Entertainment: the Self-cultivation of Actors

This is a microphone pop shield, to prevent the singer's breath from spraying onto the condenser microphone.

However, the broken sound of "thumping webs" will be produced, which will affect the sound quality of the song, and will also bring out noise. "Let's do it without headphones!"

Sun Bo stretched out a questioning gesture, and Liu Haozhe nodded slightly.

"Okay, let's get started!"

Sun Bo spoke.

Liu Haozhe stood up straight, closed his eyes, and then imagined the feeling of this song, the plot of "Legend of Sword and Fairy", and the emotional resonance in his heart rushed to his heart.

The emotion of music. At the beginning of the creation of each song, the composer will set an emotional tone.

Sadness, joy, or nostalgia, and a great singer can restore 100% of the emotions that the creator wants to express, and even... it can perform super-level, allowing the audience to fully substitute into this song .feel what the composer wants to express,

That's what singers do!

The song "Rain in June" was written for the heroine Zhao Linger in the play.

And Liu Haozhe needs to use Li Xiaoyao's feelings to sing about the waiting for love, the love for Ling'er and the loneliness in his heart.

The song is narrated in a tone like Li Xiaoyao's confession, singing Li Xiaoyao's persistence in love, as well as his inner longing and pain. With the romantic and long melody, the audience can understand the true meaning of love.

If it is integrated into a TV series, it will be more romantic and warm!

Therefore, he needs to immerse himself in this artistic conception. Although the tune is very simple to sing, he feels that this kind of thing can only be sung. This is like the lines of a performance. Some powerful actors can use their lines to express to express feelings.

Liu Haozhe felt that the lines and lyrics were actually the same, and there was a commonality of emotions in it, so he felt it.

"A rain!

Trapped me here~~"

Liu Haozhe sang softly, with just one sentence, Fang Rong and Cai Yi looked like they had seen a ghost,

Open your mouth and kneel!

Sun Bo next to him also had a look of astonishment. He asked Liu Haozhe to sing a cappella just to hear if he was out of tune and if he needed to improve.

But Liu Haozhe's first voice gave him a very formal recording state, the feeling that the key voice was sung,

Very clear and affectionate, Huandi has a vibrato!

Omg this guy....professional!"

Sun Bo said in a daze, he was really surprised by Liu Haozhe's first voice!

Fang Rong next to her covered her mouth, she couldn't believe it,

The fact that Liu Haozhe can sing... this guy, who sings so well, has never sung?!.

After the song was over, everyone was immersed in Liu Haozhe's singing, and Sun Bo didn't react until Liu Haozhe walked out.

! clap! clap

He clapped there, with a look of surprise on his face: "It sounds good, it's really good, the first time the a cappella is of this level,

Master Liu, you must be a professional!'

It's really nice, Mr. Liu's voice is very magnetic~, it's quite special! "

Cai Yi was also flattering there, Fang Rong just wanted to say a few words, but Liu Haozhe frowned: "No, the voice is a bit loud, I need to practice, and it's too deliberate, it's not natural...

Liu Haozhe's words were too high-end, Fang Rong had no words to answer them!

Sun Bo at the side already believed in the fact that Liu Haozhe was a professional, so he nodded slightly:

"Yes, the breath is still not stable, you need to sing a few more times to control the control!"

Breath, this is the support for singing songs, and it is also the support for changes. The strength and weakness lie in the sound, and the change of virtuality and reality lies in the breath!

If the sound performance is divided into two ends, one end is the bright and full-bodied timbre that fully resonates, and the other end is the volume of breath flow, the transition zone between these two ends is the ever-changing timbre expression!

Whether it is clear or fuzzy, bright or dark, rigid or soft, thick or thin, these are actually the changes produced by the control of the breath.

The strength of a singer lies in the change of breath.

Because a certain famous musician said: "Whoever controls the breath controls the singing!"

This sentence is not wrong at all, anyone can start singing, the threshold is very low; what really needs to be practiced is the breath, especially the breath at the end, so that the audience can't hear it.

This proves that the singer is really singing, not breathing. "However, Master Liu, your vibrato is very good!"

Most pop singers know how to use vibrato, just like people "vibrato". If there is no vibrato in the extended sound, the effect will feel dry.

The beautiful vibrato comes from alternating back and forth between the original pitch and a sound one-quarter or one-half lower than the original pitch.

The use of many vibratos has long been not only a skill of sound, but a sharp tool for expressing emotions and touching the heartstrings.

You brought out the feeling of the song with vibrato, which is very good.

Sun Bo is more satisfied with this, but Liu Haozhe is not very satisfied:

"I feel that when I sing, the vibrato is too deliberate, it's like showing off my skills!"

"It's like filming, too much emphasis on body and expression, in fact, you will use too much force!"

Liu Haozhe completely used acting to experience how to sing.