This is the universal dream implicit in the national culture, which directly points to the expectations of the common people.

In the end, a rising tone was used to fuel the flames, and stopped in the "evening photo with pride and clothes left", freezing the picture in a wider space, which is meaningful.

Ten years later, Song Yi is still the same Song Yi, nothing has changed.

He is even more mature in terms of creative skills, and the emotions he contains have long surpassed ordinary musicians.

This song is about the rivers and lakes, but it is about the society of Chinese people.

After waiting for ten years, a song "A Laugh from the Sea" is enough. "

"Also, little friend Song Baoyu sings well."

Don't doubt, the above comments are really from Mr. Ding Ruizhe, the principal of Huaguo Conservatory of Music.

As an authority on music education in Huaguo, Mr. Ding Ruizhe has already passed his sixtieth year.

He has devoted his life to music education, and he can be said to be full of peaches and plums.

However, what Mr. Ding Ruizhe is most fond of talking about is his other identity.

Song Chuan, number one in Huaguo.

Every time Song Yi's new album was released, the old man would definitely praise it with a down-to-earth attitude and an exaggerated attitude.

However, with Song Yi's retirement, Mr. Ding also closed his pen and stopped making related music reviews.

This familiar picture gave Jiuye Party an inexplicable sense of familiarity.

It seems to have returned to the scene of ten years.

Maybe it's because he's held back for a full ten years, but this time the old man really blows his mind to death.

From a song, it is even connected to society, dreams, and the inheritance of Wenhua.

Of course, it can also be seen how much Mr. Ding loves this song.

Sure enough, after that day, the radio station of the Huaguo Conservatory of Music also followed the "public opinion" and began to play "A Laugh from the Sea" in a loop in their spare time.

"If "A Laugh From the Sea" sang the boldness of being arrogant, then "Smile in the Red Dust" sang the open-mindedness of seeing through life."

Different songs have different audiences.

Xiaowei, a music critic of the new generation, may be a woman, but she prefers this song "Laughing in the Red Dust".

"The world of mortals is so ridiculous, infatuation is the most boring, it's good to be ignorant of everything, this life is not over, but my heart is not disturbed, I just want to be happy for half a lifetime..."

"Every time the melody sounds, there will always be such a picture in my mind: a woman in red, glamorous and ruthless, she is indifferent to life, and has no fear of life and death.

Breakthrough felt that only Song Baoyu could perform this song perfectly.

Whether it's the red dress or the stunning voice.

Many singers spend their whole lives looking for a good song that suits them best.

But when is a good song not looking for a master who fits him perfectly?

Song Baoyu was lucky, but "Laughing in the Red Dust" was even luckier.

It was amazing because of Song Baoyu, and it became a classic because of Song Baoyu. "

Ruined.

This horse riding came out with another song blowing.

Mr. Ding and Xiaowei are more educated and innovative than who is boasting here.

After the old one finished blowing, the young one came again.

Xiaowei is well-known among music critics, as a big blogger with tens of millions of fans.

She has her own set of strict criteria for judging.

In the past, she has never had such a high evaluation of any song or any singer.

But today, as if she had been recharged, she raised her middle finger, and started the praise mode that made Song Baoyu blush without interruption.

[105] Hua Chenyu, singing with tilted head has become a swan song since then

Of course, although these two played a bit too much, but this song is really good.

In just one day, from time to time, in the streets and alleys of Huaguo, there was a laugh from the sea, and the tides on both sides of the strait.

That is how ridiculous the world of mortals is, and infatuation is the most boring.

No matter who it is, they can hum a few words.

This is completely the treatment only available to phenomenal songs.

Compared with Liushui songs, it has a bit more depth, but it lacks a lot of artificial clumsiness of songs.

The melody is simple and clear, the rhythm is brisk and catchy, but at the same time, I can feel the deep meaning in the lyrics.

Is this the strength of Song Yi...

For a while, many people found the biggest reason for the decline of the Chinese music scene.

The original songwriter is really too lucrative.

This is also the original reason why the Chinese music scene has always been on the edge of the world music scene.

Once upon a time, flattering the principle of bringing it, we kept buying from the cherry blossom country.

If a piece of music is changed to Chinese, it is a brand new song.

It is also in such an environment that countless people regard this as a shortcut.

Without thinking, without any burden.

If you have nothing to do, let's go to the Sakura Country.

Especially Miyuki Nakajima, who supported half of the music scene in Hong Kong and Taiwan with one person.

Almost got bald.

"The End of the World", "A Beautiful Mood", "First Dream", "A Woman That Gets Hurt"

With the advancement of the times and the development of information, many people discovered that the song they had listened to for a lifetime was actually composed by a girl from the Sakura Kingdom.

Moreover, the person who adapted and sang these songs turned out to be the king of singers and queens in everyone's eyes.

It can be said that the prosperity of the Chinese music scene in that era was entirely based on a deformed ecological circle.

This also led to a serious consequence. In the face of the subsequent Korean wave invasion, the Chinese music scene could not show a decent resistance at all.

When the boys and girls in Huaguo wore strange hairstyles, various non-mainstream fonts, and said words that made people feel unclear, many people felt that Huaguo's culture was about to face a generational break.

In the end, it was Song Yi who was born out of nowhere to clean up the situation.

He demonstrated the traditional culture of Huaguo with a song "Blue and White Porcelain", with beautiful and elegant images, harmonious and misty artistic conception, profound and beautiful style, and moving melody.

This sudden national style song has been recognized by many people since its birth.

Faced with the surrender of the entire Chinese music scene, Song Yi single-handedly resisted the invasion of the Korean wave.

It was at that time that Mr. Ding Ruizhe became a fan of Song Yi.

Every song must blow, and every song must blow has formed his most unique label.

Many Jiu Ye parties gave this lovely old man a special name, Ding Ruizhe Song.

Of course, Song Yi is also completely worthy of Mr. Ding's love.

In the following era, with one person's power, the Chinese music scene gradually became the mainstream of the world music scene.

Up to now, many singers in Europe and America are also crazy about Song Yi, commemorating his contribution to music by adapting his songs.

However, since Song Yi retired for ten years, the originally thriving Chinese music scene has completely declined.

Many people have been ignorant of this, and it was only at this time that they suddenly realized.

There is no songwriter who can match Song Yi.

The songs that are still fresh in the memory of fans today basically appeared when the music scene was most prosperous ten years ago.

It can be said that in the entire ten years, there has not been a single song that can be called a classic.

On the contrary, the catchy flowing water songs without any nutrition have been flooding the entire Internet.

Many even turned into tailors, stitching pieces of east and west into a new song in this way.

Mr. Ding was really saddened by this chaos, but there was nothing he could do.

Looking forward to the return of Song Yi's king all the time.

Now, although he has no news.

But "A Laugh in the Sea" and "Laughing in the Red Dust", two songs rich in traditional culture, brought him great expectations.

Why can't he blow?

Why can't he blow it!

If Song Yi really came back immediately, the old man would definitely drive there immediately to greet his return in person.

In comparison, his last praise for Song Baoyu was more of his love for the house and his crow.

After all, these two songs were not humiliated.

Xiao Wei, as a new generation of music critics, naturally knows that the Chinese music scene is now like a terminally ill patient.

But she was not as pessimistic as Mr. Ding.

Because she has always firmly believed that the prosperity of the Chinese music scene cannot rely entirely on Song Yi as it did in the past ten years.

She even vaguely felt that Song Yi was too strong back then, which suppressed the vitality of the entire Chinese music scene.

Because of Song Yi's existence, no one felt any hope of surpassing.

So they collectively performed poorly, and finally gave up on themselves.

Xiaowei hopes that the real Chinese music scene should let a hundred flowers bloom and a hundred schools of thought contend.

Only in this way will more musical talents emerge.

Xiaowei actually inquired about Song Baoyu's information immediately.

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