Moon World Can't Be a Love Game

why?

Ishtar frowned.

Immediately afterwards, the excited cheers of "Ishtar" came from the body:

"Saron is coming!"

"Saron... who?"

Ishtar asked, puzzled, that she had never heard of the name.

"Um... how do you say it? You're an idiot!"

The joy of "Ishtar" overflowed with the voice, conveying a certain feeling called 'happiness'.

But the happiness from the other self not only did not give Ishtar the same joy, but made her feel deeply jealous.

Why! ?

It's obviously all Ishtar, how can "another me" have such a happy mood?

Do not! !

This call must not be allowed to complete!

So, Ishtar ordered the beast beside him:

"Go, Humbaba. Kill Gilgamesh and complete your revenge."

"Roar--"

The giant beast named Humbaba immediately responded with a roar of hatred, and smashed Gilgamesh with a body of steel as heavy as a mountain.

"What? Don't! Humbaba, stop! Gilgamesh is already dying, even if he waits for the summoning to finish before killing him!"

"Ishtar" shouted in her body, but she couldn't control her body, and she couldn't transmit her voice and commands to the outside world.

The iron fist like a hill fell swiftly, and Gilgamesh was about to die here.

Ishtar gave a smug smile.

But the next second, the smile stiffened on his face.

Because, the huge fist made of steel stopped dozens of centimeters in front of Gilgamesh, no matter how hard Humbaba roared and tried, he still couldn't make an inch.

Suddenly, Humbaba was thrown out with his fist and body, and Ishtar saw the strange man standing in front of Gilgamesh.

This man had a kind smile on his face, but his eyes were full of danger. He looked at her as if he was looking at prey and said:

"Hey, my family's Ishtar is lost, if it's with you, could you please give her back to me?"

Apologize (end of book)

Sorry everyone, this book ends here.

When I first opened this book, I named it "Love Game" because I wanted to write a relaxed and happy story where as long as a girl with a bubble can save the world and bring happiness to the people she likes.

But the taste of writing and writing changes.

This is my problem. As a novel creator, I am not mature enough to control the trend of the plot and the change of the protagonist's mentality, which led to the story running off the track.

Fortunately, after adjustment, I can still keep writing until I enter the FSF world.

The plot to be written in the next chapter is that after Saron rescued Gilgamesh, he was immediately involved in the inherent barrier of the Pale Knight, and in the barrier, he had an encounter, dialogue and confrontation with the police of Snowfield City.

I wanted to write about the courage and fighting spirit of the police to fight heroic spirits and protect civilians as human beings. Saron saw the shadow of his past in them. Not only did he not mind their attacks, but he generously forgave them and even expressed his approval. and appreciation.

But as I write this, I suddenly feel very sad.

Most of the twenty-eight police officers who can be called "heroes" in my eyes don't even have names in the original work.

They are like "[-] people in Xueyuan City", "[-] people who survived in Uruk", and "XX million people in Lostbelt", they are not even a grain of sand in the story of Xingyue World.

To be honest, I hate this kind of world from the bottom of my heart, so I ended the first volume with "Saron brings Tiamat into the imaginary space" in exchange for "the citizens of Uruk survived".

But writing these contents is really easy to feel tired, so when I entered the second volume, I made a lot of changes to the original outline, trying to prevent Saron from going down the road of "saving the common people" again, and the result was a bit broken. sharp.

Then the third volume is based on the original outline, calling Elle in northern Europe, using the power of the god of the underworld to take away the souls of humans who should have perished with the Lost Belt, and bring them to Uruk of the Age of Gods to resurrect .

I finally wrote about FSF, I wanted the protagonist to use the power unequal way to pretend a few times, flirting with Ishtar in the state of one soul and two souls, and then talk about Enkidu, Gilgamesh and Saron. stories and the like.

But when I wrote about those policemen and looked back at the magician's trampling on human life in the original work, my disgust for the "Moon World" completely overwhelmed my love for the "Moon Character".

If you revise the outline and change what Saron wants to achieve most, you should be able to reluctantly write it down and write a less happy story of saving mankind and changing the world.

But does it make sense?

I don't think so.

Because it will make Saron very tired to live, readers are very tired to read, and I am very tired to write.

So let this tiring story end here.

sorry!

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The number of words in the outline is too many, so I won't post it, pick some that I haven't had time to write, and talk about the more critical content.

First about Saron and the system.

When Saron traveled to the Moon World, it became a piece of code in Mooncell, a moon spirit crystal, not even AI, only dozens of characters.

In order to get rid of the shackles, Saron began to eat Mooncell from the periphery in the chaos caused by several Mooncell Holy Grail Wars, and gradually touched the core.

However, when competing for the core authority, Saron realized that once the existing core was completely eliminated, he would be assimilated by Mooncell into a new Mooncell.

So, Saron gave up and continued to nibble on the core, and used the part of the permissions and "code body" he had obtained to make a "system" to help him build an Afterstory world line that could be unfettered and enjoy safely.

Then, he cast his consciousness on Earth for reincarnation.

Before the story of the novel began, the sixth reincarnation took place. The previous five reincarnations were all relatively peaceful modern times, but because the physique of modern people is too poor, every time they were killed in the process of attacking the "character", it was too late. Become stronger.

On the fifth time, Saron was born to death, throwing himself into the god Uruk, and attached to a human male who had just grown up, so there was a later story.

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Subsequent plot synopsis.

FSF World: Retrieve Ishtar, obtain the Great Holy Grail, trade parallel world coordinate algorithms with Gem Ong, and fight the giant spider with Gilgamesh, Enkidu, and Ishtar.Get Memory Fragments from Gilgamesh.

Back to God on behalf of Uruk: Skadi came to the door and pushed Skadi.Ishtar is jealous and makes trouble, and pushes Ishtar.Because of the shared senses, pushing Ishtar causes Alley to hide from Saron.Illya sends a cry for help from the Atlantic Lostbelts.

Atlantic Lostbelt: Attack on the body, save Illya, kill Odysseus and Chiron in the Lostbelt, use Odysseus' armor to make a weapon and shoot down the Moon God, and take the aircraft to the sky to collect the Moon God body.

Orion learned of this through the humanoid figure of Luna by his side, and was therefore hostile to Saron.

The captain came to the door and revealed Saron's behavior of saving mankind in northern Europe, but he didn't say much, only said that he would wait for Saron in Olympus, and then leave.

Saron went into the sea and defeated Poseidon, the god of the sea, to obtain the core unit.

Enter Olympus and shoot down Demeter.

Find the base of the Broken God Alliance, summon Aile, and the two reconcile.Let Ellie use the temple of Hades, the god of the underworld, to prepare to harvest the souls of Olympus humans.

Take Ilya to find Muzheng, find Houmurazheng and don't recognize Illya, but Illya let Muzheng go, and Saron collected the Hephaestus components that Muzheng took away.

Ilya didn't want to stay here, and Saron asked the secretary fox to send Ilia back to Uruk, the god.

When I met the God of Beauty, I thought that the "ring on the stairs" in Hephaestus' drawings had a special effect on the God of Beauty, so I made a ring.Throw the beauty god with a ring, and the beauty god "gives it for nothing".

Alley is ready to harvest the human soul of Olympus.

Zeus hit the door, Saron hit Zeus, and won.

Fantasy tree, Saron sees the captain.

The captain wants to make all humans gods, but Saron refuses, because he is not sure if the pan-human history is really destroyed.

Secretary Fox asked for help, but was besieged by the two crowns of the god ancestor and Orion, and the pan-human history followers came to reap the fruits of victory.

Saron one-to-many, beat everyone.

Back to the fantasy tree, the captain is about to succeed.

Getia appeared and said that Pan-Human History could be saved, and the captain hesitated.

Muramasa appeared to help the alien god come.

Saron hammered the alien god, and the Atlantic Lostbelt ended.

Go back to Uruk, push Secretary Fox, Ai Lei, and forcibly throw Ilia into the AF world line.

Go to the deep-sea computer paradise, use the self-disciplined human evil spirit to turn over the Slaughterhouse and get the memory fragments.

Enter Mooncell, use authority to defeat all resistance, get the core and throw it into the AF world line.

The AF world line is completed, the setting is not mysterious, there is no extraordinary power, and the life cycle of ordinary people will meet the women who enter the AF world line every time, and finally live happily together.

Then the story ends.

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About the new book.

Because the end is abrupt, the new book still needs to be thought about, but I will summarize the experience and lessons of this book before writing, and will not make similar mistakes.

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Finally, I would like to say sorry again to all the readers who voted and subscribed to support this book, as well as the editor Bixi.

sorry! !

In order to show sincerity, if you can lose 120 pounds, you can wear women's clothes!

(PS: Currently 150 catties)