"drop--"

The next moment, the hour hand aligned with the twelve o'clock position.

In the studio on the [-]th floor of Dongdu TV Station, the new opening music of "Midnight Whispers" sounded.That is from Tanimura Shinji's "The Power of Courage"——

"Remnant Summer お见舞い申し上げます元気でいますか

At the end of summer, I want to visit you, how are you?

あなたの颜を思い流かべてくれキを书いてます

As I write, your face comes before my eyes..."

Mamoru Yoshida is extremely picky about the background music of the program, and every day he carefully selects suitable songs for the content broadcast that night.

In the days after handing over the task of sorting out the stories to the guests, Mamoru Yoshida spent most of his time lying on the folding bed in the cubicle browsing major music software and music review websites, and gradually showed signs of addiction.This is also the first time a guest heard Mamoru Yoshida play such Yangjian... Sunshine music on the show.In order to find the ultra-high-quality version of this song, Mamoru Yoshida spent huge sums of money to become a VIP member of a certain website.

"Good evening, listeners!"

Accompanied by the cheerful rhythm, Mamoru Yoshida's extremely feminine voice gradually enters the opening music, "Tonight's story is specially given to a lady who is very important to my life..."

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Chapter 221 The Man-eating Figure

If the story told by Mamoru Yoshida happened to ordinary people, it could be called an urban fantasy theme, but the protagonists are two grotesques, which inevitably makes people feel a little nervous——

A female listener named Midori took the Shinkansen to Dongdu overnight. A strange incident happened in the middle of the train she was riding on, and she entered another dark world. Horrible monsters were everywhere outside the train. Midori was the only one left, curled up on the seat, the radio in her arms suddenly rang...

In the prototype of the story provided by Mamoru Yoshida, the heroine is not named Midori, nor has she ever fallen in love with a radio host. She took the Shinkansen just to rush back to her hometown to see her dying mother, and the passengers on the entire train did not disappear. Instead, he came to another world with Midori, and was wiped out in the end.

Guests and writers added elements of love to the story, and at the same time wrote all the other passengers out of the story, continuing to ride the train in the original world.They only left Midori alone in the story to prevent the story from causing serious harm after it became a reality.

Under the careful control of the writer, such changes increased the sense of depression, loneliness and despair in the story, and it is for this reason that Mamoru Yoshida kept almost all of the parts they changed.

Yoshida Mamoru's later revisions mainly focused on the interaction between Midori and Yoshida Mamoru through the radio after the train entered another world. There were several unexpected and reasonable designs, as well as several interlocking tiny details and Foreshadowing, until the climax of the story burst.This is the key reason why the guests and writers think this story can be put on the big screen.

The final ending of the story is that the male protagonist finds the exit to the other world through the sporadic clues provided by Midori on the radio with his wisdom far beyond ordinary people and his fearless courage, and saves Midori from the man-eating demon— —

The damn entrance is in the storage room behind the host's studio, which was transformed by the host into a bedroom for his own folding bed for a while.After seeing the ending, the guests couldn't help looking at the hut several times, always feeling that the horror monsters in the story would swarm out of the hut at any time.

The scene at the end shows the host and Midori hugging tightly in front of the microphone in the studio, looking at each other affectionately, and walking towards the storage room together...

The open ending is memorable.But at the end of the guest's initial design, the two of them fly away and live in seclusion in the deep mountains and old forests-if this design can be preserved, and the reality develops according to the story, the two B-level grotesques can be solved once and for all.Obviously, Yoshida Mamoru was not fooled.Or, Yoshida Mamoru thinks that the present ending has a taste.

A quarter of the way through the story, Luyou Lihui walked out of the house with a radio in her arms and wireless earphones.

"It really came out!"

The Lidu investigators headed by the frogmen were tense, and all the curses in their hearts were thrown on the lunatics in Dongdu like bricks. The drone raised its body in midair, but the camera zoomed in further, not daring to let Green friend Li Hui escaped from the monitoring for a moment, until she boarded the Shinkansen train.

In Nightshade and the answer is about to sneak in

When the green friend Lihui was at home, the frogman rushed over, pointed to the five death row prisoners behind him, lit a cigarette, and talked like a senior tire:

"This is my indicator for the rest of this month, remember to return it when it is used up."

There were no other investigators in Lidu around the frogman, and Yeying knew that they still had a grudge against the reckless actions of the East Police Department.She totally understands this.

"Thank you."

Yeying didn't think that the death row would be of much help in the bizarre incident of green friend Lihui, but for the sake of safety, she accepted the kindness of the frogman,

"I'll pay you back your two-month quota—if I come back alive."

"Madman..." The frogman shook his head again.

……

Death row prisoners really didn't help much.They were fully armed, armed with cameras, microphones, and recording pens, and entered the house of Luyou Lihui one by one in the form of live broadcast from the first perspective, but they all lost contact the moment they opened the door.

Their figures disappeared into the darkness, the camera was also blacked out, and the microphone made a loud and harsh noise, as if they had entered a different space.

"So be it,"

Ye Ying prevented the frogmen from continuing to dispatch death row prisoners here, "There is no need for trial and error. If we continue, we will just bury living people in the corpse pit."

Before acting, Ye Ying knocked out the answer.

Her raid was extremely swift and violent, and there was no warning at all. Her old partner for many years never thought that she would be backstabbed by her teammates before she was about to find the answer.

"Trouble again," Yeying told the frogman after using the amnesiac on the answer, "Please help me send him back to Dongdu."

"How much memory did you erase from him?"

The stunned Wow man couldn't help asking.

"When he wakes up, he will speak for himself."

Investigators in Lidu sent the answer to the coma to a nearby hospital to confirm that Ye Ying's violent blow did not cause serious damage to the faceless detective's brain. The CT results showed that everything was normal, and the doctors had to praise the detective for his toughness. skull.

A very curious investigator once tried to uncover the mask without facial features, but found that there was a dangerous rule power in the mask, and almost dragged himself into a terrible abyss.

"Don't be impulsive!"

After the answer fell into a coma, the frogman once again persuaded Ye Ying to act cautiously, "Even if you don't care about your own life, you have to think about what happens if you die..."

Ye Ying took out the Soul Explosive Orb from his pocket, and told the frogman that there had been no accidents in which investigators became weird after death in Dongdu for five consecutive years, and their understanding and use of the Soul Explosive Orb was unrivaled in the world.

"What if you fail?" the frogman asked again.

Ye Ying waved to an alley not far away, and five figures came out from the dark shadows.They are all investigators from Dongdu, three men and two women, who are said to have the most suitable ability to sneak into Weird's house.

"We'll do it in relay," one of the investigators, code-named Soulman, told the frogman, "and we'll finish the mission before all five die."

As they said that, the soul masters explained in detail why they were so determined - it was due to the chain reaction of supernatural powers among the five people, as well as their in-depth exploration of the rules.

But the frogman couldn't hear clearly, he saw...but the frogman couldn't hear clearly, he saw Ye Ying walking towards the house of green friend Li Hui, her body began to blur, and the shadow became weaker and weaker, as if to merge with the night One.

"You owe me twice,"

The frogman said loudly to Ye Ying's back: "Be sure to remember to come back!"

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Chapter 222 The Man-eating Figure

Before Yeying was about to infiltrate Luyou Lihui's house, Gu Xing had deliberately arranged for Naya to take out the hand-made dolls of the living people on her behalf, but Naya conveyed a firm will to oppose it.

Gu Xing instantly understood: Luyou Lihui's home is probably more terrifying than Yoshida Wei's studio.Does this also mean that Luyou Lihui's rule level is actually higher than that of Yoshida Mamoru?

Unable to control so much, Gu Xingyu used the gray-eyed rules to appear behind Yeying in an instant, and a paper airplane flew out of his hand and flew in front of Yeying.

Opening the paper airplane, Yeying saw the word [Danger] written in haste.

She turned around, and the faceless director had disappeared.

"Of course I know the danger."

Muttering to herself, she opened the door of Luyou Lihui's house.There are locks on the doors, but no grotesque rules.Any investigator trainee assistant can easily pick the lock, which is an elementary skill they have learned when they first participated in the training.

The moment Ye Ying walked in the door, Ye Ying felt a powerful force that seemed to contain the rules of time and space, and the whole person immediately turned into a black shadow—this black shadow did not belong to the category of rules, but after becoming a black shadow, Night Shadow will temporarily lose its human attributes, reducing the chance of being locked in by weird rules.

Evading the weird rules at the door of the house, the black shadow stuck to the floor and sneaked into the house. Ye Ying smelled the breath left by the living along the way, and immediately understood that after knocking on the door of Luyou Lihui's house that day, the soul of the living also passed away. here.

Following the breath of the living, Yeying walked all the way into the innermost room. In the center of the room stood ten neat rows of wooden display racks, and on the display racks were placed one by one lifelike figurines.

Before carrying out the task, Yeying carefully studied the information of Luyou Lihui, learned about every doll she made in the past, and savored the details.At this moment, all the figurines of Lvyou Lihui that have not been sold and have been voluntarily removed from the shelves are on display.

Yeying could feel the powerful power of rules emanating from each figurine, which far exceeded her expectations before entering the door, but she didn't have the slightest thought of shrinking back.

In the darkness, she wandered around the figurine house as a black shadow, trying to find the figurine of the living person—it must be the only one among the tenth-generation dolls that was not bought by the death row.

Soon, Ye Ying found it - on the last row of display shelves, there were a total of twelve places for placing figures, but only one figure was displayed, which seemed empty.

The figure was named Solly by the green friend Lihui. It is a male with a green afro head, a flamboyant expression, earrings, hands in pockets, a green leather jacket on the upper body, and yellowed jeans underneath.

Ye Ying has carefully understood the information of Suoli. Among the ten generations of figures designed by Luyou Lihui, except for the sixth generation of Suoli, each of the other generations of Suoli is the one with a detached personality and full of personality.

There was a thick book on Soli's side, and Yeying hesitated for a moment, before sneaking a slender black shadow into the book.

Soon, Ye Ying understood the entire content of this book, and was surprised to find that it actually recorded the first half of Suoli's life from the perspective of No.1, from birth to the present year, every bit of life , ups and downs in thought, destiny

It's hard to escape, all turned into words of despair.And those words are still continuing, and may not end until Solly's death.

In the detailed description of the text, the book also constructs an extremely real, rigorous and complex world.

There are also grotesques and rules, and rules fight rules, and grotesques fight grotesques.

The difference from the real world is that the world in the book has entered the apocalyptic era, grotesques are rampant on the track of rules, and the surviving humans are struggling to survive in the cracks between rules and rules.

Yeying is a little confused that this book is the prophecy of green friend Lihui for the final direction of the real world, or it is just a fantasy world specially constructed by her to perfect the characters and background. In short, it makes her despair everywhere.

She flipped through the book carefully, and finally saw the name of the living person in the latest chapter—he traveled from another world to the world in the book. The ability to replace death has become a rule in the book, but the last days are really Difficult, the living are struggling to survive.

Reminiscent of the prisoners whose souls were sucked into the figurines, Yeying immediately understood: what is contained in the figurines is the world described in the book—the figurines are the world, and the book is a text live broadcast.

She immediately tried to stretch her hand out of the shadow to grab the figure, but when her fingertips were about to protrude, she felt a strong regular suction wandering outside the shadow—these regular powers did not come from inhalation Figurines of living souls whose owners are other dolls in the house.

Yeying immediately thought of two things clearly - first, once he left the shadow, he would be immediately involved in the rules of the figures.Second, figures that have inhaled the souls of living people will no longer "eat people".

She thought for a while, and in the form of a black shadow, she began to walk among the display racks, dolls, and books, and then used the black shadow to explore the world of each book one by one, and finally confirmed that each book recorded in detail the world it belonged to. The life that the figure character has gone through.

She was especially surprised that the twelve dolls on each row of bookshelves lived in the same world——

This discovery stems from the fact that she can find the names of the remaining eleven figure characters in any book, see their vivid images, characteristic characters, actions and almost doomed fate from the perspective of the main figure character, They talk and collide with each other, know each other, love and hate each other, and become enemies and friends.

The descriptions of the same world in different books complement each other, complement each other, and are slightly different. The minutiae and different perspectives observed by different characters, the inner activities produced and the different perceptions of the world, life, and other characters, Make the whole world more real, full of contradictions, and more nuanced.

Immediately afterwards, Ye Ying made another major discovery—the ten rows of bookshelves actually recorded ten parallel worlds.

Many of them intersect, overlap or miss each other. Some characters exist in this parallel world, but completely disappear in another world; The embodiment of evil, in that world is a saint who sacrificed his life to save the world.

Their original origins are undoubtedly the same, but because of the different decisions made by the twelve hand-figured characters, they set out on completely different trajectories, heading towards the parallel and staggered end——

In some worlds, human beings finally defeated the grotesque and peaceful, while in some worlds, human beings and grotesques are still competing and colliding one after another, and in some worlds, humans and grotesques are still competing and colliding. With the coming of the world, the future becomes unknown and confused.

Yeying has read almost all the world and all the life in the figurine house with a speed that is unbelievable to herself. The inner world has been severely impacted and shaken, and she almost doubts whether the real world she lives in is real. world of existence.

Or, it is just an insignificant one among thousands of parallel worlds.

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