Super Dimensional Wizard
Vol 2 Chapter 1857: Room distribution
Chapter 1857 Room Distribution
Anger carefully looked at it for a long time, and did not understand these unrelated broken lines, what he wanted to express.
Also, why should you engrave on such a armor?
Angel didn't understand the meaning of the existence of this armor for a moment. He thought about it, but decided to put it aside for the time being, first find the laboratory and then say it.
As for the anomalies of this quirky armor, if you still haven't figured it out later, go ask the tree spirit.
Anger thought of this, and took a deep look at the armor that was in the middle of the road, then circumvented it and continued on.
Because of the appearance of the armor, Anger has determined that this road is different from the road that had previously made him "circle", and certainly will not let him walk for more than ten minutes and can not find the end.
This is indeed the case. Anger went forward again about twenty steps and saw a downward staircase.
It was a winding staircase like a snake, and when Anger went down to the first corner, he saw a door.
When approaching the door, the candlesticks on both sides of the door immediately ignited.
Anger worried about what the linkage was. He checked the candlestick and found that the two candlesticks were not filled with kerosene, but a metal block that looked rough and resembled a semi-finished product of alchemy.
After Anger identified it with the eye of Narda, it was confirmed that this metal block was indeed an alchemical product, which was composed of dead phosphate.
The characteristic of the dead phosphate mine is that when it senses the breath of the living, it will emit a light like a phosphorus fire.
Similar to the situation of this candlestick, this metal block is probably sensing the living atmosphere of Angel, and it begins to illuminate.
Unlike the previous candlestick, this is not an institution.
After confirming that it was not an agency, Angel looked at the door. Although there are various patterns for decoration, this door is just an ordinary iron door.
There is a bronze doorplate on the door, which is written in the official font symbol: the living room.
Below the living room, there is a row of very beautiful characters: "Although it is used for meeting guests, there are not many guests who are qualified to let me see."
It can be seen from the lines between the words that the information is absolutely a proud person.
Anger speculated that this may have been left by Tizarro, the vestige of the last relic.
Anger explored the iron gate with his tentacles. As the introduction on the doorplate, there is a very simple living room. After the red curtain, you can see the long table and the Chinese chair, as well as various It looks very clean, but it is estimated that it has been washed for hundreds of years.
Anger entered the living room and made a turn, determined that there was no energy feedback in the room, and there was no organ trap, so he came out.
After coming out of the living room, Angel continued to go down. On the next floor, I still saw a door. After the arrival of Angel, the candlestick lit up again.
By the light, I can clearly see that the bronze medal on the door reads: the study.
At the same time, there is a row of swashes under the study: "I don't need a bedroom, but I don't want anyone to disturb my study."
"Here is the study?" Anger looked at the mental power through the door, and the door was a row of tall bookshelves.
Mental feedback is not dangerous. So, Angel pushed the door directly and walked in.
There is really no danger inside, and the bookshelves are neatly arranged, but they are basically empty. There is a desk in front of it. When Anger approaches, the candlestick on the desk lights up directly, and I think it is the alchemical product of the phosphate rock.
There are pen holders with ink and blank paper on the desk. They are all neatly arranged. Some people deliberately cleaned them before they were sealed.
The shape of the bookshelf is a bit like the bookshelf in the library on the cloud, and even has special magic lines, which are used to restrict people from reading books. Only when the conditions are met can the magic lines be activated.
However, now there is no energy supply for the magic lines, and the organs are cleared and no longer take effect. Moreover, there are no important books on the bookshelf, only a few mortal works.
Anger strolled around and confirmed that the study was not abnormal and continued to walk down the stairs.
What surprised Angel was that when he arrived at the third floor of the stairs, he reached the end.
This third floor of the underground is not the same as before. There are two opposite doors. One of the doors on the left, the bronze medal on the door reads: material library.
The swashes in the lower row are: "The construction of the material library is so large, it is better to expand the laboratory."
Anger looked at the typesetting, and basically confirmed that the one that left the plaque must be Tizarro, because according to Shuling, there are only two people who occupy this ruin and live for a long time and regard themselves as masters.
One is the original builder of the remains, and the other is Tizarro.
The swashes on the bronze medal are obviously the spit for the people who built the ruins. This also shows that the swashes are definitely the ones left by Tizarro.
Instead of looking at the material library, Anger turned his head and looked at the door directly opposite the material library. According to Tizallo's spit, Angel has basically confirmed that this door should be a laboratory.
Sure enough, a bronze medal hangs on the iron gate, the book: the laboratory.
Below the lab, there is also the Tilaro's swashbuckle, but this time it is not a spit, but a very short line: "Do not enter!"
The bright red font shows Tizarro's attitude towards the lab, which is obviously different from other rooms.
This is probably the place that Tizarro pays most attention to.
Anger looked at the laboratory and looked at the material library. He finally decided to go to the material library first. After all, Tizarro paid so much attention to the laboratory that there might be institutional traps.
Pushing open the material library, it is not a room, but a huge space.
As Tizallo's Tucao, this material library is amazing.
It is like a huge cave, no matter the height or breadth, it is several times larger than other rooms, comparable to a medium-sized square.
In front of Anger is a stairway that goes down and can reach the bottom of the space.
When arriving at the bottom, Anger confirmed that this might be a natural underground cave. Because he saw a lot of stalactites, but these stalactites emerged from the ground, the top was cut, and was transformed into a table and a display stand.
Angel took a closer look and found that he also wrote a word next to the display stand near him.
Not a swashbuckle, but a very formal character: a close-knit.
Mi Rongjin is a special magic material.
This display stand is written with a secret gold, which means... Where was the place where the gold was placed?
Anger looked at the other display stands again, and they all wrote the names of various materials, and they wanted to be the place where the magic materials were placed. However, it is now empty.
Anger walked around the material library and understood why this material library would be so large, because there is a miniature woodland for the magic plant; there is also a hot melt zone that simulates the volcanic environment, and various fire systems are placed. Materials... Vacuum zones, frozen zones, desertification zones, artificial lakes, etc., divide the material library into countless sections.
It can be said that this is a very comprehensive library of miniature ecological materials.
(End of this chapter)
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