In short, the manga of Wenchai Giant still needs to work hard in terms of painting style.

Now let’s talk about the author of “Attack on Titan”, Isayama Tsuru, the cartoonist’s artist.

Although the work "Attack on Titan" is a successful super-first-line IP, its author, Isayama Tsutomu's painting skills can only be regarded as a middle-level level among the well-known Japanese cartoonists.

Of course, the overall expressiveness of the giant's picture is very high, especially the overall picture in the later stage, in terms of speed lines, scraping screens, and shading, it is really very advanced.

But this is inseparable from the assistant team of Isayama Studio.In Japanese comics, cartoonists generally only draw the ink lines of the main characters and the sketches of the special effects of the scenes. Backgrounds, speed lines, and scratches are generally completed by assistants.After the giant achieved good results, the publishing house and the editor immediately assigned a group of skilled post-production assistants to bless the screen of "Attack on Titan".

Of course, this is not to deny Isayama Tsutomu. After all, he is a real manga artist who controls the overall quality of manga.

In addition, the giant is Isayama Takumi's debut work. As a newcomer who had just debuted at that time, it was normal for the painting to be rough.

Moreover, compared to the dirty and messy lines in the early stage, the later stage has made great progress, at least the lines are regular and refined.

It is normal for the authors of long-form works to improve their painting skills by leaps and bounds.For example, the authors of Grim Reaper and Legend of Sword Wind basically have the same style of painting in the early and late stages.

However, even for Isayama, whose painting style has been transformed in the later period, there are still some problems in the painting process.

The first thing that bears the brunt is that the characters have disproportionate facial features, collapsed and rigid movements.

When painting giants fighting, Isayama’s performance is absolutely wonderful: the storyboard is very good, the perspective of the body is exaggerated, and the picture is magnificent, but as long as the characters in normal clothes are drawn, Isayama’s perspective will be wrong , The human body is wrong, the architectural background is wrong and many other problems.

Secondly, in terms of figure painting, the characters created by Isayama have low recognition.

Incorrect perspective, incorrect human body, and incorrect architectural background can actually be tolerated, but it is unbearable for readers that the character image is difficult to recognize.

Giant comics have a very serious face blindness.If you look quickly, not only can you not tell A, B, and C, but even men and women may be blurred.Without contextual clues, it can be difficult for the reader to tell who and who the characters in the picture are.If you can only see who this is through the context of the plot, this will undoubtedly destroy the fluency of viewing.

Moreover, the problem of low character recognition has not been solved by Isayama until the later stage of the giant, but it has become more serious.

It is said that the early Isayama paintings are poor, but it is easier to read, because the story line is not so complicated and the number of characters is not too many, so it is easy to sort out the plot.After the opening of the following world, the number of characters will increase and it will be the end of face blindness.

The most prominent one is Carter. Whenever Carter appears in the scene, he can't help but cause headaches and often misunderstand.

In fact, the old thief Araki is not good at drawing characters, but Araki can take the edge of the sword and solve it in a hard way: clothing, beard, hairstyle, and facial features are simply not normal, as long as it is highlighted that this person is different from this person.

After Araki painted like this, it became one of his styles instead.

But Isayama Sogaku couldn't come up with this method of the old thief Araki.One is that the story of the giant itself involves many characters.The second is that Isayama's character modeling skills are not enough, and changing hairstyles and beards can't solve the problem at all.

In short, Kazama Xi had to work hard to overcome these problems in the painting style of the previous giants while copying the text.

How to pay attention to the details of the characters while maintaining the grand scene, so as to create a distinction between different characters.

At the very least, he absolutely couldn't bear the inhumane thing that happened when a manga heroine was painted as a real aunt in the later stage.

In the later stage, he also needs to improve the story itself.

While Kazama Xi began to concentrate on preparing the first three episodes of this different time and space version of Attack on Giants, Kanta Anyi was also taking action.

ps: I'm busy these days, so updates will be a little less

Chapter 280 Relationship

Ever since the last communication after school, when Xi Kazama told him that he had bought a studio and asked him if he wanted to participate in it, Kanta Anyi's mind has been in a mess.

To be able to participate in the production of a galgame is certainly a great thing for him.

However, this fact is too sudden.

Mrs. An Yikuan also remembered the cloud studio that Kazama Xi mentioned.

As an experienced gal player, the short and medium-length galgames produced by this studio are also considered to be the top ones in the same genre of visual novel shrines.

However, I heard that the long-form gal released by this studio on CM last winter suffered from Waterloo, and the word of mouth is not very good.

It's still unbelievable that someone, even a classmate of the same age, bought it like this.

Afterwards, Kanta An Yi thought seriously whether this was a joke that Xi Kazama was playing with him, but seeing the business card that Xi Kazama gave him, Kanta An Yi made up his mind to look for the address on the business card. .

The time was picked on Saturday, and An Yikuanta followed the address on the business card to find the cloud studio that has now been renamed 'type-moon'.

Although it is Saturday, the studio is on duty. Unless there are major festivals, the studio is always staffed.

As the newly appointed producer who has been entrusted with important tasks, Himeko Ishii is naturally sitting in the studio.

Although Yu Kazama gave her ample production cycle and funds, Himeko Ishii felt more and more that the burden on her shoulders was heavy, and she didn't dare to be sloppy in the slightest.

"Well, that's it. The scene has to be done by next Monday."

After checking the original painting by the artist under her hand, Himeko Ishii nodded in satisfaction.

The character designs are all ready-made, and I don't know which great god my new boss commissioned to create.This is definitely the first time such a painting style has appeared in the industry, and it belongs to the kind of powerful painting style that can independently develop a style.

"Jingle Bell..."

At this moment, Himeko Ishii's cell phone rang.

Patting his subordinate on the shoulder to signal him to work hard, Himeko Ishii walked out of the work station, came to the corridor, and took out his mobile phone.

An unfamiliar number was displayed on the phone screen. Himeko Ishii raised her eyebrows and pressed the answer button.

"Hey, who is it?"

A slightly youthful voice came from the other end of the phone.

"Is it Ms. Ishii?"

Kanta An Yi was standing outside the studio and making a phone call at the moment.The plaque of the original cloud studio has been replaced with a moon.

Although the name has changed, the plaque still shows that this is a game production studio.

Soon, Kanta An Yi got a response from the female voice on the phone, and made an appointment to meet in the conference room of the studio.

The meeting room of Xingyue Studio.

Ishii Himeko was looking at the boy sitting opposite her.Kazama Xi had told her before that someone would be arranged to help in the studio, and the name was also told to her.

"It's An Yi-kun, right..."

"Yes, my name is Mrs. An Yikuan..." Hearing the words of the young woman in front of him, Mrs. An Yikuan nodded quickly.

"Don't be so cautious, Kazama-sensei... The boss has already greeted me before."

Hearing Kazama Xi being mentioned in the woman's mouth, An Yi Kanta was finally sure now that Kazama Xi really bought a game studio.

"The boss mentioned to me before that you, An Yi-kun, have experience in production before." Himeko Ishii pondered for a moment, then said.

Although Kazama Xi told her that he would arrange for someone to come and help, he didn't say what kind of work he would arrange.Himeko Ishii is still a little uncertain about this.It is also necessary to understand the abilities of young people.

"Ah, that's right..."

Mrs. An Yikuan nodded cautiously and said:

"Before the summer CM, our club produced a gal, and I was the producer of it."

"Sensei Kazama must have been involved."

Hearing Kanta Anyi talking about the club, Himeko Ishii immediately understood the relationship between the eye-eyed gentleman and his young boss.

"Kazema-kun is indeed in charge of the script." An Yikuan replied affirmatively.

Ishii Himeko nodded in satisfaction.

Anyway, for a high school club to be able to produce a galgame, even if it's a little less complete, it's already a remarkable thing.

It seems that the boss at home is not a mindless crony.

"What's the name of your game?" After confirming some things, Himeko Ishii still asked out of politeness.

"It's called "The Song of Saya."

An Yikuan said a little nervously.This posture is obviously a job interview, and he is not prepared at all, so he is naturally extremely nervous.

"Song of Saya?!"

Hearing this name, Himeko Ishii, who was only asking politely, was taken aback for a moment.

"You made that wonderful work?" Himeko Ishii blurted out.

Before making the song of Saya, Kazama Xi once told everyone in the game production department that this is a work that can make the club famous.

To some extent, Kazama Xi was not wrong.The kana country galgame industry is still relatively conservative.The novelty-oriented works are still very rare.The pure love story with the cloak of curiosity is definitely extremely conspicuous in various senses in the current industry.

Anyi Kanta and his club are not popular, but this game is famous.

Hearing Ishii Himeko's "wonderful" comment, An Yikuan touched his nose in embarrassment.

Himeko Ishii also realized that if Xi Kazama was in charge of the script, it meant that the wonderful script was actually written by his boss as well.

As expected of Mr. Kazama...

Ishii Himeko thought in her heart.

"Anyway, Mr. Anyi, come and be my assistant first."

Ishii Himeko looked at Kanta Anyi.

"The script of the gal we are currently producing is also created by Kazama-sensei. It has the same source as the novel of "The Realm of the Sky."

"You were also in charge of Mr. Kazama's script before, and I believe you have relevant production experience."

"Wait..."

Kanta An Yi interrupted Ishii Himeko's words.

"Is this game related to "Kingdom of the Sky"?"

As for the novel serialized on Nagawa Bunhui, An Yikanta naturally knew that the author's name was the same as that of Kazama Xi. When he was in school, he asked Kazama Xi if he wrote the novel.At that time, Feng Jianxi didn't answer him, but just shook his head. Mrs. An Yikuan thought it was just a coincidence of the same name and surname.

"Don't you know? The relationship between this "Tsukihime" and "The Realm of the Sky"."

Ishii Himeko asked, then shook his head again:

"It's not a big problem. I've already sorted out the script, and I'll hand it over to you later."

PS: I will try my best to update next year ヽ( ̄д̄;)ノ

Chapter 280 Six Inner Skirt 8 6 9 0 6 2 9 5 2 Please be a judge

When Yu Kazama received a call from Himeko Ishii, he was in the studio drawing manga.

The purpose of Ishii Himeko's call is very simple. It's not about game production, but to tell Kazama Xi that Anyi Kanta has already arranged it.

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