The Blood Professor at Hogwarts

Dracula's Floo trip, however, is different.

Before the fireplace randomly selected the destination, Dracula forcibly reversed the direction of the space, making the fireplace instantly connected to an ordinary torch.

The next moment, accompanied by a green spark, Dracula's figure leaped out of the flame of a torch, and landed lightly on the ground.

"Phew, it should be almost here." Dracula patted some ashes on his body, and looked around with interest.

This is an

In the deep corridor covered with dark tiles, two rows of torches are inserted into the dark tiles on the wall, shining blue and white light, adding a bit of mystery to the whole space.

At the end of the corridor there is a lonely, black door...

This is the corridor on the ninth floor below the Ministry of Magic.

The lonely door of the Department of Mysteries aroused Dracula's curiosity before today's trial started, and the familiar force inside the door also made Dracula want to come and take a look.

As for officials from the Ministry of Magic, such as Fudge, they have just finished the trial of Peter, and they have not been passing by this corridor for a long time.They would never have imagined that Dracula would go back and forth, blatantly appearing in the important place of the Ministry of Magic!

Dracula stood in the corridor, carefully looking at the black door in front of him.

There is no handle or keyhole on the door, only a completely flat board, most likely driven by magic.

Dracula looked for a long time without any clue, so he shrugged, took a step forward, and appeared behind the door in an instant.

He could Apparate anyway, so opening the door wasn't really necessary for him.

Behind the door is a circular closed room.The room was covered with a dark marble floor, which had been scrubbed so that it glistened so that its color almost seemed to be covered with a layer of empty water.

The cold blue light of many candles in the room reflected a dozen handleless doors on the circular wall.

The twelve doors would switch positions from time to time, and the walls would rotate rapidly accordingly. Without the correct magic key, no one would be able to determine which door was the correct one they were looking for.

Not only that, the Department of Mysteries has only five research rooms, namely "Brain", "Prophecy", "Time", "Death" and "Love".

Among the twelve gates, five research rooms are excluded, and the remaining seven gates are all extremely dangerous institutions.

Dracula, however, is naturally not bothered by such means.

The mechanism behind the door did not pose any threat to him, and he did not plan to find a specific door at all——

He wanted to go in and take a look at every thing behind the door, to have fun, and to find the familiar power before became a secondary thing...

Dracula pushed open one of the doors casually.

The door opened silently, and behind it was a long, narrow rectangular room, filled with dancing lights that shone like a jewel.

All kinds of watches completely filled the room, and various pendulum clocks, quartz clocks, pocket watches, wristwatches and other timepieces were displayed everywhere. "Tick tock", "tick tock" pointer movement sounded in all directions.

A few silent men in pure black wizard robes were standing in front of various experimental equipment, working in silence, with expressionless faces and no words.

When they saw Dracula walking in suddenly, they just flinched a bit, without showing any surprise, they raised their wands and aimed at Dracula, who was looking around with interest.

These silent people don't know how long they have been working here, and now they seem to have completely fallen into numbness, and seem to have lost the luxury of joy, anger, sorrow, and joy... Working in the Department of Mysteries gradually made them lose their minds, and even lost their minds. Human nature!

"Strange." Dracula frowned slightly, "What are you researching every day? You made yourself like this."

However, those silent people acted as if they didn't hear what Dracula said at all, and just cast a harmless attack spell on him with a blank face.

"It's in the way."

Dracula sneered, and raised his hand to hold all the spells that struck him.

Immediately afterwards, he uttered a spell——

"Obliviate."

All the silent people's movements froze suddenly, and their eyes became blank.

"Supefy." A second incantation followed.

The Silencers fell to the ground in a daze.

"It's boring, I don't have any fighting power at all." Dracula curled his lips and looked up at the furnishings in this room.

There is a huge crystal jar shaped like a clock, which from time to time

From time to time bright light emanates from it.

The clock-shaped jar constantly produces a dancing bright light, and in the crystal-clear water within it floats a small, jewel-bright egg.

And when the egg was lifted up by the bright water in the bell jar, it suddenly shattered, and a tiny hummingbird flew out of the eggshell.

Once the hummingbird emerges, it is lifted to the very top of the jar so that it can fly high above the liquid cover.

But every time it tries to land on the water to drink, its feathers get wet again, and the whole bird is brought back to the bottom of the jar and sealed again in its egg, the eggshell Also back to full.

This process is repeated over and over again, in a cycle.

The hummingbird in the jar is also getting older and older, until it falls into the water, and then regenerates and grows old, and the cycle is endless...

Dracula looked at this room for a long time, and finally determined that this was the Time Hall of the Department of Mysteries.

Not only because the many clocks and clocks around and the countless objects here are related to "time", but also there is a strong breath of time energy in the jar shaped like a clock.

This breath, Dracula once felt in the Time-Turner he took from Hermione.

"That is to say..." Dracula's eyes lit up.

He glanced around the hall of time, and sure enough, he saw a whole cabinet of pendants neatly placed in a glass cabinet. There was a golden ring and a rotating hourglass on the pendant——

A cabinet of time-turners!

Dracula suddenly remembered that when Dumbledore found out that he had taken Hermione's Time Converter, he told him that the Ministry of Magic's time energy was not sufficient, only enough for internal research and a few samples for students to use .

"I really believed in Dumbledore's evil..." Dracula said through gritted teeth as he looked at the time-turner in a cabinet in front of him.

As a matter of course, he took a Time-Turner from the cabinet, then woke up the Silencers, and added a Confusion Charm.

After doing all this, Dracula left the Hall of Time and walked to the next door.

The energy of time is not the familiar aura that Dracula has perceived before, he can feel that the aura is closer and more mysterious to him.

……

In the next three rooms, Dracula saw a piece of brain soaked in a green solution, rows of tall shelves filled with crystal balls, and a fountain spraying a liquid similar to a love potion.

These three rooms represent "brain", "prophecy" and "love" respectively.

In addition to the first room that Dracula entered, "time", then the last room is also the research room that represents "death".

I don't know if it's because it's too empty, but the death hall is bigger than the previous research rooms.

The interior of the room was dark, square, and sunken in the center, forming a gigantic stone pit, some twenty feet deep.

Stone steps surround the entire room, like stone benches, gradually descending step by step, each step is very steep, like a lecture theater, or like the Wizengamot courtroom that I visited not long ago.

In the center of the stone pit is a raised stone platform, on which stands an arch of invisible material, with a sense of vicissitudes of history, and at the same time dilapidated, giving the impression that it is about to collapse at any time Down, but in fact it doesn't move like a mountain.

There is no wall support around the arch, and a tattered black curtain or drapery hangs on it. Although the air here is cold and there is no wind, it is swaying gently, as if there is an unknown force is fanning.

When he saw this curtain, Dracula's heart, which had not been beating for thousands of years, suddenly twitched.

"That's... the power of death?" Dracula murmured, but then he shook his head again, "But it's death, not darkness... Then how could this power bring such a familiar feeling? ?”

He took a deep breath, slowly raised a hand, and the crimson magic power gathered in his hand, gradually condensing into a bloody river.

Afterwards, Dracula followed the surroundings step by step.

The stone steps lead to the arch in the middle of the room, and to the curtain that is constantly swaying without wind.

Every step he took, the familiar feeling became stronger, and the crimson magic power gathered in Dracula's palm also produced more and more vivid fluctuations, as if he wanted to meet the curtain at any time.

[The problem of slow update of the new chapter, if you can

It seemed another 1000 years had passed, and finally, Dracula walked to the side of the arch, only one step away from the curtain.

He stretched out his hand and slowly touched the curtain.

However, the crimson magic power in his hand gushed out first, and merged with the curtain like a river flowing into the sea.

The curtain is black, while Dracula's magic power is crimson. However, after the two are intertwined, it is difficult to distinguish each other, as if they come from the same source!

Chapter 220 IX The Hall of Death is Connected to Hell

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"But why?"

Dracula frowned slightly as he watched the magical flow in his palm gradually blending with the dark gray curtain.

There is no Silent Man in the Hall of Death, and nothing else, but this old and broken arch, so only the arch has enough energy to represent death.

But if this is the power from death, then why does it come from the same source as the magic power from darkness in his body?

Immediately, Dracula suddenly chuckled.

"It doesn't matter if it's death or darkness, why don't you take it back and have a look?"

Dracula could feel that although the magic power integrated with the veil had less connection with him, it was still within control.

As a result, his palm swirled slightly, as if a black hole appeared in the palm of his hand, sucking in the crimson magic power in front of him and the dark gray fluid on the curtain together, forming a gray and red whirlpool.

The curtain on the arch swayed without wind, and with the pull of the black hole in Dracula's palm, wisps of thin smoke drifted out, gradually enveloping a hazy mist in the entire hall.

The dark gray smoke and the crimson magic power went hand in hand, sinking into Dracula's palm, and slowly intertwined with the magic power in his body.

The next moment, Dracula Tongkong suddenly shrank.

He felt that the total amount of magic power that he thought had been developed to the limit long ago, the energy that had not changed at all for hundreds of years, suddenly had a slight growth trend!

The energy representing death on the arch can actually be absorbed by Dracula, and then turned into his own use!

And Dracula can perceive that there is another mysterious space behind the arch, in which there is an inexhaustible source of energy.

Dracula subconsciously took two steps forward, wanting to enter that space directly through the arch.

He is not like Voldemort, in fact, he doesn't have much idea about becoming stronger.But he will be interested in the changes in himself that haven't appeared for a long time, and wants to make some changes to this unchanging body.

And so Dracula steps forward...