Shadow queen development plan

"Director Qiye, you are like this again."

Lily felt a little embarrassed. She just complained at random just now, but seeing Qiye cares about her feelings, she was still a little bit happy in her heart.

"Ahem."

Rin in casual clothes walked over, and she gave Lily a warning look.

"If you are coughing, it's best to eat some lozenges, so that you can cough less."

The happy time between herself and her prospective brother-in-law was interrupted, which made Lily feel a little angry.

"It's almost time to start."

Qiye retracted his hand, and he asked Lily, "Are you ready?"

"No problem, it's sister Cos anyway, just learn from her."

Lily nodded triumphantly.

What she said is not wrong. With this hand, Lily has always grasped the role she played.

Qiye didn't say much, he directed the staff to tie Scarlett to Wia.

Through the final gap of this preparation, Qiye explained the action precautions to the three servant actors.

"This is a three-way melee. Although there are winners and losers in the result, I will let you each have an advantage in the process."

Because this scene does not exist in the original game or in the subsequent film and television adaptations, it belongs to the original plot of Qiye.

Therefore, Qiye can only rely on her own experience and ability, and Lao Li's help to design this scene.

In this scene, the three followers have to highlight their differences, the saber's opening and closing, R sister's dexterity and ghost, and C mother's barrage attack.

These are all combat attributes owned by the followers themselves, what Qiye has to do is to enlarge this part of the content as much as possible.

For example, Saber's attack will carry the domineering of the king, if it is the kind of majesty that directly overwhelms people with force.

Although Rider's attacks look fancy and lacking in power, all of her attacks are aimed at directly killing the enemy, and her danger can be felt at a glance.

As for Caster, Qiye summed it up in one sentence when talking to Lao Li.

"Do you think this corridor is just a narrow road? Caster's firepower is like you've picked up Gatling. I think you should understand the rest."

"Tsk tusk, you guys who play tactics are dirty."

Li Wenshu directly gave Qiye a gesture of contempt.

However, after Qiye established the combat style and combat process, Li Wenshu's design of the entire combat process became relatively simple.

The first to fight was Rider and Caster, and the two of them undoubtedly had the upper hand in the battle.

After all, long-range melee combat is always good.

But this was only a mutual trial at the beginning, and neither of them showed their hole cards.

And Rider is not without opportunities.

"Old Li, you need to design Rider's chain more smartly, and the chain's trajectory should be whatever you want."

Qiye pointed to the camera and said to Li Wenwen: "Don't think about the laws of physics. They are all ancient heroes, and they don't belong to the modern Newtonian. We must focus on visual effects."

"I know, but in this case, when Rider's chains and short blades are attacking, they can only be made with computer special effects."

"There is nothing wrong with this, it's not bad for her anyway."

Qiye looked at the knight sword wrapped in the green screen in Lily's hand.

The agile effect of the Wind King enchantment can only be produced with CG, but when the holy sword reveals the prototype, you can use the prop sword to shoot part of it.

And the time Saber joined the battlefield was when Rider was about to hit Caster with his short blade, which was the official start of the three-way war.

In general movies, there are rarely scenes of three forces fighting, usually one-to-one or one-to-many.

There is a reason for this arrangement. The rhythm of the action scene is very fast, and the audience's brain processing information needs to reflect time.

There is only one set of contradictions between the two sides, and the audience will understand it better.

But if the strength of the conflict is changed from two to three, the contradiction is not only an increase of one group, but an increase of two groups.

The amount of information on the picture that the audience has to face immediately triples, which can easily make some audiences who are slower to react too late.

Therefore, three-way melee is rarely seen in commercial movies.

But on the other hand, if handled well, then this battle will be even more impressive.

The most obvious example is the scene in "Pirates of the Caribbean 2" in which the pirate Jack and Blacksmith Commander Will Norrington robbed David Jones for the key.

This three-person sword showdown is a classic, and it is also one of the most memorable and exciting fights in the "Pirates of the Caribbean" series.

In this scene, with the exception of a few rare shots, most of the battle is in a 1v1 state on the screen.

Such a processing method can effectively reduce the interference of redundant information, allowing the audience to understand the actual battle situation in the film more clearly.

Qiye also intends to adopt this method in this three-served war.

In his arrangement, after the three-way battle officially started, Saber should be the first to do it.

And her plan should be to rely on her [to magical power: A] skills to ignore Caster's magic bullet harassment and kill him with a single knife.

But her plan will soon be disturbed by Rider, because in the order Rider received, her main target of attack is Saber, and Caster is here to disrupt the situation.

So in the next fight, the focus of the battle will switch to Saber and Rider.

As with almost all action scenes, this close combat scene was carefully split by Li Wenshu. The two-and-a-half minutes combat scene will be stitched together with 30 short shots.

These lenses are only about ten seconds long, and short ones are even less than one second.

Some of the more difficult actions require the doubles of two actors to complete.

Coupled with the fact that the IMAX camera cannot be switched, it is necessary to change the previous habit of the camera following the actor's actions, and the actor himself must constantly adjust his position to accommodate the camera.

Such problems make the entire shooting process extremely complicated.

Scarlett has messed up the coercive sling on her body several times, causing her to be constantly disturbed by the cable, as if she was caught by a spider spirit.

Lily is not much better, because the sponge sword in her hand really lacks weight, and it feels light and fluttering in her hand.

This made her throw the sword directly when she was swinging it more than once.