Gotta Go the Healing Route
Page 187
The death of Akira Hayakawa will make readers feel depressed, but after death, he will become a gun demon and appear in front of Denji, but it will make people feel heartbroken.
Just like the true identity of Machima revealed in the previous chapter, the demon of domination, Machima's dominion over the Hayakawa family is absolute.
In other words, it was Machima's instruction to build the current Hayakawa family in the first place, and now, it is also her intention to destroy the Hayakawa family.
The purpose of doing this is not clear, but what is certain is that the villain's actions are all aimed at electric times.
but--
The one who suffered the most from her domination was the only normal member of Hayakawa's family, Hayakawa Akira.
Akira Hayakawa never cared about it, until he felt that Denji and Pava were a drag, and then he got stuck in it step by step, and regarded Pava and Denji as real relatives step by step.
For this reason, Qiu tried every means to seek the peace of the Hayakawa family, and in the end he and the angel went to Machima for an interview, and he burst into tears, was dominated by Machima, and then died.
Then, came to Denji.
"Are you really going to fight?"
"Electric times."
In the call of the gun demon man Hayakawa Akira, the camera changed again.
It became the childhood Hayakawa Akira and Denji.
Memories killing...or rather, the revolving door began.
"It's so cold, what am I doing outside?"
"Ah, I see, it's a snowball fight."
The young Hayakawa Akira threw a snowball, and the storyboard continued everything.
Amidst the roaring sound, the apartment of Hayakawa's family was completely destroyed.
What was destroyed at the same time seemed to be the Hayakawa family, the bond called family.
"My uncle's house!"
The words of Pava, who has been speaking indecent lines, add a bit of depressive atmosphere.
"Pava, hide quickly, you are really a gun devil."
Dianci, who was blown off half of his body, hurriedly shouted at Pava.
And Pava shook his head and said:
"Spearman, how is that possible?"
"Because, there is Ah Qiu's smell in the entrance!"
"Pava, stop talking..." Fujii Yuta, who was reading the manga, couldn't help but smile wryly.
Pava, who had never been serious before, became serious and sober at this time, and every word he said seemed to be making up for it.
Fujii Yuta couldn't help but feel the malice from Ubetsutomo.
The next scene is fighting, and... snowball fights.
In reality, the accumulated battles between Denji and Majinhua Hayakawa Akira were bloody fights.And, constantly interspersed in the battle, the childhood memories of Hayakawa Qiu are like revolving lanterns.
This is the way of montage.
Fujii Yuta recognized the method of split-mirror construction at a glance.
This is a shooting technique that deliberately cuts together images that are originally differently related, thereby giving individual shots a meaning that they do not have when they exist alone.
The reason why I know this is because Fujii Yuta joined the Film Research Society before.At that time, the senior president of the Film Research Institute also emphasized this kind of film technique.
Fujii Yuta remembers that the president said that montage is divided into types such as cognition, time, and space.
What is displayed here is undoubtedly the most typical cognitive montage: the changing things account for the vast majority, and the auxiliary description of the unchanged things.
Here, the only things that don't change are the Pava and the Electric Times, and everything else has changed.
The gunshots of Snowball and Gun Demon are constantly changing.
Transformation of snow and battle arenas.
Transformation of childhood and present.
A shift from snowball fights to dogfights.
And the most critical cognitive transformation, that is, Qiu himself, and Hayakawa Qiu who became the spear demon.
As the main perspective of cognitive montage, Akira Hayakawa cannot correctly recognize his own state.That is to say, Akira Hayakawa didn't know that he was the Demon of the Spear, but recognized himself as his young self.
The technique of montage reveals the information of "Akira Hayakawa is in a state of being unable to recognize himself" to the readers.
On the one hand, there is a fierce fight, dripping with blood, and on the other hand, there is a snowball fight full of innocence and fun, but the two do not appear to be inconsistent and abrupt, but are surprisingly smooth.
Didn't I say before that if you want a character to receive a box lunch and want him to die, in addition to the highlight moment, there is also a memory kill.
Because, often memories are the most lyrical.
Now, the memory kills.
However, it is different from the usual memory killing: ordinary memory killing is pure memory, and it will be connected to reality and the death of the character after the memory is over.
But the snowball fight here is literally 'memory killing'.
Really, remember and kill at the same time.
Hayakawa Qiu's past was actually revealed in the previous plot.
At that time, it was also snowball fights in winter.
When he was young, Hayakawa was waiting in the snow to go home to get his younger brother with gloves, but the gun demon suddenly came and destroyed his house, and all his family members died. So get away with it.
Therefore, even if it is a memory, it is not a good memory, but it seems to further uncover the scars of Akira Hayakawa in front of readers, creating a sense of tragedy.
And the tragedy created is not only this.
When he was young, Akira Hayakawa was having a snowball fight with his family and his younger brother, and in this memory, he was having a snowball fight with Denji.
That is to say, Akira Hayakawa really regards Denji as a cherished family member, brother.
However, the irony is that in reality, it is Zao Chuanqiu who wants to hurt and kill his relatives.
He became a demon hunter in order to kill the gun demon, but in the end he became a monster that slaughtered everyone he saw with a gun.
Obviously working for Angel's future, but in the end he got out of the water, which caused Angel to leave early.
He was told by Hime Ye to live, but he died in the worst way for his family.
He obviously respects and respects Maqima very much, but he is used and framed by the person he respects and loves.
Obviously, the original intention was to protect Pava and Denji, and to protect that home, but in the end, he destroyed that home with his own hands, and wanted to hurt the people he wanted to protect.
awful...
Fujii Yuta couldn't help but think of the same miserable protagonist like Yanquan next door.
"Hehehe..."
Fujii Yuta looked at the manga.Looking at the screen, Akira Hayakawa chose to stop because he cried because he saw Denji in the hallucination.Looking at Akira Hayakawa, who fell back into memories and changed to playing pitching with his younger brother, but died completely in reality, Fujii Yuta suddenly laughed.
He stretched out his right fist:
"Even if it's for me, use Yan Quan against Yu Biechao!"
Chapter 250 Am I a villain?
Akira Hayakawa signed a contract with the future devil, and he will die in the most miserable way.
This pit was finally filled in the way of loving each other and killing each other.
The Internet forum Chainsaw Man changed from the dead silence not long ago, and after the dust settled, it finally started to be noisy.
To say it was a hustle and bustle, it was better to say that it was like a volcanic eruption, and the emotions of all readers exploded.
"Aqiu's part really shocked me and shattered me. It was clearly a black and white cartoon, yet I felt deaf."
"After reading this story, it's just two words. I'm sorry. Such a kind person died like this. A man named Qiu kept moving forward in order to kill the gun demon, but in the end he was forced to become the gun demon. He He even gave up revenge for Denji and Pava, but in the end he became the one who hurt the person he cherishes the most."
Readers who are still immersed in the plot of the story are still feeling the tragic plot and the tragic ending of Akira Hayakawa.
And the readers who have broken free from the tragic plot of the story are already venting their depression and anger to the culprit.
"Machima! I'm going to kill you!"
"Dry the rain and don't attack the old thief!"
One after another, the forums began to be swiped. In addition to short comments, there were also long comment posts that could not help but feel agitated:
"Finally, the moment has come..."
"Although the old thief focuses on fighting in the chainsaw man, which is classified as kingly comics, which creates a strong visual impact on the screen. However, what the old thief is really good at is the control of the story and the shaping of the characters. "
"The old thief has always been very good at playing with this kind of emotional plot. To be honest, Aqiu's death is different from the death of other characters, without that kind of dramatic abruptness. Here, there is no spoof of Ji Ye. The last sentence is good.
In fact, when Ah Qiu said the words "I'm afraid", his death was already paving the way.If you are not a reader who only watches the battle and spoof plots throughout, you should be able to easily guess at the moment the door rang that the gunman Ah Qiu turned into was outside.
Although the old thief geniusly used the concept of movie montage in terms of description techniques, the process of the knife attack is still very ordinary cruel reality + beautiful dreams + flashbacks of regretful memories.Although the technique is vulgar, but I just like this one...
The old thief is worthy of being a warrior of love. After arranging the fate of a character so inhumanely, he still has a ray of mercy.At least, he didn't let Akira Hayakawa wake up before he died.Isn't this compassion?
Speaking of this, my meaning is very clear, it is fine to dry the rain to death, but for the mercy of the old thief, it is enough to leave him with a whole body. "
Posted by a reader with user ID "Let's spit and go"
Long review post.
The praise throughout the article was reversed at the end when other netizens doubted its composition.
"It turned out to be a friendly army. I almost missed my 40-meter sword."
"Mine is confiscated, let's bury it generously."
"About how to deal with the old thief, I have a suggestion - let's kick the balls of Explosive Rain and Bie Zhao together!"
.............
Kazama Xi's studio.
Uemura Aster held the cardboard box with one hand, and took out the key from her pocket with the other hand to open the door.
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