Super Dimensional Wizard
Vol 6 Chapter 3484: strange door
Laplace checked the mural again to see if there were any hidden grids.
—She has seen many hidden compartments or hidden chambers hidden behind the murals in many ruins.
However, this mural does not have any hidden grids.
The most abnormal thing about this palace is undoubtedly this mural; but what is abnormal is only the mural itself, not other things such as hidden grids.
Having come to this conclusion, Laplace returned his attention to the content of the mural.
Door, black matter, retrograde person.
What is the connection?
Laplace kept comparing the memories in his mind, trying to find out whether there were similar or related clues in his memory bank.
However, these three images are so common. There are at least hundreds of thousands of scenes in her memory that are similar to this one.
But only similar.
At least based on Laplace's inspiration, there was no glimmer of inspiration related to this mural among these similar pictures in the memory bank.
There are too few clues to decipher.
Laplace quickly determined the answer.
She has no regrets about this either.
As an "old" person who has lived for ten thousand years, she has too many scenes with unknown endings and endings in vain in her memory.
Some have experienced it themselves, and some have observed it through the sea of empty mirrors.
Perhaps I felt a little regretful at first, but as I had more and more similar experiences, I could even observe one or two scenes with unknown endings every day.
The regret of not having the final outcome will gradually disappear.
Of course, it’s not that she has lost interest in exploring the secrets, but that she knows the trade-offs. There are some secrets that you know are unavailable, and there is no need to delve into them.
As for what secrets need to be explored in depth?
The soul will tell her the answer.
The mural in front of him should have some secrets; but Laplace didn't feel remotely telepathic, so there was no need to care.
Laplace withdrew his gaze.
This mural may only become one of those memory fragments with an unknown ending in her memory.
…
Angor withdrew his gaze from exploring the silver disk.
His eyes were slightly regretful.
The silver disk is a teleportation array disk, and there is still some silent space power left in it.
Angor studied it mainly because he wanted to compare the difference between this formation disk and the formation disk in Crowley's secret room.
After careful comparison, he found that the two formation disks were actually linked formation disks.
The so-called linked array disk means that after using this kind of array disk, it can only be fixedly teleported to the vicinity of the established linked transmission array disk.
Angor could understand the mechanism of the teleportation array in the secret room of the ruins; but he was completely confused when looking at this array.
The only thing confirmed is that the linkage array of this array is above their heads.
That is where the main tomb is located.
This is consistent with Lunaud's remarks.
For the sake of convenience, Lu Nuo almost never took the path of the chimeric space. He teleported here directly from the main tomb every time. Therefore, it is reasonable for the linkage array to be located on the side of the main tomb.
However, although they are both linked arrays, the operating principle of this array is completely different from the one deployed by Crowley.
Perhaps this was created by the Ordovicians whose brain entries were "array plate" or "space".
If possible, Angel would like to activate it.
Unfortunately, this formation disk has been solidified here and cannot be dismantled or moved. Although it can be activated, the consequences after activation are too great, so Angel has no choice but to give up.
No longer paying attention to the silver disk, Angel's eyes looked at Laplace not far away.
“Well, is there anything wrong with this mural?”
Angel walked over.
He had noticed before this mural that there must be something fishy about such a complete mural. Laplace came here to observe before him, maybe he has discovered something abnormal?
Laplace shook his head: "Except for the special pigments used to preserve the murals for a long time...there is nothing wrong with it."
Angel knew the details of Laplace, and even she didn't notice anything was wrong, so he probably wouldn't gain anything.
So, he did not choose to use his mental power to examine the murals in detail, but just scanned the contents of the murals with his naked eyes.
"The content of the mural is quite simple..." Angel said while looking at it: "Generally speaking, the simpler something is, the more straightforward its meaning is; but because there are no details to support it, there will be ambiguity in the interpretation."
For example, the mural in front of him has a very simple meaning in Angel's opinion: a person walks towards the door.
But why did he go to the door? Is this door not real, but a metaphor for a purpose, or an end? And are those black substances also metaphors for disasters?
These are unknown.
So, the meaning of this mural is very straightforward, but it is not easy to interpret.
Laplace looked at the mural: "What I'm curious about is why the painter kept this mural."
Angor shrugged: "Thousands of people have different interpretations. Perhaps this mural is the owner of the ruins describing his own life. As a summary of his life, it makes sense to choose to preserve it with special pigments."
"The life of the owner of the ruins?" Laplace looked at Angel curiously: "Thousands of people have various interpretations, so this is your interpretation?"
Angor nodded and expressed his interpretation: "The people in it represent the owners of the ruins, and the black matter represents the process of life. In other words, the darkest moments in the process of life."
Just halfway through Angel’s words, Laplace guessed what he was thinking: “So, in your eyes, this door represents the end of life?”
Angor nodded: "It's almost the same. It can also be said to be the goal of life. When you go through the undercurrent of life, you can reach the door of the goal."
Laplace stretched out his finger and pointed at the door: "But all dark matter is released from this door. So, according to your interpretation, the end of life, or the goal of life, Is it the reason that led to the darkest life of the owner of this ruins?"
Angor was also stunned for a moment: indeed, black matter poured out from the door.
Therefore, his interpretation based on "the life of the owner of the ruins" is obviously wrong.
Angel fell into a brief silence.
Looking subconsciously towards the "door" on the mural. Because the existence of the "door" overturned his previous so-called "life theory".
As he stared at the door, he thought about how else to interpret the mural.
But thinking about it...
Angor suddenly felt that the door on the mural seemed to have grown larger, as if it was closer to him...
Angel:? !
Angor suddenly came back to his senses and looked at the door on the mural. The door is still in the same position. It has not changed in any way, it has not become larger, and it has not jumped out from the mural.
But before, he clearly felt that the door seemed to be approaching him?
Angor thought for a moment, then stretched out his spiritual tentacles, and kept probing near the "door", but there was nothing abnormal.
Could it be his illusion?
While Angel was doubting himself, Laplace looked at him suspiciously.
"What's wrong with you? Is there something wrong with the 'door' on the mural?"
Although Laplace's attention was mostly on the murals, part of it was also on Angel. She had clearly seen that Angel, who was still deep in thought, suddenly shrank his pupils, like It was as if he had seen a ghost, and then he started frantically scanning the "door" on the mural with his spiritual tentacles.
This behavior is obviously a bit strange.
Facing Laplace’s inquiry, Angel did not hide anything and directly told what he had just perceived.
“Do you feel like the door in the mural is getting bigger and approaching you?”
Angor nodded: "Yes, but I can't tell now whether it was an illusion."
Laplace looked at Angel in confusion, and then at the door on the mural: "I can confirm that when you were meditating just now, this door did not change at all... At least, in my sight, this door Nothing has changed.”
Angor naturally believed what Laplace said, but just now he did vaguely feel that the door in the mural was slightly enlarged... Angel shook his head: "Maybe it is really an illusion."
Laplace could naturally see the hesitation in Angel's words. She thought about it and said, "Whether it is an illusion or not, you will know if you try it again."
“Don’t worry, I will always pay attention to you.”
Angor thought about it and thought he could give it a try. He also wanted to know whether it was an illusion or if there was really a "problem".
Angor nodded: "I'll try."
But, having said that, how to try?
Have you been staring at the door in the mural? Or should I just follow the previous situation and meditate first and then look at the door casually?
Although Angel was thinking about the test method, his eyes were actually staring at the door in the mural.
Just when he was thinking about whether to compare himself to the previous situation and fall into deep thought, the door in the mural suddenly became bigger again...
This time, even before Angel could regain his senses, he felt a heat in his chest, followed by the door and came to Angel, like a huge mouth of the abyss, swallowing Angel directly...
The next second.
Angor felt his eyes darken and his whole body began to "rise".
However, this rise is not a rise in a spatial sense, but a rise in a certain concept.
It seems that the body, soul, and consciousness have all transcended, and the whole person is constantly sublimating.
At the same time, during the process of "rising", Angel clearly felt that his emotions disappeared, or that his "emotional module" did not rise with his consciousness.
From a sentient being to a heartless and qualityless existence.
Also because he lost the emotional restraint, Angel felt himself becoming calmer and calmer.
He even immediately judged that he was traveling to some kind of "extra-dimensionality", transcending the current dimension and reaching a higher dimension.
The reason why he can judge quickly is because he has experienced this situation more than once.
At the beginning, the Eye of Heaven absorbed a large amount of mysterious energy by blocking two plane fusions in a row, and finally took Angel to a strange world beyond dimensions, where Angel learned the Gate of Illusion.
Another time, because he had to survive the void disaster, he was taken by Wang Wang into a super-dimensional state and roamed in a high-dimensional space.
Two extra-dimensional journeys, each time was a familiar "ascent" and the loss of familiar emotional modules. Therefore, comparing the current situation, Angel was very sure that he was traveling into some kind of extra-dimensional space.
However, why is it super-dimensional?
Is it because of the door? Or... because of the Eyes from Beyond the Sky?
At this time, Angel may have put aside unnecessary emotions. His ability to sort out memories and capture clues has obviously improved to a new level.
He still remembered that when he was about to be swallowed by the door, he felt an obvious warm feeling in his chest.
And he always kept his eyes from the sky close to his chest.
So, the feeling of fever should come from the eyes from outside.
And that door...maybe it was activated by the Eye of Heaven? Or could it be said that the Eye from the Outer World made that door different?
Angor can’t tell whether it’s the door or the Eye from the Sky now, but it’s not important to him.
The important thing is, where is he now?
At this time, Angor felt that his "rising" had stopped.
Although Angel had lost his perception of the time scale in the process of traveling to the extra dimension, he still felt that this "ascent" did not last long, and was even faster than when Wang Wang took him roaming. Some.
Using a more intuitive expression, it’s probably—
If there is a height in the dimension, the place where Wang Wang took him originally was 1 meter high, the place where the Eye of the Sky took him may be 10 meters, and the "ascent" this time may not even be 0.5 meters.
Is it because the author of the mural did not have a strong grasp of super dimensions?
But having said that, it is already amazing that the original artist of the mural was able to come into contact with the concept of super dimensions. At least according to Angel's knowledge, only Wang Wang can currently access the dimensional surface.
Angel looked around.
No, "see" is actually not accurate at this time. He just thought about it and all the details around him were imprinted in his mind. He even saw the trajectory of his own dimensionality.
But these are still not important. In a high-dimensional space, this kind of observation is actually as simple as breathing.
This is a world of pure darkness, just like the dark matter in the murals, and the surroundings are very dim.
But far away in the deep sky, there is a luminous door, standing there, guiding the direction like a beacon.
“So, where do I want to go to that door?”
As soon as Angel's mind moved, he began to continue "rising" and began to approach the door.
As he made his way to the door, he suddenly remembered the mural.
His situation at this time seems to be somewhat similar to the scene in the mural.
In the mural, a man in a gold-red uniform walks toward the door on a black substance.
And he is now also traveling retrogradely in the unknown black matter, heading towards the gate of deep space.
Is this a historical loop? Or is it the necessity of dimension reappearance?
Angel doesn’t understand.
He didn’t think too much about it, as he was destined to not get an answer in a short time.
Soon, he came to the gate.
The style of the door is exactly the same as that in the mural. The only difference is that the door in the mural is constantly releasing dark matter, while here the door is completely bright.
Angor didn’t know what was behind this glowing door.
But he vaguely felt that he should go in.
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