With that in mind, Fernando sat in front of the cold French meal and picked up his fork.

That's right.

Camille also likes to eat mussels, which must be boiled with white wine.

===

Make up, 7.5K

orz was originally supposed to be uploaded in two chapters, but when I woke up at night, I saw that the first half was just copied to the page where the chapter was uploaded, and I fell asleep without uploading at all (

Chapter 052 He Killed Him

Sitting in the car back to the apartment, Azusa Sasaki lowered his head to sort out the information given by Fernando.

Thinking about it carefully, in fact, there is almost no conflict between what she found and the information given by Fernando-of course, except for Camille, there is no overlap at all.It's like two events that happened at different times.

Fernando also mentioned something familiar to Azusa Sasaki.

--arrow.

She also has a similar one in the collection room of the manor far away - but it is a fake.

The reason why it is similar is that everything is based on the premise that Fernando's tattoos are not disturbed by his chaotic memories of the time.

These are all unverifiable things.

And now...

If what happened in Sendai is really similar to what Fernando experienced at the time, only with a change in scale, what role did Risa Fukada play in those two events?Azusa Sasaki remembered that Fukada Risha also had an arrow in his hand - if nothing else... that arrow should be at Lilith or Kira now.

This way, the arrow is safe.

Don't worry about it being held in the hands of restless people to create more stand-ins.

Azusa Sasaki frowned, slightly annoyed once again because the progress of the matter stopped.

arrow,

arrow.

arrow...

Did Fernando find the arrow?

- Azusa Sasaki remembers that if you count the arrows that Fukada Risha brought back, Kira should have 3 arrows in his hands.Assuming that Fernando didn't find the arrow, among the 3 arrows in Kira's hand, are there any arrows that the "man" wanted?

Arrow again.

Recent events have all been related to arrows.

Azusa Sasaki couldn't help but wonder, are they the same thing?

- Probably not.

Azusa Sasaki quickly denied his speculation.

If the arrows were the same thing and had the same purpose, the difference in appearance would be superfluous, and the "man" didn't have to specify which one he wanted.

She recalled the tattoo on Fernando's arm, and then raised her hand and tapped the back of the driver's seat: "Go to the suburbs."

After speaking, Azusa Sasaki looked down at the time.

It's almost 10 o'clock in the evening, I'm afraid Kira is going to sleep.But Lilith must still be awake, so you can go and discuss with her.

With that in mind, Azusa Sasaki closed his eyes in the car that turned around.

Doocho

The second knock on the door, Kira Yoshikage still didn't wait for Chiba Yu's response.

If it was normal, he would choose to go back - no, if it was normal, he would not even come here specially.

He remembered the ability of the marionette, and the thin legs of Hirose Sisi, and frowned slightly.

If Hirose Sisi gets the marionette, what would she want to grab in the first place?

- The answer is obviously a pair of "healthy legs".

And what about the marionette?

Whose legs will it choose to give to Hirose Sisi as a gift for their alliance?

Yoshikage Kira remembers that the marionette wanted to kill Nana Kawakami—in fact, it had already done so.

It killed its original owner, seemingly simply because it was dissatisfied.

Nana Kawakami was against marionettes—at least at first.

As for why the exclusion...

Because the marionette has an almost repulsive desire for control, it likes to impose something, something it thinks is good, it likes to shape its own master, under the pretext of "meeting a better version of yourself."

If Hirose Sisi was allowed to choose, would she choose the people close to her? - Only fools do.

But what if the choice is in the hands of the marionette?

What kind of owner does it want? ——It once wanted Lilith on April [-]st, so the "perfect master" in its heart should be someone who is free, emotionally elusive, but always knows and will strive for the "best option".

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