Rebirth of Hollywood's Gold Producer

Mark remains neutral, and the writers' Union has nothing to do. Mark doesn't want to do it, and no one can force him. It's a little whimsical to want mark and the producers to fight.

For the producers' Union, mark is neutral, which is the best result. If Mark dares to openly support the editorial rights Union and deal with their producers' Union, their producers' Union will let him know why the flowers are so red.

Mark's mm group treats screenwriters. Until the establishment of the Sixth National Congress of the Communist Party of China, screenwriters won't have a place. Why should there be a screenwriter Union? Because writers want to protect their rights. In the era of rampant studios, if writers want to have a job, they must first sign a contract with the film company. According to the writers, these film companies are sweatshops. Not only their working hours are not guaranteed, but also their salaries are pitiful.

The famous screenwriter Robert Mackey described the following paragraph in his best-selling book the story. Silent film director Mark HiNet enjoyed "abusing" the screenwriter. He locked the screenwriter in a small black room to "concentrate on writing". The screenwriter was forbidden to call, read the newspaper, or even let them eat too much, because it would affect their thinking.

In order to protest against the pay reduction policy of the studio, the film Writers Association (SWG), the predecessor of the writers' Union, was founded in 1921.

In the 1930s, the national labor relations act of the United States was announced, SWG was qualified to negotiate with the studio, and the basic agreement was born after several months of tug of war.