I, the Heroine Raider

Izumi Masamune asked: "Regarding the theatrical animation that I said last time, has Supervisor Kinoshita recruited people and made preparations? My side is more urgent. If possible, I need you to start construction immediately. ."

Hearing that Masamune Izumi didn't want to fire him, this reassured Kinoshita Seiichi.

However, Makoto Izumi's question made Makoto Kinoshita nervous again. He said with a little guilty conscience: "Probably... I have almost prepared... Well, as long as the contract and funds are in place, the work can start at any time."

"Is Director Kinoshita free now?"

"It's nothing."

"Let's talk about it then, we'll sign the contract now."

After Izumi Masamune asked for the meeting address, he immediately rushed to the meeting place.

An hour later, Masamune Izumi soon found the coffee shop where he met. After he entered the coffee shop, Makoto Kinoshita immediately greeted him: "Mr. Izumi, it's been a long journey, what would you like to drink?"

"Have a latte."

Masamune Izumi sat opposite Kinoshita Seiichi and asked, "Has the contract been brought?"

"It has been brought."

As soon as Kinoshita took out the contract, Masamune Izumi looked at it a little, and revised a few terms and signed it down.

Kinoshita Seiichi didn't refute the terms that Masamune Izumi said he wanted to revise. Even if this work was done for nothing, he was willing to come and help Masamune Iizumi.Because after the work is completed, he will inevitably gain fame.

After signing the contract and both parties were relieved, Izumi Masamune continued the topic of the previous phone call.

"As I said before, are the preparatory work really done?"

Izumi Masamune's words are full of uncertainty, because he has seen the original animation, but he knows Kinoshita Seiichi's urination. This guy has always reported good news but not bad news, and he will do the feat of escaping at a critical moment.

"This... this..."

Kinoshita Makoto rolled his eyes, and it didn't make sense for a long time.

Izumi Masamune knocked on the table and said, "I said, Director Kinoshita, if you encounter difficulties, you'd better say it now. This animation is very important to me, and I don't want to make mistakes in the middle."

"In fact, apart from the storytelling and planning that I am responsible for, there is no progress at all."

Kinoshita Seiichi said frankly: "I called the producers, painters, animators, sound engineers, voice actors... who I knew before and invited them to participate in this production, but no one agreed to me. invitation."

"Do you know why?" Masamune Izumi asked.

Kinoshita Seiichi replied honestly: "Probably, probably because of the word-of-mouth problem of my previous work, most people would be discouraged from me. Besides, there is no 'independent animation' belonging to any animation company in this commission, and those people probably look down on me even more. ."

Izumi Masamune fell silent.

Although he is not a supervisor, this time he is only making animations in a private capacity, so this animation is strictly an 'independent animation'. Independent animation has always been synonymous with small workshops and unreliability.

Hearing the name of independent animation, coupled with Kinoshita Seiichi, a supervisor with a dark history...

Naturally, first-class original painters, animators, artists... are unwilling to agree to Kinoshita's invitation to smash signs, and he can probably invite only those who 'self-proclaimed' original painters.

Such a person would not dare to use Kinoshita Seiichi for free.

Once these people are activated, it means to be prepared for an extension, and Masamune Izumi does not accept an extension. He has just signed a terms of overlord that are completely different from the industry's regular entrustment contracts, so he has to be careful.

"How to resolve this matter?"

Izumi Masamune asked: "I don't know anything about animation production. Everything depends on Kinoshita supervision. The only thing I can provide you with is financial assistance. If there are other things that can be done, please feel free to say."

"It's actually very simple to solve this problem."

Kinoshita Seiichi smiled: "If possible, please send a tweet from Mr. Izumi, saying that you are going to make the theatrical animation of "The Moon Is Beautiful Tonight", and that this 'independent animation' will include personnel affairs. All the general affairs are entrusted to Supervisor Seiichi Kinoshita."

"Is that all right?"

Masamune Izumi edited a tweet at the request of Seiichi Kinoshita.

Makoto Kinoshita nodded and said: "Yes, this is enough. For the industry, with the popularity of your novel, the animation can be almost [-]% successful, and no one will give up the money and reputation that are caught by surprise. ."

"I see."

Izumi Masamune suddenly realized, and immediately understood the meaning of Kinoshita Makoto's words.

The reason why Kinoshita Seiichi can't find anyone is because he has a black history, and then the name is not right. It is natural that the work of a small workshop such as independent animation is looked down upon, but when he posted this tweet, it was different. .

Although independent animation is called the work of a small workshop.

But it also depends on which small workshop it is. If it is a small workshop with millions of popularity, it is another matter.

After finishing this, Izumi Masamune asked, "Are there any other questions?"

"That...can the construction period..."

"cannot!"

Before Makoto Kinoshita could finish speaking, Masamune Izumi directly denied it.

Although it seems a bit difficult to complete a theatrical animation in more than a month, the animation he wants to produce is only 60 minutes before and after, and because it is an independent animation, there is no need for complicated production committee discussion meetings, planning, and finding investors... Waiting for the time-wasting work, and starting the animation production directly when the funds are sufficient, it is absolutely too late.

By TV animation standards.

A 24-minute episode is only a week’s workload. Although the theatrical animation requires higher quality than TV animation, it can be done in a month if the resources are adequate.

"I see."

Kinoshita Makoto gritted his teeth and agreed, whoever made the first party this year is the uncle.