Reborn as a billionaire coal boss, Yang Mireba calls her daddy

In fact.

Su Chen doesn't really know much about the types of movies that Ning Hao is good at.

However, he has the impression that several of Ning Hao's more famous movies are actually the themes of road movies.

And for this theme, Su Chen knows a little.

After all, in his previous life, he lived in the United States for a long time, and he still watched some road movies.

After being reborn, Su Chen learned about it in some domestic forums and found that in the atmosphere environment where the film culture accumulation is not as good as that of the West, road movies belong to the niche film genre in China, and people who understand the relevant concepts may only account for a very small part of the fans and friends.

In Su Chen's view, in fact, the meaning of road movies is very simple.

For the vast majority of people, day-to-day life is repetitive, boring, boring, unchanging, and lacking in passion.

Life was originally a simple and pure thing, but for a long time, the crystallization accumulated by ordinary daily life began to invisibly build an invisible cage, which gradually solidified our lives, stealing our ability to try to step into other possible horizons and courage, making us firmly bound by everything we have, unable to let go of everything in front of us, and taking steps to distant places.

At this time, road movies also have a special meaning.

It offers us another possibility in the screen world.

Lead us to unknown places, let us withdraw from the reality of life that we cannot break free, and experience the freedom that we yearn for but cannot reach in our dreams.

In that dream of light and shadow, we once again became the teenager who had nothing to worry about and no scruples in our hearts, freely and freely again with infinite possibilities and the future of hope, and the road ahead turned into a blank piece of paper as endless and fresh as the wilderness, allowing us to freely use our imagination of life, and look forward to the unknown as we wish.

In the road film, we find a thousand different options that can be reached outside of the only life that is currently burdened, and that road to the sky will take us to countless shining stars of freedom.

To put it bluntly, the so-called road movie is a special sub-film genre that sets the theme or background of the story on the road, and the protagonist in the movie usually leaves the familiar family environment for some reason and embarks on a road trip.

This journey often produces a series of dramatic conflicts, changing the perspective of their daily life, allowing them to complete life experience, thought change, personality reshaping, self-discovery, or spiritual communication with others and self, so that they can re-recognize the truth of life and know themselves again.

Road movies tend to focus more on the journey that the protagonists go through than on the goals and ends of their journey.

"Rebellion and reflection on conservative and solidified social rules" is the core theme of road movies.

In fact, even in the United States where it originated, even at the beginning of its birth, road movies are not a new story theme and a new genre phenomenon, and road story themes have a very solid literary background accumulation and historical and cultural psychological foundation in European and American folk.

The genre of road movies was originally derived from the epic journey stories that became popular through oral and literary forms.

Those epic journey stories, which have been passed down for a long time, have great influence, and have long become classics, have always firmly occupied the unshakable cultural plot in the hearts of Europeans and Americans, and they are one of the foundations of Western civilization to this day.

Of course.

These things are all out of space.

Shen Fei's deepest impression is that Ning Hao once filmed "No Man's Land" and "Heart Flower Road", both of which belong to road movies, and the protagonists have changed their lives and thoughts through an experience on the road.

It's just that one is a drama film and the other is a crime film.

But overall, both films fall into the category of road movies.

So.

Just now, Su Chen said that to Ning Hao.

Ning Hao heard Su Chen's words, his brows frowned slightly, although he likes to watch foreign road movies, but now the domestic film market is not hot, if he makes road movies, I am afraid that the audience is even less than this black humor comedian now.

Thinking of this, he looked at Su Chen and said with a wry smile: "Chairman, you don't know that even in the United States, there are not many people who watch road movies, right?" "

"Huh?"

Su Chen was stunned when he heard this.

He really didn't know about this, if it weren't for Ning Hao's reminder, Su Chen would have thought that many people in the United States liked road movies.

"Ahem, did you see that the box office of road movies in the United States is good, and you think we can also make them in China?"

Ning Hao thought about it, and quickly understood Su Chen's thoughts, and asked him with a smile.

"Isn't it?"

Su Chen was a little surprised.

When it comes to stock finance, he must be omniscient.

But these things in the entertainment industry, he really doesn't understand very well.

When Ning Hao saw Su Chen's reaction, he was immediately helpless.

He knew that his boss must have decided this suggestion with a pat on the head.

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