Soul Painter
Chapter 444: The pillars in the painting
This is a 60X80 painting.
The area is not large,
As a painting that carries a spiritual pillar of Dongying, it seems too small.
In the last painting, there was an outflow of pollution, which polluted five high-end apartments in Shibuya, with a wonderful enlightenment to the people of the East, but according to reliable sources, these five apartments were blown up ten days ago.
The residents living in it, of course, have no plans to relocate, but are directly imprisoned, and they are examined one by one whether they participated in the mass murder of a heroic spirit. If they are convicted, they will be sentenced to death.
Since the Prime Minister publicly murdered Reimu on live TV, 'Execution Live' has been broadcast on major TV stations from time to time. Humans, demons, and investigators have been executed. This execution is like a deterrent or demon. The curse made the country of Dongying tremble.
Now that the five 40-story condominiums can all be demolished at any time.
This 80X60 painting, as a pillar, is really too small. .
The investigators of the two demon races, the first impression of this painting is small.
The second feeling is profound.
This feels very contradictory, but once you focus on the content of the picture, you instantly feel that you have entered a vast world.
If this painting was photographed on the album without indicating the size, it would be believed by some people that it was a masterpiece with a length and width of several meters.
And although there is no mysterious bloom in the painting.
But it still doesn't seem to be a full version.
Because except for the backs of the four figures in the painting, all other parts are blank, and the background of this painting has not yet been created.
Since the painting is not finished, why is the pollution gone?
Both Sambo and Ryuzaki remember that the painter said that when this painting is completed, the pollution will naturally disappear.
Is this painting finished now?
The four figures in the painting stand in front and back.
The first is a man. The painter's expression to him is full of power and anger, and a lot of red paints his body like boiling magma.
Red should be the artist's first... well, the first pillar soul on the painting is based on the "Boss", the investigator of the Kyoto team.
This is amazing. Looking at the first red figure, both Sanbao and Ryuzaki clearly felt what the painter wanted to convey. He believed that the numb East Ying people must be awakened by the boiling anger like raging flames.
The painter wants everyone to be angry! I want everyone to launch an undead attack on the minions! No nation can be truly liberated by outsiders, if you want dignity and freedom, you must rage, fight, bleed and sacrifice! Must not be afraid of death!
Even if 100 million people died to only a few million or hundreds of thousands left, the remaining people are worthy of the self-proclaimed name of a nation, otherwise they are just a bunch of useless puppets, the vassals of demons, and only those who are left with shells. miserable human beings.
Looking at the red figure in the painting, Sanbao and Ryuzaki felt their blood boil in their chests.
But after all, they were angry and fought, so this emotion was quickly suppressed.
The second back is blue.
Unlike the 'Boss' who is all red, she looks slender, weak and firm.
Seeing her, Sambo and Ryuzaki stepped forward in surprise, because they immediately recognized that this was their former comrade-in-arms, Reimu Neliu. Although the painter used the expression of modernism, he also had the skill of 'focus' , those who are familiar with the model in the painting will soon be able to identify it.
The Naru Reimu in the painting is very firm.
Her firmness is an insubordination that springs from weakness.
Like the grass lying low on the grassland blown by the gust of wind, she will bow her head, but the gust of wind cannot be endless, so she will always use the vigorous growth strength and courage under her feet to raise her head.
Yes, the painter hopes that the Dongying people will be firm. Anger is a temporary extreme emotion, but firmness is the character of life. The first two figures in the painting together mean 'resist to death', right?
Although it is also in line with the current harsh environment of Dongying, I always feel that it is a bit too strong...
Next, Sambo and Ryuzaki saw the third and fourth backs.
Both of these are Minase Yangmeng.
One quiet, one lively.
The quiet one is bronze, with a large number of different shades of copper covering her figure, with a sense of timelessness and harmony, while the lively one is goose-yellow, with a kind of agility and agility, which seems to be the pre-inheritance. The two characters convey the fighting spirit and plan the spiritual understanding that the nation can obtain after the battle.
what is it then?
Sanbao and Ryuzaki feel that they can't see the details for the time being.
Because their battle is not over yet.
But there is no doubt that the anger, unease, restlessness and anger felt by the first two figures in the painting become a kind of comfort and peace of mind for the latter two figures.
"This is really a great work..." Ryuzaki murmured, he doesn't understand art, but everyone has a soul, as long as they are human, they can feel the great characteristics of this work, it seems to be a revelation , an inspiration.
"If you show it to everyone in Dongying, you might be able to organize a real resistance army." Ryuzaki got rid of his admiration and suddenly smiled bitterly, "The pillars are not like this."
"Yeah, what a pity." Ryuzaki also had a look of loss.
Although this painting is magical, if only those who see it can feel the shock and inspiration, then it is of little use.
The 'pillar' should not be like this.
suddenly.
Sambo's phone rang.
The specific ringtone made Sanmao Shang look solemn. He took out his mobile phone and said to Ryuzaki: "Narukawa has got the Dongying battle plan! We need to meet him!"
"Okay, we'll go right away!" Ryuzaki nodded.
The two hurried out of the room and called Wu Haoxue and Minase Yangmeng again. These two were the main force in the battle. When they got the plan information from Narukawa, they didn't know what would happen. The battle preparation was A must do.
And Wu Haoxue glanced at the weak painter lying on the sofa, thinking that he probably won't die, right?
meow~
The black cat seemed to see Wu's eagerness to learn, and UU read www.uukanshu.com and barked, as if to say that there is still me, it's not that I haven't fed him.
"Then I'll leave it to you~" Wu Haoxue said to the black cat, and then hurriedly went to his room to get a compound bow. When he took the bow, he saw two Command Spell arrows. He hesitated for a while, but still didn't take it.
"Let's go~" Wu Haoxue said to the Tokyo team that was ready to go after going downstairs.
"Wu Sang, you give people a different feeling~" When he set off, Minase Yangmeng suddenly started talking to Wu Haoxue.
"Different? What's the difference?" Wu Haoxue didn't feel anything.
"Well, it's just that you were always in a hurry before, but now you seem to be slowing down~" Minase Yangmeng said, "It's a strange feeling."
That's right... Wu Xiaoxue doesn't feel anything. He patted his human skin mask and said with a smile, "Maybe he has become more handsome?"
Sanbao and Ryuzaki looked at each other, and they found that Wu Haoxue's body at the moment was very similar to the fourth back figure in the painting, while the previous Wu Haoxue was very similar to the first back figure.
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