My Ending Can't Be Hit by a Hatchet

Otherwise, for general animation adaptations, in fact, the original creator does not have such a big right to intervene in animation production.

Sometimes, although the pressure of original animation is very high, after all, compared with adapted animation, there is no fan base, and there is no plot and character design reference. Whether it is good or bad, we can only wait for the broadcast, and worry about whether the subsequent production will be sudden. Blood collapse.

Such things are definitely not uncommon, and many adaptation animations have appeared, let alone original animation.

But sometimes the freedom of the original animation production team is sometimes very enviable.

At least it's not like those adaptations of popular works, where people keep pointing fingers.

Especially for those works that are particularly hot, the animation production team can only follow the steps of the original works, and dare not make changes to the plot.

"What happened again this time?"

Taisuke couldn't help asking curiously.

"That game company doesn't like the script produced by the animation company, and wants to add all the game characters and game plots into it."

Rieko showed a hint of sarcasm, "These people don't know the space limit of animation, they want everything, and sometimes they get nothing."

"There is also the audio-visual product channel business, who arranged for their contracted singers to be voice actors, but they don't know anything at all."

"It's so troublesome."

Taisuke didn't expect that his mother's work would be so troublesome this time.

"Oh, there is no way."

Rieko also smiled self-deprecatingly, who told them to give more money.

"So during this period of time, I can only communicate with the original creator to let them give up their stupid ideas and stop meddling in animation production, and at the same time, let people take the singer who came in through the back door to do basic voice actor training."

Rieko shook her head. In addition to working with the production director and supervising the complicated production process and on-site work arrangements, the producer also has to establish a good relationship and communicate with all parties such as the distributor and the original producer.

Producer, it will definitely not be like it is shown in a certain animation.

Just rubbing mahjong and chatting can get back an animation, and all the work in the production process is basically left out.

Of course, Rieko couldn't help it either.

In fact, being the producer of other ordinary light novels, manga or game adaptation animations is not so hard.

Because in many cases, the original author has such great rights when adapting animations.

To adapt animation, it is naturally an animation company, and the production team will adapt to a certain extent based on the supervisor's own understanding.

If you are lucky, your work will be adapted into a masterpiece, if you are not lucky, you will play it.

After talking about the troubles she encountered at work, Rieko turned to look at her son.

"Taisuke, your animation will be adapted recently."

"En." Taisuke nodded, Nami Kazama had told him about this before, and he had also met the person in charge sent by Risheng.

"You're still an acquaintance, Mom."

"Well, I know." Rieko nodded, "Yoshino has already greeted me, saying that Risheng Company has obtained the animation adaptation rights of Taisuke's work, and then found him for the script and series composition."

Of course Rieko also knew what her son was worried about, so she smiled and comforted Taisuke.

"Don't worry, Yoshino won't make random adaptations of your works."

Taisuke glanced at his mother, and could only say helplessly, "Mom, are you serious?"

Rieko turned her head away in embarrassment, but she didn't even believe this sentence herself.

"At least you don't have to worry about the playback and sales of the animation."

"Well, what you said is very reasonable, but you also know Uncle Yoshino's evaluation of those works that he has been in charge of scripts or series composition over the years."

The performance of those works cannot be said to be very bad. On the contrary, many of them are popular works, and some are regarded as classics.

But, Yoshino Hiroyuki has been receiving poor reviews.

The reason is very simple.

The resources obtained by Hiroyuki Yoshino are definitely not bad. There are original animations with sufficient funds, as well as animations adapted from popular works.

However, no matter how popular the original work is or a purely original work, in his hands, the scripts are all very old-fashioned commercial routines without any new ideas or interest.

With such a script, coupled with exquisite painting and storyboarding, coupled with appropriate music production, it is not difficult to become popular.

But if we really want to say that script scores with high ratings are somewhat rare.

Therefore, there are many people who hate him on the Internet and in the circle.

Many people call him lucky Yoshino Hiroyuki, just like Okochi Ichiro.

The evaluations they got were relatively poor, but they were often seen on the staff list of some hot works.

Because, while hacking them, you must also face up to the fact that they are really powerful.

Yoshino Hiroyuki is very good at commercialized scripts, and the rhythm control of the first three episodes of Okochi First Floor is also first-class.

"Hahaha, don't worry, at least it's better than those who make random adaptations."

Rieko could only comfort her son in this way.

"Ah."