Super Dimensional Wizard

   Chapter 2873 Ancient City and Behemoth

  If you let Ingres name it, starting from the bottom mural, they are: "Above the Throne", "Ascend to the Throne", "Road to Glory", "Tightrope Walker"... "Baby".

  Angel’s naming logic is based on the content of the screen and supplemented by the story of brain supplement.

  But now Angel discovered that his brain supplement story is simply wrong.

  He has always believed that the painting "Above the Throne" in the lowest hall is the ending of this "newborn will become king" story.

  But the painting "The Tightrope Walker" slapped Angel in the face.

  According to Angel's brain supplement story, the painting after "The Tightrope Walker" should be "Road to Glory".

  But the protagonist in the painting "The Tightrope Walker" has already removed his heavy and bloated armor and lost his spear; but why is he still wearing armor and holding a weapon in "Road to Glory"?

  This is not a logical inconsistency.

  In other words, this logic is simply reversed.

  The real order should be "Road to Glory" first and "The Tightrope Walker" behind.

  In other words, "Above the Throne" is not the last painting, but the beginning of the story, the first painting!

  Instead, it was what they thought was "Infant". This picture carved on the top of a tree is the true ending of this story!

   However, Angel and Laplace still feel puzzled.

   Newborns go through a long period of time and eventually become kings. This is normal thinking. But why is it upside down now, but the king finally returned to the baby?

  Does this have any meaning? Or is it that their current analysis is actually wrong? The tightrope walker is not discarding armor, but summoning armor and weapons from the bottomless abyss? Although Angel himself did not believe in this speculation, he really couldn't understand, what did "the king return to infancy" mean?

  Whether it is Angel or Laplace, they are all caught in a quagmire of thinking at this time.

  After a moment of silence, Angel took the lead and said: "It may be too early to interpret it now. Why don't you talk about it after reading all the murals?"

  Laplace nodded and motioned for Angel to follow her.

   Soon, they came to the fifth hall, and the mural here will be the last mural they saw.

  After entering the hall, Laplace hesitated for a while, and whispered: "Luigi has already come out of Yaxianbao, and there are some investigation results on Gleipnir's side. Would you like to listen to it now?"

  Angel thought for a while, then shook his head and said: "Don't be busy, wait until you untie this mural."

  The survey results on Laplace’s time body will not run anyway, and as time goes by, her survey samples will be more and more, and the results will be more reliable.

  So, there is no rush.

  First, let’s take a look at what the mural in the hall is talking about, and what is the connection between it and the last piece of "Baby".

  Whether "Infant" is the beginning of the story or the end of the story, perhaps it depends on this fifth mural.

  Angel silently analyzes the mural, as the light and shadow change and elongate, the mural from the very beginning is abstract, gradually revealing the true face of the half-concealed.

  A few minutes later, Angel let out a long breath.

  The last mural has also been unlocked.

  —The dark abyss, the indescribable huge creatures, and the tiny "people" marching toward the huge creatures, and...an ancient city faintly appearing behind the huge creatures.

  This is just the overall view of the mural. If you pick the details again, you will find that the huge creature is very huge, just like the 10,000-meter high mountain in front of you.

  Moreover, there is more than one of these huge creatures that cannot describe the overall appearance. Only the front one occupies the main position. But if you look from the side, you can see that behind the ancient city suspended in the depths of the abyss, there are faintly similar outlines of huge creatures.

  There are a few of them, it is impossible to determine, but there is definitely more than one.

  In addition to the huge creatures, the tiny "person" who walks toward the huge creatures also has details worth mentioning.

  This "person" is exactly the same as the humanoid creature in the painting "The Tightrope Walker". Moreover, he is not wearing armor or holding a weapon.

  This means: Angel's previous speculation is indeed wrong, it should be "Road to Glory" first, and then "The Tightrope Walker".

  And another proof is the details of the ancient city.

  I can’t see clearly what is in the ancient city. The only thing I can see is that there is a black shadow outline above the ancient city. And this outline is exactly the same as the "Baby" in the last painting.

  It can be said that this painting is to pave the way for the last "Baby".

  This also proves once again that the "Infant" on the top of the tree is the last painting in this story, and "Above the Throne" is the first painting.

  At this point, although Angel still does not know the outline of the story, he has determined that the moral of the story is not "new born will become king" at all, and his interpretation of the first few paintings is wrong.

  If the name is based on the current perspective, the first painting may be called "The Throne" directly.

   In the second painting, Angel previously thought that the new king was coming to the throne, but in fact the king had faded from the throne, so the name "The King's Departure" may be more appropriate.

  In the third painting, it is not that the people are cheering for the new king's enthronement, but the people are wondering why the king has left, and lamenting and bidding farewell to the king. Therefore, it is better to call it "Farewell Road".

  The fourth painting, without changing the name, is still "The Tightrope Walker".

  The fifth painting, which is now this one, can be called "Ancient City and Behemoth".

  The sixth painting, the painting on the top of the tree, is expressed in a straightforward sense, and it can still be called "Baby".

  However, the best name is to name it by inductive meaning, but now Angel doesn’t know what "Baby" is.

  Why a king abandons everything in the past, why just pursue a baby?

  ...

  During thinking, Angel and Laplace returned to the top of the tree.

  Angel presents six murals in mid-air through phantoms.

  The mystery of the mural is finally solved. Judging from the logic of the mural, it is probably a story of "the king removes his armor and returns to his birth".

  However, the whole story is full of absurdity.

  Especially when viewing these six murals together, it will be more dramatic.

   Laplace's eyes are full of confusion: "What is the meaning of swaddling, why do you pursue swaddling?"

  Angel hesitated for a moment: "Infant, can be understood as a baby's sleeping place, from the king on the throne to the baby in the infancy, does it mean...rebirth? Newborn?"

   After a pause, Angel whispered: "Or, reincarnation?"

  "Rebirth, rebirth, reincarnation." Laplace muttered these words, as if thinking of something, his expression slowly became serious.

On the other side, Angel sighed slightly: "However, after all, it's just a guess. The bottomless abyss hides endless secrets. Where is this ancient city, what are those giant beasts, and why does the king return when he removes his armor? Infant...These are secrets that cannot be answered."

  Laplace: "No, it can be answered."

  Angel looked at Laplace incomprehensibly. Laplace did not speak, but stretched out his finger and lightly tapped the vision released by Angel.

  Angel could feel the illusion of these six murals, infused with a new force.

  This power is very unfamiliar, but it does not carry any maliciousness. It enters the illusion node with a sense of warmth and coolness.

  Although this kind of power feels very gentle, it does not do anything gentle. It is robbing Angel of control over illusion.

  Angel glanced at Laplace, did not say anything, and silently gave up control of the illusion node.

  With Ingres letting go, Laplace successfully controlled the illusion, and then, the illusion began to change very quickly.

  The six murals themselves have not changed, but besides the murals, there are rows of words.

  These texts are all Abyss Demon texts, and they are also variants.

  Angel also saw the text beside the mural before, but because he didn't know it, he didn't care about it either.

  Now, Laplace put all these words out, and Angel took a closer look... still didn't recognize it.

  Laplace: "As long as these words can be translated, the content in the mural will definitely find an answer."

  Angel: Isn’t this nonsense?

   "...Who can unravel these words?" Angel looked at Laplace.

  It just so happened that Laplace also turned his head and looked at Angel, the two of them looked at each other.

  In Laplace's eyes, Angel saw a glimmer of anticipation. Angel froze for a moment, hesitated for a moment, stretched out his finger, and pointed at himself: "You mean...me?"

  Laplace nodded: "You can crack the mural, and you will definitely be able to solve the mystery of the text."

  Angel only felt that his head was full of question marks.

What is the logic? Can I solve the mystery of the text if I crack the change?

  It’s like the logic that if you trample on the ant, you will be able to trample on the elephant. It’s not comparable at all!

  "I didn't want to come this time, but Gleipnir suggested me to come. It turns out that her premonition was not wrong."

  Angel: …and then? If he doesn't know the word, he doesn't know it. If he doesn't know a word, can he comprehend it forcibly?

"Just before, I disclosed the situation of the mural to Gleipnir; at that time, it happened that Gleipnir was also looking for me when he got an information." Laplace paused when he said: "And this is a sign."

   At this point, Angel has understood Laplace’s logic.

   began to engage in the "over-interpretation" set again.

  Angel is not saying that over-interpretation is wrong. When analyzing inspiration, it does require some reasonable or excessive interpretation.

  However, this interpretation is too presumptuous.

  He doesn’t know these abyssal demon texts, how can he interpret these texts?

  Seeing that Laplace was looking at him expectantly, Angel reluctantly said what was in his heart.

   Laplace thought for a moment: "What if this is not a demon text, but a mural-like puzzle?"

  Angel: "...If it were a puzzle, the wise master would have solved it a long time ago, so it's my turn to get it."

  The wise ruler may be a little cautious, but if Laplace really wants to ask, Angel believes that the wise ruler will still tell Laplace the truth.

  The rule of the wise may have solved the mystery of the mural, but in terms of text, Angel still feels that the rule of the wise may be helpless.

Laplace seems to have something to say, Angel sighed in his heart: "I said before, I know many friends in the abyss, I may be able to find a helper to interpret these words, but now, I It is impossible to solve the mystery of these words."

  Angelton paused, and continued: "The mural matter will come to an end for the time being. Ms. Laplace said, Gleipnir got an information, I don’t know what information it is?"

   Although Angel is also a little curious about the murals, he still cares more about things related to himself than these unintelligible murals.

Although Laplace is still obsessed with the devil's words, she also understands that what Anger is saying is true. Perhaps it is indeed what Anger said. He will find his friend in the abyss in the future to get the real answer. .

   "Gleipnir's information was obtained from the Charles Palace."

  Angel: "Charlie Palace?"

  Laplace nodded and briefly introduced the Charles Palace.

  Charlie’s Palace is a special mirror space, and its special point is that it has the basis of reality.

  The realistic mirror corresponding to the Charles Palace is a strategic alchemy prop, called the "Myitone Mirror". Laplace doesn’t know the specific role of this alchemy prop, but it makes an analogy. It is probably like the mirror world created by Jing Ji. Once it is backed by reality, its stability will be extremely high. As long as it is not done, the mirror space will not be broken.

  However, because of the reality, the aggregate energy possessed by the Charles Palace is extremely thin. Generally speaking, the creatures in the mirror are reluctant to live in such a place.

   is like the mirror world of the savage cave. It is said to be the mirror world, but in fact it has completely adhered to the laws of the wizarding world, and there is no aggregation energy in it. Therefore, the mirror world can no longer be regarded as the domain of the mirror domain.

  The Charles Palace is barely within the scope of the mirror, but it is just between the cracks.

  The reason why there are still creatures in the mirror in Charlie’s Palace is simply because they are enshrined by younger generations in reality.

   "There are younger generations in reality? Is it similar to a single-eyed family?" Angel wondered.

  Laplace shook his head: "No, there are a group of former humans living in the Charles Palace. It's just that after they died, they became mirror grudges. After some special transformation, they have now become the guardian spirits of the Charles Palace."

  "It is a creature in the mirror that has been transformed by the day after tomorrow."

  “For this reason, their mastery of aggregation energy is not as strong as other native mirror creatures. The degree of dependence is relatively low.”

"These are all digressions, let’s get back to the topic. Charles I, Charles II, and Charles XIII live in the Charles Palace. There are actually some descendants of Charles who want to enter the mirror domain, but they all fail in the end. These three are still alive."

   "Among them, Charles I and Charles II spent more time in the mirror domain than me, and Charles XIII was about the same as me."

  It is precisely because these people in the Charles Palace are all antiques of the Mirror Domain. Even if they stay in the Charles Palace all the year round, their strength is not very good, but at least they live for a long time and have more knowledge.

  This is why Gleipnir will go to Charles Palace.

  In the Charles Palace, Gleipnir learned an interesting piece of information from these three special "mirrors".

  They all stopped dreaming at almost the same time.

  Before that, they dreamed very frequently.

  (End of this chapter)