Rebirth: My Family Is 100 Million Points Strong!

Xia Guo's museums, no matter how big or small, have a custom.

Most museums will choose to close on Mondays.

On Saturday and Sunday, it is open normally.

The museum chose to close on Mondays.

On the one hand, it allows the staff to rest.

On the one hand, it can maintain the equipment when the museum is closed.

Monday, December 2nd.

Xiao Luo and Chu Han came to the White Cloud Museum in Taihu New City to visit the overseas cultural relics that had just been transported from the United States.

The richest man in the world is a public figure.

When Xiao Luo usually goes to museums, it will attract passers-by to watch, and it is easy to cause troubles.

It coincides with the "closed" time of the White Cloud Museum.

Xiao Luo and Chu Han will not be disturbed by tourists when visiting cultural relics.

Inside the White Cloud Museum, the momentum is magnificent and the area is vast.

There are exhibition halls inside.

There are bronze wares exhibition halls, gold and silverware exhibition halls, handicraft exhibition halls, calligraphy and painting exhibition halls, ceramic exhibition halls, and mural painting exhibition halls.

Enter the Bronze Exhibition Hall.

A dazzling array of bronze wares come into view.

Bronze Zun, Bronze Halogen, Bronze Ding, Bronze Gui, Bronze Jue, Bronze Shou, Bronze Fu, Bronze Goblet, etc. from the Shang and Zhou Dynasties are placed in each showcase in turn.

Cui Lu, curator of the White Cloud Museum, explained to the two from the side.

"Cousin, Xiaohan, the Chunqiuzi in front of me is playing with the bird statue. It is likely to be the wine vessel used by Jin Qing, Zhao Jianzi or Zhao Xiangzi, which was previously collected in the Freer Museum of Art in the United States!" 66.8="

Xiao Luo and Chu Han took a closer look.

I saw the bronze ware in front of me, with a height of 26.5 cm and a width of 22.8 cm, and the whole body was black.

The whole vessel is cast into a ferocious owl bird, with a sharp beak, the bird's head and body, combined with mortise and tenon, which can be opened and closed.

Bird Jewelry Plumes, frets and dots.

The neck is decorated with deformed Kui patterns, the interior is filled with fretwork, the shoulders are engraved with Kui dragon patterns, the back is decorated with high-relief feather patterns, the abdomen is decorated with scale patterns and Kui patterns, and the feet are decorated with cloud patterns.

The bird's eyes are inlaid with gold, and the four-character inscription in gold on the back of the bird's head-Zi Zha Nong Bird.

"Zizha" is the name of the caster.

Looking at it coherently, it means a wine vessel specially made for pouring wine, for people to use for fun.

Cui Lu introduced: "Chunqiu Zi Zha Nong Niao Zun was stored in the palace during the Qing Dynasty.

Because Emperor Qianlong wanted the bronzes to be clean and beautiful, he waxed them black and inlaid them with gold to protect them.

Uncommon in the world, Zizha Nong Bird Zun is the pinnacle of the Xia Kingdom’s ancient bird-shaped bronze statues!"

Hearing this, Xiao Luo and Chu Ha nodded.

Zizha Nong Bird Zun is so ingeniously crafted that it can be called a peerless treasure.

It exudes unparalleled artistic charm, conquering everyone who stops to watch.

Bronze ware from more than 2,000 years ago.

So far, it's been amazing.

Cui Lu continued to introduce the two of them.

"This is a bronze cup with a tiger pattern, which was previously collected in the Metropolitan Museum of New York, USA."

"This is the four utensils of Qihou, which were previously collected in the Metropolitan Museum of New York in the country of origin.

"This is the bronze Pegasus, which was previously collected by the Minneapolis Museum of Art in the United States."

"This is the Merchant's Mianyi and Shangxiang Zun, which were previously collected in the Freer Museum of Art in the United States."

"This is the sacrificial sacrificial vessel of the Western Zhou Dynasty, which was previously collected by the Metropolitan Museum of Art in the United States."

"This is Xiaochen's rhinoceros statue, which was previously in the collection of the Asian Art Museum in San Francisco, USA."

"This is a bronze gilt-inlaid emerald three-bird cup from the Warring States Period, which was previously in the Sackler Museum of Harvard University."

Xiao Luo and Chu Han were full of admiration when they saw this series of bronze wares.

Bronze ware is the crystallization of the wisdom of Xia Guo's ancestors.

During the Shang and Zhou dynasties, those who used bronze wares were all princes and generals.

In the Xia Kingdom, bronze wares are the most important treasures of the country!

At the end of the Qing Dynasty and the beginning of the Ming Dynasty, the country was in turmoil, and a large number of Precious cultural relics were lost overseas.

In the United States at the same time, the rapid development of the industrial economy drove the development of culture and art, and the construction of museums ushered in a boom.

The incomparable cultural relics of the Xia Kingdom have become an important target for their collection.

Now, you can see these cultural relics back home.

Both Xiao Luo and Chu Han felt a sense of comfort from the bottom of their hearts.

next.

Cui Lu brought the two of them to the painting and calligraphy gallery.

She pointed to a long scroll painting next to her, and introduced: "Cousin, Xiaohan, this painting is called "Luo Shen Fu Tu", it is a painting by Gu Kaizhi in the Eastern Jin Dynasty, the original work is composed of multiple storylines, but unfortunately it has been lost.

Gu Kaizhi is good at painting figures, and there is no difference between landscapes, flowers and birds, and animals.

Therefore, many people copy his works, and there are many "clones".

There are about 9 ancient editions of the "Avatar of Luoshen Fu".

There is one copy in the collection of the British Museum in Eagle Country, referred to as the British version.

There are 2 copies in the Palace Museum of Guangdong Province, referred to as the first version of the Guangdong Province and the second version of the provincial government.

The Liao Provincial Museum has one copy, referred to as the Liao Provincial Version, which was designated as the second volume by Emperor Qianlong.

The Freer Museum of Art in the United States has two copies, referred to as the Freer Version A and the Freer Version B.

There are 3 volumes in the Yanjing Palace Museum. The Yanjing A edition was positioned as the first volume by Emperor Qianlong, and the remaining two volumes are referred to as Yanjing B edition and Yanjing C edition.

What we see now is Freer A and Freer B.

The Freer version A is a copy of the Song Dynasty with ink and color, which is 238 centimeters shorter than the Yanjing Forbidden City version A.

Freer's second edition is a plain sketched edition, and it has more stopped cars, canopies, horses, and entourages than Yanjing Forbidden City edition A, from the right to the front. "

Hear the introduction.

Xiao Luo and Chu Han nodded slightly.

Gu Kaizhi painted this fantasy world with a brush based on Cao Zhi's "Luo Shen Fu".

The original work of "Luo Shen Fu Tu" was lost long ago.

The existing ones are all copies of the original works, but the Luoshen in the paintings is still amazing.

After watching "Luo Shen Fu Tu".

The three of Xiao Luo began to look at other paintings.

Inside the Painting and Calligraphy Hall of the White Cloud Museum.

There are many national treasure calligraphy and paintings originally collected in the United States.

"Picture of Emperors of Past Dynasties" was originally collected in the Museum of Fine Arts, Boston, USA.

"Nine Dragons" and "Tamping" were originally collected in the Museum of Fine Arts, Boston, USA.

"Empress Wen Zhao Respecting Buddha" and "Blazing Light Buddha Meeting" were originally collected in the Atkins Museum of Art in the United States.

"Wei Xiaowen Emperor Respecting the Buddha", "White Night Illuminating", and "Pharmacist and Buddha Meeting" were originally collected by the Metropolitan Museum of Art in New York.

Song Huizong's "Bamboo and Bird Picture", Huang Tingjian's cursive "Lian Po Lin Xiangru Biography", Xian Yushu's cursive "Song of the Stone Drum", are in the collection of the Metropolitan Museum of New York.

Wang Xizhi's "Xing Rang Tie", Huang Tingjian's "Gift to Zhang Datong Volume Postscript", Zhao Mengfu's "Miaoyan Temple" and Tang Yin's "Luohua Poems" are in the collection of the Princeton University Museum in the United States.

Countless calligraphy and painting works are displayed in the exhibition hall.

Calligraphy and painting works of various dynasties are all-encompassing.

Xiao Luo and Chu Han couldn't help feeling a little emotional.

If there were no previous medical sanction incidents, it would be impossible for these national treasures to return to China!

next.

Cui Lu, Xiao Luo, and Chu Han visited various exhibition halls.

In each exhibition hall, national treasures gather.

Gilt Bronze Maitreya Buddha of the Northern Wei Dynasty, originally collected in the Metropolitan Museum of China.

The Sa Luzi of the Six Horses of Zhaoling and the Fist of the Six Horses of Zhaoling were originally collected in the Museum of the University of Pennsylvania in the United States.

The Longmen Grottoes Respecting Buddha, the reliefs of Yungang Grottoes, and the statue of Guanyin Bodhisattva in the Northern Qi Dynasty were originally collected by the Metropolitan Museum of Art in New York.

The Song Dynasty Longquan kiln large vase, Ming Dynasty Yongtian white dark flower tall bowl, cowpea red, Lvlang kiln vase, jade owl and other masterpieces were originally collected by the Chicago Museum in the United States.

The chrysanthemum pear inlaid marble screen, the Chibi Fu silver plate, the Lanting Yaji Yushanzi, and the Warring States dragon-shaped jade pendant were originally collected by the Minneapolis Museum of Art in Mizu.

Majiayao culture painted pottery with swirl pattern amphorae, Tang Dynasty Buddha head, Yuan Dynasty "Sudden Enlightenment" monk statue, Yongzheng enamel color window flower bowl, originally collected in the Seattle Art Museum.

Lin Lin always looked down.

The three of Xiao Luo felt very complicated.

The Kingdom of Xia has a long civilization and produced the most treasures in the world.

However, after these treasures were handed down from the pre-Qin period to modern times, they experienced many catastrophes, and many treasures were lost abroad and were hidden in high cabinets by Western museums.

Now we can see these peerless orphans returning to China.

What a relief.

Cui Lu said: "Cousin, since 1840, at least 10 million cultural relics have been lost overseas in the Xia Kingdom.

These cultural relics cover calligraphy, painting, bronzes, ceramics, stone carvings, oracle bones and various classics, among which there are more than 1 million national first and second-class cultural relics.

In the past 70 years, with the efforts of many parties, more than 300 batches and more than 150,000 lost cultural relics have been returned to the motherland.

But there are still tens of millions of cultural relics lost overseas.

After the medical sanction event.

The United States chose to compromise and sent 2.3 million cultural relics back to the Xia Kingdom, which will be collected by the White Cloud Museum.

At present, the first batch of cultural relics have been transported back to Xia Kingdom.

The remaining overseas cultural relics are still being transported.

The White Cloud Museum cannot accommodate so many cultural relics, and will put a batch of cultural relics into various White Cloud universities for collection. "

The voice fell.

Xiao Luo nodded slightly.

The 2.3 million pieces of cultural relics returned to China are only the collections owned by the Caiguo Hakka Museum and the University Museum.

There are more cultural relics of the Xia Kingdom hidden by the folks in the United States!

However, these cultural relics cannot be recovered for the time being.

Think here.

Xiao Luo was very pleased.

Cultural movement is linked with national destiny, and cultural context is connected with national context.

The return of cultural relics lost overseas shows from a unique aspect the great leap of Xia Kingdom from standing up, getting rich and becoming strong.

A strong country can sustain the light of a great civilization.

However, these cultural relics are also always alerting Xia Guo, and he must take pictures of himself.

If you fall behind, you will be beaten.

Once backward, even the bones, pots and pans, and handicrafts of the ancestors will not be kept.

How sad is this?

How sad is this?

The price paid by the country for being backward is too great!

Xia Guo must be stronger, otherwise history will repeat itself.

Only Xia Guo is strong.

Only in 3.9 will more treasures return to the embrace of the motherland!

next few days.

Countless tourists come to Su Cheng and walk into the White Cloud Museum.

When they saw the return of overseas national treasures to the motherland, they were all amazed.

During a visit to the White Cloud Museum.

Netizens upload videos or photos to the Internet.

"Pictures of Emperors of Past Dynasties", "Pictures of Nine Dragons", "Pictures of Pounding Practice", "Pictures of Empress Wen Zhao Respecting Buddha", "Biography of Lian Po Lin Xiangru", Gilt Bronze Maitreya Buddha of the Northern Wei Dynasty, Sa Luzi of the Six Horses of Zhaoling Mausoleum, Six Horses of Zhaoling Mausoleum Jun Zhi Fist Mao Ke...  

The appearance of these peerless treasures and priceless treasures made countless people cry.

To this.

Netizens are talking about it.

"Tears! 2.3 million overseas national treasures returned to China!"

"It's so proud and gratifying, our country of Xia has truly risen!"

"That's right, the giant dragon of the Xia Kingdom has opened its eyes, and everyone's national pride has reached its peak!"

"Every national treasure is the material cultural heritage of the ancestors, reflecting the long history of Xia's civilization and witnessing the history of Xia!"

"I don't regret entering the Xia Kingdom in this life, and I will be a flower grower in the next life! Our Xia Kingdom has finally risen, because of the temple!"

"Having said that, the collection of these national treasures in the White Cloud Museum will make the White Cloud Museum a world cultural heritage hall!"

"That's right! Not only the White Cloud Museum, but even Su Cheng will become the capital of cultural relics, and the University of the White Cloud department will also have a huge collection!"