Gotta Go the Healing Route

The foreshadowing was also laid before the story reached this point. For example, in the first chapter, Agni was initially burned by the fire, and because of the pain, the idea of ​​​​death was born.

When studying acting with Togata, Agni also said that if acting is deceiving, then he must be a very good actor.

When the purpose of revenge changes, the main line of the story will also shift accordingly.

It can be said that the following plot is the turning point, and the turning point often represents the sublimation of the story.

Familiar taste, familiar formula.

This is exactly what Yi Dazhigang expected.

Just like the magic circle, when the goals of the girls' battle are deflected, the whole story begins to develop at a deeper level.

Rain Biechao did not disappoint readers.

After the main line of revenge was torn off, the story also began to change.

Agni ran towards the end of the passage with a smile, until then, a voice calling for help suddenly rang in his ears.

Agni stopped, and he saw a slave child looking at him in the cage on both sides of the passage.

Li Hetian, who was following all the way with the camera, saw Agni stopped and immediately reminded him; he will see Dema soon, so don't do such meaningless things.Moreover, even if the slaves here are saved, it is useless.

In this icy and snowy apocalypse, apart from being a slave in Beicheng and living meekly, otherwise he would be frozen to death or starved to death.

But Agni saw the illusion again, this time the illusion was himself.The boy expected that he was punching the prison with all his might.

Seeing his original appearance, he suddenly understood that he had been lying all along, and his real wish was to make Luna happy, not revenge at all.

However, in order to forget the pain and find a reason to live, he can only act as an avenger.

However, in this process of constantly deceiving himself, he forgot his real self.

What kind of person is the real self?

It is the justice of Agni not to tolerate the evil deeds in front of him, and not to turn a blind eye to those who are suffering.

Agni is not a flame man, nor an Avenger, Agni is himself.

Agni recalled the reason for living, he just didn't want to admit defeat to this hopeless miserable world.

After 'wanting to die', Agni found a reason to 'live'.

A short episode, a few pages of storyboards, the turning point from tearing up the main line of "revenge", from "die" to "live".The story is sublimated.

This is a work about the end of the world.

What does the last days represent?Without a shred of hope, it is doomed to the tragedy of death.

What does this type of work describe?

It is to live, to know that the future is pain and death, and to live and fight against it.

To be or not to be is the main line of this manga.

Yi Dazhi just couldn't help but think of the interview about Yubiechao that he read in Kanna Wenhui Weekly.

'Death is not the opposite of life, but exists as a part of life. '

This "Yanquan" can be described as spicy and full of connotations as always.

"Live on! Agni..."

Seeing this, even Yi Dazhigang couldn't help cheering for the protagonist of Yanquan in his heart.

PS: I fell asleep halfway through writing, mine.

"Flame Fist" is really difficult to write, although I read a lot of analysis.If you think it's still messy...it's really not my problem, it's Fujimoto's problem.

Chapter 220 The embodiment of nerves

As a master of cultural creation, film not only has audio-visual technology, but also has a set of patterns in the construction of scripts, commonly known as the "three-act drama structure".

A large number of modern comics or novels have used this method for reference in the creation of stories.

The so-called three-act structure, as the name suggests, is divided into three acts and three parts.To put it simply, it summarizes the development process of an event or a person through three stages of 'beginning', 'development and growth', and 'change and end'.

Among them, in the second act, the growth of the characters or the change of the situation occupies half of the story.Undoubtedly, the description of this part is the most important to the whole story.

After all, what readers and audiences see is the process by which the protagonist solves a certain problem and achieves a certain goal.

It is through this process of development and growth that the characters change from the beginning of the first act to the end of the third act, and the changes in it are a kind of sublimation of the story.

In the eyes of readers, "Flame Fist" Agni is experiencing such development and changes.

The story of revenge is the long second act in the three-act structure: Agni went from moving forward purely for the purpose of revenge, to recognizing himself and surviving in order not to succumb to the world.

From simply fighting for revenge, to implementing their own justice, fighting to save these firewood in Beicheng.

Following the above plot, when Agni understood that his real purpose was not revenge at all, but to live on the pretext of revenge, he also realized his true heart at the same time.

The real reason why I want to live now is that I don't want to admit defeat to this desperate world.

Since revenge is no longer the main purpose, he now has a new target to fight for: as in front of him, the group of slaves in Beicheng.Agni decides to rescue them.

Agni opened the cage and released the slaves, but at the same time as he opened the cage, he also triggered the alarm of the passage, and a large number of guards came after hearing the news.

Li Hetian on one side collapsed directly.Because of Agni's sudden move, he completely ruined the script.Obviously, in this case, she will definitely not help anymore.

But Agni is ready to follow through with his choice, killing guards and well-wishers who stand in the way.

In order to protect everyone, he has made up his mind.

But these Togada and Yoda colluded, and the strength of the well-wishers arranged was too powerful.Fortified armor of old times makes these well-wishers resistant to Agni's fire.

This may be the worst protagonist in the comics, and so far, it is indeed the case in terms of combat.

Knocked out by the enemy and smashed into the ground.

Bones were crushed, spines were ripped apart, and bodies were torn in half.

Blood overflowed, flesh and blood flew, and severed limbs were scattered.

The tragic picture has caused a huge shock to the readers.

Fujimoto tree was originally famous for a large number of strange scenes, which can be seen from the scene of chopping hands and feeding the whole village in the first episode.

But for the majority of readers, this is a novel experience.

In their eyes, Yu Biechao's works never lack death.

Like Dead Pen, the theme of this manga is death.But this kind of death seems to lack expressiveness for readers who read comics.After all, most of the characters in the story die by the method of cardiac arrest.

In the later Magic Circle, the death of the characters in this work is indeed shocking.However, due to the witch's specific Kezila sticker style background, there is a lack of reality and blood, and more of a kind of horror, treachery and horror.

However, in the eyes of readers, Yu Biechao's description of death has changed again in "Flame Fist" and "Chain Saw Man".

He nakedly presents the bloody, heroic and brutal death scenes to readers in a realistic style.

In the comics, the narration of the story disappeared at some point.

No text.

Only the screen.

But for the reader, the picture is enough.

Comics express visual art, presenting readers with the purest sense of shock through silent pictures.

The wounded Agni was constantly killed by the enemy with various cruel means.

But Agni fell down again and again, and stood up again and again.

Even an undead well-wisher of regeneration suffers short-lived amnesia after being fatally wounded many times.

In the constant death, Agni has even forgotten the reason why he fought,

But he never forgot that he wants to fight against this cruel world.

So, he wants to live!

Even the slaves around watching the battle were amazed by this scene.

Why... the man in front of me won't fall down.

There are two types of people in Beicheng, one is slaves who use firewood, and the other is humans who use firewood.

Both types of people live as a matter of course.

Needless to say, humans who use firewood, even slaves who are regarded as firewood think so.

This world is too cold, too many lives are covered by ice and snow, and too many hopes are buried.

To live is just or, as firewood humans think so.

However, it seems to be different now.

There seems to be a warm flame in this indifferent world.It's not going to be blown away, even in the cold wind of death, it is still swaying firmly.

For Chai Xin, this fire was seen once, but once seen, he would never forget it.

This ray of fire is called—hope.

For the slaves of Bay City, Agni was hope.

To the enemy Bay City soldiers, Agni was a demon.

7 sauce once said that as long as you stay alive, your opponent will have a fear of not being able to kill you.

In the eyes of Beicheng soldiers, Agni is the demon god who brought them terror.

In the eyes of the two types of people, the image of Agni is different, and this image is finally shown by a storyboard that occupies an entire page.

Agni, clad in flames, stands in the center, surrounded by a charred hell scorched by the flames.

Outside of this hell, on one side are the soldiers of Beicheng showing expressions on their faces, and on the other side are the slave firewoods with their hands folded and the believers kneeling devoutly.

When there is something that can carry all despair and bring hope, then it is God!

When something can annihilate hope and spread despair, then it is a demon!

Agni, clad in flames, seems to be both a demon and a god.

One side is compassionate, the other side is cruel.

Bring destruction, but also bring new life.