Gotta Go the Healing Route

"This style has already stepped out of its own characteristics, and it is definitely not an exaggeration to say that it is a school of its own."

This style of painting has never appeared before, and it is definitely not an exaggeration to say that it is the originator of a school.

Of course, in the part of painting style, among the ten excellent works, Kazama Xi's "After the Death" got the highest score.

[-] out of [-].

But those who can enter the list of top ten works, the painting style and basic painting skills will not be too bad.Basically, it is in the range of 28 to [-] points.

It is the story part that can really open up the score.

"The story of "After the Death" is also very exciting."

Sitting at the desk, Aster Uemura recalled the scene when three cartoonists and four senior editors scored the storyline of the comics.

A complete story is nothing more than three parts: the beginning, the development, and the end.Of course, this is also the most basic narrative structure.

"The story frame structure of "After the Death" is very good in my opinion."

The first person to comment on the story was another manga master, Aoyama Ohashi, who is famous for his detective manga.

"It's not in a straight-line narrative way, but it uses the 'posthumous text' as a clue to narrate through the two perspectives of the male protagonist and the female protagonist."

"The male protagonist represents the sight of dreams, the rhythm is pure, cheerful, full of the youthful feeling of love between teenagers and girls."

"The heroine represents reality, the cruel darkness of reality, the indifference and suspicion of people's hearts."

"The atmospheres that seem to be opposites are fitted together, and it becomes a sense of emotional catharsis and a sense of explosion."

"In a word - the perfect story."

"Short comics can best show the author's narrative skills. I think, due to the limitation of length, if a short comic wants to tell a story well, it must either narrow the structure of the story, or leave a lot of blank space for readers to discover, and at the same time, it must avoid drawing the connotation. It’s low, the skills of seeing the big from the small and leaving blank space are very challenging. It can be said that an excellent short comic author can ensure that every section is wonderful when creating a long story, instead of being like a foot wrap Smelly and long."

"It is amazing that this cartoonist named Yu Biechao can use such a limited space to create a work with complete structure, smooth logic and profound connotation."

"Combined with his excellent painting style, I think, if there is no accident, this teacher Yubiechao is the No.1 of this newcomer award."

As an editor, Aster Uemura also sat in the conference room and listened to the final evaluation of the newcomer award.

Hearing that the cartoonists and teachers were full of praise for this work, and even Ohashi Aoyama said that at the end, Aster Uemura almost jumped out of her chair.

Speaking of which, she has been in the company for several months, and she still doesn't have a cartoonist in her hand.

According to the unspoken rules of the editorial department, this "posthumous article" was discovered by her.Then, if this author publishes his work in Shueisha, his editor will be Aster Uemura.

Aster Uemura couldn't help being unhappy when she got a golden egg.

However, just when she thought the dust had settled, the deputy editor-in-chief with her eyes closed gave a different evaluation.

"I think it's time to think about it..."

The deputy editor pushed the glasses on his cheeks, his face looked a little indifferent.

PS: I went to the cup match, and there is only one chapter today.

PS2: Thanks to the senior superintendent of Longmen, Qiao Ling Qiaostar, Chi Tong didn't eat, the empty city that year when the rain fell, and the boss Araki Fei Luyan for the reward.

Chapter 29 Kingly Way

"I think it needs to be considered."

The deputy editor-in-chief of Jiyinshe said calmly.

The deputy editor is named Itakura Atsuya, known in the industry for his ruthlessness.It is the "half cut" of the "Weekly Shonen Jump" work that he is solely responsible for.For serial cartoonists, it can be described as a life-or-death character.

Itakura Atsushi also said such words, so that the three cartoonists who are the judges of this newcomer award, Yoshikawa Shunhei, Aoyama Ohashi, and the female cartoonist Shimogawa Kyoka who is famous for girls' cartoons can't help but look at Itakura Dun also.

"Mr. Itakura, do you have a different opinion?" Shunpei Yoshikawa couldn't help asking.

Itakura Atsushi also shook his head.

"No, all the teachers are well-known figures who have made impressive achievements in the industry, and their professionalism cannot be questioned."

"Besides, this comic of "After the Death" is indeed very good. Its exquisite style of painting is unique in the field of comics in the world today. In terms of the plot, the unexpected turning point that is being cleaned up also makes the whole story out of touch. A vulgar routine."

"Judging from the ten excellent candidates before us, the author named Yu Biechao has gained an overwhelming advantage in terms of painting style and story content."

"but..."

Itakura Atsuya changed the topic.

"I think it is more than enough to win the silver award for this "posthumous article", but the honor of the gold award can be given to someone else."

"Oh?"

Hearing what Itakura Atsuya said, Aoyama Daizo raised his eyebrows.

"As you said just now, the quality of "After the Death" is overwhelming. The other nine articles are not comparable at all."

"Which work can the gold award be given to "After the Death"?"

Itakura Atsushi also shook his head, "Since I said that, it must not be aimless."

"In fact, I have another entry here."

Itakura Atsushi also took out six printed manuscripts from his briefcase and distributed them to the remaining six judges one by one.

Seeing that everyone had received the printed manuscripts, Atsuya Itakura returned to his seat and continued:

"The reason why this work is in my hands is that the deadline for registration has passed when the author sent it over."

"Then the author sent it to me privately."

"I think this work is very qualified to replace "After Death" as the first name of this newcomer award."

"But it's not in line with the rules."

Among the three cartoonist judges, the only woman, cartoonist Shimogawa Kyoka couldn't help but complain.

"The works that have passed the deadline for registration are still participating in the review, and it is the last round..."

But her words were blocked by Shunpei Yoshikawa next to her.

Yoshikawa Shunpei tore off the corner of Chuan Jingxiang's clothes, and then signaled Xia Chuan Jingxiang not to speak with his eyes.

Then, Shunpei Yoshikawa moved closer to Kyoka Shimokawa's ear, and explained in a low voice:

"Miss Jingxiang, you are still too young. This kind of thing is very common in publishing house awards."

The main awards for anime and manga in Kanna country can be divided into publishing house awards and institutional awards according to the type of sponsor.

Institutional awards are mainly honorary awards issued by government agencies or non-governmental organizations.Because it is a formal institution, there are a series of strict rules and regulations.

Submissions like this beyond the deadline will be returned without any room for negotiation.

But the latter...

After all, the publishing house award is a competition award created by the publishing house itself.It is intended to select qualified and potentially profitable newcomers for the publishing house.

If it can really bring profits to the publishing house, why would the editorial department reject such talents because of things like exceeding the deadline.

"There is nothing against the rules. Excellent people and works deserve to be waived by the rules." Atsushi Itakura said the same.

"And, as the deputy editor-in-chief, I guarantee that this comic work will definitely be included in the top ten candidates. Therefore, among the original ten works, let's exclude the one at the end first."

Itakura Atsuya's light words kicked out the work that was originally at the end and was lucky enough to enter the masterpiece.

Yoshikawa Shunhei and Aoyama Ohashi are used to this kind of behavior, as if they are no strangers to it.Only Shimogawa Kyoka, who is very young and has only been in the industry for more than a year, has a look of displeasure on her face.

"It's not too late, please read this work first and give your comments."

Itakura Atsushi also stretched out his hand and made a 'look at' gesture.

In fact, needless to say, the three cartoonists and the remaining three editors and judges have already bowed their heads to read this work.

Sitting in the quiet conference room, Itakura Atsuya drank the strong tea in his hand and closed his eyes.It seems that I have a well-thought-out plan for the work I recommend.

.........

Although I slander Itakura Atsuya in my heart, I am still a social person in his 20s. It doesn’t mean that the creator doesn’t know how to understand the world. If Itakura Atsuya’s deputy editor status is there, Shimogawa Kyoka will naturally not be in such a situation. On the one hand, he is holding on tightly.

Reining in her emotions, Shimogawa Kyoka began to flip through the works in her hand.

Atsuya Itakura sent a stack of typed drafts, about fifty or sixty pages in length, already stapled together.

The cover is a blank piece of paper, with the name of his work written in Chinese characters - "The Way of Kings"

"Royal way?" Seeing the title of the work, Shimogawa Kyoka was slightly taken aback, and couldn't help thinking about what the name meant.

However, the word Wang Dao has many meanings, and it is difficult to understand if it is not combined with the main content of the work.

So, Shimogawa Kyoka opened the cover and looked at the first page of the text.

The first page is a pure illustration.

There are no words, only simple pictures.

The background is a bottomless abyss.

A handsome boy is falling towards the abyss.

The boy's expression was full of disbelief and anger, and he stretched out his hand to grab the sky.

"This style of painting..."

Seeing this drawing, Shimogawa Kyoka's eyes widened.

The character design is very beautiful, which can be summarized into the aesthetic style of painting.But the technique used is the most basic line drawing, the painting style is simple and looks very clean.

"Interesting, the author has his own ideas about character design..."

At this moment, Atsushi Itakura, who is next to Kyoka Shimogawa, also sighed:

"Abandon the shadow, but express the three-dimensional effect in the form of coating? And the character image also abandoned the slender nine-headed body. Indeed, the seven-headed body should appear more beautiful. In terms of the face of the character, the way to draw the eyes It has a unique style and can well reflect the emotions of the characters.”

"As for the environment part, a realistic style is applied. It is similar to the painting style of the author named Yu Biechao."

Chapter 30 The Privileges of a Genius

The first page fully expresses the author's style of painting in the form of illustrations, and I don't know if the author did it deliberately.

But I have to say that the style of this comic called "The Way of the King" is the same as that of the posthumous article, and it is also full of a cross-age aesthetic feeling.

After commenting on the painting style, the three of Shimogawa Jingxiang became quiet and continued to read the following story. Only the sound of pages turning could be heard in the quiet meeting room.