Gotta Go the Healing Route

As a second person, Lucy was despised and betrayed by her friends when she was a child. She deeply understands the ugliness of human nature-"Because I am unfortunate, I want others to be even more unfortunate".

Under these multiple blows, she broke out, resisted, and made the first kill.

After the killing, she was full of disappointment, disgust, and hatred towards people, inferiority complex towards herself, and fear of loneliness. Instead, she indulged in the continuous killing, indifferently, and killed many innocent people.

At the same time, she met the brilliance of humanity for the first time, the male protagonist in her childhood.

However, at this time she was still worried about gains and losses.When Haotai proposed to leave as a child, Lucy wanted to strangle the hero to death on the tram because she was afraid of losing.

The male protagonist was also stimulated for this reason, so he selectively forgot about Lucy.

Under the background setting of science fiction, the fundamental core of the story is actually love.

However, the embodiment of the love element in the story...

Kazama Xi didn't want to comment more.

In short, the story between Haotai and Lucy is a story about heart knots. In Lucy's miserable and discriminated childhood, Haotai was the only light in her life.

Lucy likes Haotai, but because of the experience of being betrayed, Lucy is particularly sensitive and has a strong desire to possess.Because of Haotai's lies, Lucy finally lost control and caused a catastrophe, which formed a knot in her heart. Haotai escaped from the past with amnesia, and Lucy was also living in inner torment.

In the last sentence, both of them accepted the past, Haotai had no choice to escape after remembering the past.The knot between the two was truly untied.

However, with more and more newborns of the two people, the conflict between old and new humans has become more and more intense.Against the background that the two men want to destroy mankind, the love story of these two people has a feeling of forbidden love.

"It still feels good..." Kazama Xi couldn't help but nodded.

Although in order to create a conflict of forbidden love, the setting has been deliberately darkened.

Kazama Xi turned to the last page of this work, her face suddenly darkened.

On the last page, after the hero and heroine had untied each other, the pursuers from the research institute came over.

Then, Lucy was killed directly.

Deliberately created bed end ending.

No, what's the matter with you, Nishikawa?

Make trouble for no reason, insist on making trouble, right?

If this kind of plot is placed in the main issue, it must not be sprayed out by readers.

"The classic rain farewell story..."

Just as Kazama Xi was cursing in her heart, Jun Murayama spoke again.

Apparently, he also finished watching this work.

"Rain farewell story?"

Hearing Jun Murayama mentioning his pen name, Xi Kazama immediately turned his head to look at him and asked.

You can eat food, but you can't talk nonsense... I have never taught Yusuke Nishikawa to draw like this, and it has nothing to do with me!

Jun Murayama grinned.

"It seems that this author is really your loyal fan, Mr. Kazama..."

"Not only in this pseudonym, but also in terms of story creation..."

Although the phrase "the warrior of love" was a joke to a certain extent when Xi Kazama was accepting the written talk.However, this title has been circulated in the circle.

Inscribe great love with profound tragedy.

This way of creation is somewhat similar to the technique of wanting to promote before suppressing.

"The author wants to write a love story that is deep enough to create intense conflicts. It makes good use of the setting of old and new humans, as well as the foreshadowing of the childhood experiences of the male and female protagonists."

"Love can transcend race and hatred. Isn't that what you advocate, Mr. Kazama?"

"However, it's a bit deliberate to end with a tragedy. I guess the author thought that 'tragedies can make people leave a deep impression'."

"However, you are still a newcomer after all. A truly superior tragedy will not be so deliberate, but let nature take its course until it is inevitable."

Saying that, Jun Murayama blinked at Xi Kazama again.

It seems to be saying: Little brother, you have to be stunned too.The appraisal meeting was originally a group of professional cartoonists in the industry to discuss, and it was embarrassing for me to comment alone.

Jun Murayama didn't expect Wu Shanyun to show off at that time. After all, the high coldness of this famous girl cartoonist is also well-known in the industry.

Kazama Xi also understood what Jun Murayama meant, but now he really didn't think so.

Mainly because it's hard to say...

"Next, next..."

Kazama Xi coughed softly, and said to herself in her heart.

Matsunaga Jing and Nishikawa Yusuke are two accidents. After these two works, other problems will be fine.

Moreover, so far, the three works I have seen in a row are all evil types with strong styles.

The next one should be almost a kingly type of work.

When he participated in the Newcomer Award the year before last, Kazama Xi also watched the ten final selection works of that issue.

Except for my piece "The Posthumous Text", which is considered a work of evil ways, the other nine works belong to the category of works of kings.

However, when Kazama Xi gave "Song of the Fairy" a good score, after turning to the next article...

The title of the work is: "Killing x Love".

Another work of the evil type.

PS: The prototype is "The Melody of the Fairy" by Lun Okamoto.

Chapter 290 The Connotation of Tragedy Is Injury

"Five years ago, I died. Shido Mi, transformed into an existence called Omega—at the beginning of the end of the world. Ordinary school, a little love affair with childhood sweethearts, all those parts, all died."

"When I became an Omega, I only thought about "that person" who would kill me."

"So, I warned myself."

"I warn myself that the days I spend with the angel weapon girl, Sakuya, and the girl who wants to fall in love with me because of the contract, are just false."

"It's just a relief to tell myself that she's just a fake substitute until the real desire is fulfilled."

"I, who can't die, and Sakuya, who wants to kill me to save the world, are still in love today."

"It's absolutely impossible to get 'happiness', a love story that deceives the world."

This "Killing x Love" is a love-themed work.

It's simple: the world is being destroyed, the hero is chosen, he will see the world will be destroyed, but as long as he dies, the world will not be destroyed, but killing him is conditional, you must love him.

He is immortal, only those who love him kill him, he will die.

This kind of setting is originally going towards the story style of sadomasochism.

In other words, seeing this kind of setting, you know that this is destined to be a story about the love and killing of the hero and heroine.

The work is surprisingly good, or in other words, such a setting itself considers the author's skill.Knowing from the beginning that the male protagonist will die, this can be regarded as an inoculation for the readers in advance.If you still feel being stabbed, it proves that this work has done a great job in handling emotional resonance.

This time, even Kazama Xi couldn't help but express her appreciation:

"How to make a thing leave a deep impression on people is a very particular thing. It is a way to describe this thing to the extreme beauty and develop towards the extreme beauty. Or put this thing into disgusting extreme, and that’s the way to make an impression.”

"However, things are developing and changing after all. No matter how beautiful or disgusting things are, they will gradually fade over time. The best way to maintain the impression of things is naturally to fix things at the top of development .like, destroy it."

"The saying that tragedy can touch people's hearts is not wrong, because people's memory of all sad emotional experiences is more impressive than the memory of happy emotional experiences. This is essentially a benefit-avoiding process that humans have produced during evolution. Harmful instinct."

"The brain is generally not so impressed with the memory of the pleasant, because the pleasant experience itself is not a dangerous thing that can harm itself. The sad thing is the opposite, an impression of something that has caused harm to us."

"Extending to the field of cultural creation, the reason why the sad experience impresses us is precisely because of our instinct to seek advantages and avoid disadvantages and avoid risks, and it is also the driving force behind our romantic original intention of yearning for beauty and taking action to pursue beauty."

This was Kazama Xi's first real speech at this appraisal meeting, and everyone in the meeting room focused on him.

This is nothing, after all, the judges will only focus on these few people, and whoever speaks will focus on the speaker.

However, Kazama Xi's voice gradually weakened, because he always felt that there was something wrong with the way everyone looked at him.

"In short, this author has done a very thorough job of depicting impressions and empathizing with rhythm and emotion."

Realizing this, Kazama Xi directly put an end to her speech.

After he stopped speaking, his attention became more concentrated, and he suddenly felt a blazing gaze from his side.

Feng Jianxi turned her head abruptly and looked at Wu Shanyun, the girl was staring at Feng Jianxi firmly at this moment.

It wasn't until Feng Jianxi turned back that the two of them stared wide-eyed, Wu Shanyun turned around as if nothing had happened, and put his eyes on the drawing in his hand again.

Because Wu Shanyun came one step earlier, the evaluation of the works was carried out one step earlier than Kazama Xi and Murayama Jun, so the progress was naturally much faster.

However, when Kazama Xi was speaking, Wu Shanyun still turned back to "Kill X Love".

Kazama Xi could still see the scores and comments on the blank parts of the manuscript in the girl's hand.

I couldn't read the comments clearly, but Kazama Xi could see the score from the side.

The score is quite high, and it seems that Wu Shanyun is quite satisfied with this work.

"Cough cough..."

Jun Murayama coughed and took Xi Kazama's words.

"Ms. Kazama is right. The author of this work is very good at describing beautiful things, making readers fall in love with them from the bottom of their hearts, and finally crushing them."

"The graphics are top-notch, and the level of the story should be higher than the painting skills. Not bad...it's really good, it should be the best one among the few stories we've seen so far."

"Also, Kazama-sensei's views on tragedy are really deafening..."

"Although I draw funny comics, Mr. Kazama's lecture on how to mobilize the emotions of happy and sad people also made me suddenly enlightened."

"Is 'hurt' and 'danger' at the heart of the tragic impression?"

As he said that, Jun Murayama also looked at Xi Kazama, his expression gradually becoming weird.

Speaking of which, Jun Murayama and Xi Kazama chose completely opposite routes in the field of creation.

After all, Jun Murayama draws funny comics, and his original intention is to bring joy to people.

The creative route chosen by Kazama Xi went all the way to the dark, ruthlessly sending out knives and tools.

Kazama Xi just expressed her feelings, and it is a bit strange that the explanation of some of her creative ideas fell into Murayama Jun's ears.