Renkinjutsushi Desu. Jijou wa Gomibako ni Sutete Kimashita

At the heart of the blood build-up, Raffy slowly laid out his sword. Surrounded by a large number of torn Bradwolf bodies.

Raffy himself doesn't have a scratch.

"You've taken longer than I thought... well"

Look around. But I can't find the alchemist who came with me to this forest.

"Are you distracted...?

If so, it's a little bad. Unlike Raphy, Reyce doesn't have combat skills. If the demon finds us, we'll have to run. You can use alchemy, if you want to buy some time.

"We need to find him quickly."

When Raffie rushes to take a step - suddenly, a roar occurs.

"Become...!?

Unexpectedly stopped, Raffie immediately lays her hands on the sword pattern and guards her surroundings.

"The sound now..."

I'll circle my gaze, but there's no sign of demons around. The source of the sound would be further away from where it is now. It sounded as if he had cut down the tree once and for all to entrust it with power.

I don't want to think that there are demons who can do that.

"What to do..."

The top priority is to rendezvous with Reis. And then we retrieve the material towards Reiss's house and escape the woods.

This is the ideal flow, but it probably doesn't work that well. So is the identity of the earlier roar, but there are demons in this forest.

"What's going on..."

First he decided to start by searching for Reis and exploring the neighborhood, and Raffie started moving.

- Was that, yes, when I was fourteen? My master told me to get some alchemy material (forced) and I visited an old graveyard.

And this is the first time we've met. It's called the Undead, to a monster of sorts.

"Ahhh!!!

Reyce was running. All the best, willing to die, it's like the wind already. I don't even care if my lungs hurt, I just run.

"Bullshit, don't...! Why, it's been so long since I've just been trying to get back to my house and have to be chased around so much!?

Behind the running reis was a white-boned man-shaped demon - a skeleton. He wears armor that looks sturdy and has a big sword in his hand that looks rusty and poisonous.

The size of the skeleton exceeds two meters gently, and the appearance of the trees in the woods being cut off as easily as even on paper feels nothing but fear.

Why is this the case?

Skeleton appeared abruptly.

As Reyce rested on the tree, who had escaped from Bloodwolf, he suddenly appeared from somewhere and struck down the tree with a sword.

Rayce has been chased by Skeleton ever since, although he was lucky enough not to get a major injury from being cut down a tree.

"I don't know what to do......!

Whenever a buzzing sword can be heard powerfully cutting the air from behind, a zombie and chills run on his spine. If you hit him directly, Reyce's body will be easily shattered.

I'm trying to escape somehow, like I did at Bloodwolf.

Anyway, Skeleton doesn't have many weaknesses.

Firstly, five senses do not exist for them. So visual inhibition by demon-free potions and dyes doesn't work at all.

Clarify, in skeleton opponents, you can't expect a lot of time to be spent on Rayce's alchemy.

Besides, there's clearly something wrong with the skeletons chasing Lace.

Normal skeletons never have a giant larger than two meters. Of course, it's impossible to cut down a tree with a big sword in one blow.

At that point, I found myself a better individual than a normal skeleton.

However, only one fatal weakness exists in such skeletons as well. It's a kind of potion called 'Holy Water'.

Sometimes the ingredients are a little hard to come by and the numbers are small, but holy water works immensely against undead demons.

There are three such holy waters at Leis' disposal. Nevertheless, just bumping holy water can't defeat the undead. Precisely, stalling would be the limit.

So Leis has to escape the skeleton while he uses three holy waters. Rayce and I don't want to be ground beef in a place like this.

"Well, it seems tough to think realistically and get away with it..."

Because it hasn't been that long since the fugitive play with Bloodwolf, the limits of Reyce's health are close. Shortness of breath is also happening, and it's not strange when Skeleton catches up with you.

Reis moves his legs, turning his chills and gaze at his bag. And then, I looked around busily.

"... All right"

Reyce squeaks bossly like she's made up her mind about something. The first bottle of holy water was then removed from the bag and thrown at the skeleton.

With holy water on his face, Skeleton stops moving and looks agonized.

"In the meantime...!

Use your remaining strength at all costs, and Reis aims for a certain (...) place (...). It's a place I know because Reis lived in this forest.

When Skeleton is freed from the effects of holy water, he waves a great sword and follows Reis, even though he says he will never let him escape.

Rayce uses holy water and alchemy to buy time, even though he is about to be caught up many times.

And...

"Please, help me!

As soon as he arrived at the place of destination, Reis watered the grass growing from the ground as soon as he could. Skeleton is a desperate look as he is approaching that point soon.

"'Compression', 'Stirring'"

When Reis continuously activates two alchemies, he leaves the scene intact.

Of course, Skeleton tries to keep up with Reis.

But he fell ill where he swung the Great Sword up loud.

Rayce sighs loudly when she sees Skeleton fall to the ground flashly. If you look at Skeleton's legs, they were heavily tangled with the grass growing from the ground.

The grass is called Cucina grass, and kneading it with water produces trace amounts of sticky liquid. If there is a large quantity of cucina grass, it is also possible to intentionally exploit strong adhesive action.

Exactly, like Race is now.

"For once, it was helpful to remember most of what was likely to be alchemy material in the woods..."

Reis has a laid back look and breathes on his shoulders.

Though it's impossible to restrain him all the time, this will buy him time.

In the meantime, I just want to make a rendezvous with Raffie. I'd be glad to hear the tree cut down and come closer to me, as for Reis.

"In the meantime, should I strike my hand that I can"