.

Seeing this, readers can't help but associate the image of the teacher with Sullivan without Andersen calling names.

...? !

Fuck, is there such a coincidence?

... also hate spreading fire.

Just because of the teacher's influence, the twin princes dislike Chuanhuo and regard it as a curse.

This excessive coincidence makes it impossible for readers to ignore it.