Shadow queen development plan

The second way is to participate in the screenwriting competitions organized by various Hollywood officials and win the prize.

In this way, you can also get the chance of the script being adopted.

Formal screenwriting competitions will of course be recognized by the film companies, and even many screenwriting competitions are organized by the film companies themselves in order to expand their company's script library.

This path is a little more reliable than the first one, at least there won't be a situation where the script will fall to the ground and the sound will not even be heard.

However, there are not only newcomers participating in such competitions, but also a large number of pseudo-newcomers.

What is a pseudo-newcomer? I have worked as a screenwriter in Hollywood for several years, but there has been no screenwriter of a signed work.

There are countless such screenwriters in Hollywood, and the two people behind Lao Xu's ass are one of them.

They have been working in Hollywood for many years, and their work experience is much higher than that of pure newcomers.

Don't look at these people, but they are involved in 99% of Hollywood scripts. They are far more experienced than newcomers who don't even know the unspoken rules of the script.

These people have a miserable life. They do a lot of work but are only paid enough to make ends meet.

Generally they will work on a team under the umbrella of a well-known screenwriter.

The well-known screenwriter received the job and distributed it directly to them. After they finished writing, they gave it to the leader.

The leader summarized what these people wrote, signed his name and handed it in.

Then for a $1 million script project, the screenwriter took $995,000, and the remaining 5,000 let his subordinates divide it.

Is it black?

Black, really dark.

But the most valuable thing about this script is the signature. Without this signature, the script is not even worth $100.

And these well-known screenwriters occasionally give personal affection and recommend their own scriptwriters.

It's like working as an assistant for a Japanese manga artist, although it is very tiring and hard work, and there is not much money.

But the work experience and the network of cartoonists are the reasons why those with dreams have been rushing to the assistant industry.

And this involves the third way and is recommended.

Regardless of the method used, get in touch with well-known screenwriters, directors, producers, and film company executives, and then submit the script to them for appreciation.

Qiye walked this way back then, and his ability was recognized by his teacher and gave him a chance.

After all, Hollywood is a closed system.

No, it should be said that the entertainment industry in all countries is based on this virtue.

Regardless of how old Xu advertised as a newcomer when he debuted, this guy has been eating this bowl of rice for generations.

His grandfather was the reasoning writer Satao Otsubo, who was once called the "five men of the postwar pie" by Edogawa Ranbu. His father Wada Zhou was also a playwright.

Otherwise, why can this guy get the opportunity to write the game script and sign the game before he is famous?

This also explains why Ai Lei can't enter the Japanese screenwriting circle. She is not her own person from the circle, and she has no experience as a tool screenwriter for many years, so she naturally runs into walls everywhere.

Originally, Ai Lei had already planned to work as a script writer for a well-known female screenwriter—she didn't dare to find a man, for fear that she would be awkward to herself.

Only after learning about his own sister's situation, Rin directly blew the pillow breeze to Qiye.

After reading the scripts and novels written by Ai Lei, Qiye waved her hand to let Ai Lei work with her as an intern screenwriter.

At first, Ai Lei was full of guard against Qiye's behavior, and when she came to report, she even brought a buzzer.

"Brother-in-law, are you planning to play Ehuang Nyuying? I won't let you succeed."

"Go, what a mess you girl learned! I want to discuss your education with your sister!"

When Qiye said this, she looked at Ai Lei with a guarded face—the little finger that hooked the buzzer switch.

If this is not good, the blond sister-in-law shook her hand, then she would muddy out of her crotch, not [BEEP——] or [BEEP——].

Of course, Qiye pulled Elei into the fz crew not to throw her and Rin on the bed together, to make him the one in the middle of the word [Chuan].

With the expansion of the fate project, Qiye needs more queen screenwriters to escort her project.

It's not always possible that Lao Xu will be told every story, right?

Although this guy himself would definitely be very happy, but does the audience want to live?

Qiye doesn't want to mention fate in the future. The first impression in the audience's mind is that love and blood are flying together. Such a development with too heavy flavor is really not suitable for a well-known IP.

But Qiye didn't want to rely entirely on Hollywood screenwriters.

It's not that Qiyehui thinks that these screenwriters will not write stories well, but that there is a big gap between these Hollywood screenwriters and Qiye's philosophy.

They are accustomed to the traditional Hollywood genre film routines, and the stories they write are far from what Qiye asked.

Because they will subconsciously satisfy the tastes of North American audiences first, and then take into account other global markets.

However, Qiye and Jiufeng are not traditional Hollywood companies. Although the box office of the fate series is in North America, it has always been a global IP.

In other words, its American taste cannot be too strong, and even the Japanese taste cannot be too strong.

Perhaps one or two stories of Xingyue can highlight a certain cultural feature, but its entire IP must be globalized.

Especially after the screenwriter collaboration between fz and hf, Qiye has strengthened this idea.

Hollywood screenwriters can be used as auxiliary screenwriters, but they must not be mainstream.

The core of the story is provided by Qiye Kiryu, and the core screenwriter of the [Erque] department builds the skeleton. Finally, the Hollywood screenwriter will check the omissions and fill in the possible problems in the script.

The last step is very important. After all, non-Hollywood screenwriters are likely to be caught in the details.

But no matter how important these people are, these people are auxiliary positions and cannot affect the core part of the whole story.

Ai Lei is the sharpening stone of Qiye's plan. If it succeeds, Qiye will cultivate more [Erque] lineage screenwriters.

Qiye has seen Ai Lei's writing results. Although the writing is still very immature, but the style is very delicate, especially the emotional drama is also very good.

In Qiye's view, Ai Lei has a lot of room for improvement, no matter what, she is a man of creation.

Besides, Ai Lei is a sister-in-law anyhow, her own.

If you don't pull your sister-in-law, who will Qiye pull?

Could it be the two dragons who are now following Lao Xu like a worm?