The birth of China Entertainment Top

…

Lu Feng was in the study, typing on the keyboard.

The original movie script of "Assassination of Novelists" was vague in many places. I watched it in the cinema and couldn't understand it at all.

Director Lu Yang told the story in fragments, leaving only the last scene, the special effects of singling out the red-haired ghost, attracting a wave of 3D blockbuster fans.

Lu Feng made magical changes to the entire script.

In particular, the character settings of the villains [Li Mu] and [Tu Ling] were changed.

[Tu Ling] This character design is obviously the female lead. Under normal circumstances, she should be the most outstanding character.

As a result, what Director Lu Yang did was nondescript and unattractive.

In another time and space, after filming this movie with a box office of over 1 billion, Yang Mi did not receive much praise at all.

After thinking about it, Lu Feng found that besides Sister Mi being a black-faced villain, there was another important reason.

As a heroine, the position of the character [Slayer] is too erratic.

He is obviously a villain, so he should go all the way to the dark side!

This is not a bloody TV series. Which villain would suddenly switch from villain to antagonist for one or two inexplicable reasons?

Who would like this kind of character who is not firm in his stance?

I really don’t know what the screenwriter was thinking!

Just like "Xiu Chun Dao", when I am the villain, you will be the villain to the end!

Besides, who says villains can't be likeable?

Look at Gao Qiqiang in "Hurry Up"!

Even though he is a villain, he is still lovable!

Of course, the fact that the character is not attractive enough has little to do with the screenwriter, but mainly the fault of the director.

If the director only treats the actors as a background and a tool to complete his work from the beginning, he will naturally not make the characters very charming.

Because a character who is too charming will affect the balance of the entire movie.

From the beginning of creation, a movie is basically divided into two genres.

One is to start from the background of constructing the world, completely follow the setting, and treat all characters as tool people, just to complete the construction of the entire movie world.

Another genre is to set up the characters first, and then unfold the entire story based on the characters' complex experiences and environments.

Most directors with professional backgrounds will choose world settings because their content originality is not strong.

That's why Shen Lian, the protagonist of "Xiu Chun Knife" filmed by director Lu Yang, is so entangled in a love-hate dilemma.

It's because he was trapped in that world setting.

There was no way out.

The same is true for several characters in "Assassination Novelist". They are completely trapped in the world setting and unable to show their own shining points.

Lu Feng said that his abilities are limited.

I didn’t bother to change the characters of the two protagonists.

Because, these two protagonists are indeed just two tool men, with no shining points at all... He can't act himself, so he doesn't bother to put in the effort.

Male characters: One is [Guan Ning] who has lost his daughter and has "mourning" written all over his face.

Male number two: One is [Lu Kongwen] who has been writing novels for 6 years and writes "waste material" from beginning to end.

[Guan Ning], Lu Feng is going to find Lei Datou to play the role.

[Lu Kongwen], this role requires one person to play two roles, but if you think about it carefully, the interpretation is not very difficult, just leave it to Zhu Yirong, who is under the company.

For Lu Feng, the role that suits him best in this drama is the villain [Li Mu].

This guy corresponds to the last big boss [Red-haired Ghost] in the novel world.

Lu Feng had never played such a role before, and he wanted to challenge his weaknesses... mainly, "Assassination of Novelists", for which he planned to be the director himself.

The villain [Li Mu] doesn't have many scenes, which is just suitable for him to appear as a friend.

In order to allow himself to play the villain, Lu Feng deliberately transformed the character of [Li Mu], no longer an old uncle, but into a young talent in his early 30s with a successful career.

A 30-year-old young talent who has just reached the top of his life has contracted a terminal illness. Naturally, he will be more crazy and paranoid than an uncle in his 60s or 70s!

In "Assassination of Novelists", [Li Mu] originally killed his partner, who was [Lu Kongwen]'s father... In this place, Lu Feng also made slight changes.

Let [Lu Kongwen]’s father become [Li Mu]’s teacher.

[Li Mu] Killed his teacher, stole scientific research results, and then became a business tycoon... Logically, this shouldn't be a big problem.

And killing a teacher is more sinful than killing a partner!

The real focus lies in the role of [Slayer]!

In the original version of "Assassination Novelist", the role of "Slayer" played by Sister Mi is completely a tool to promote the development of the plot.

The director was very stingy and did not give this character any charm!

However, Lu Feng wanted to film "Assassination of Novelists" just to praise Naza!

That's right!

The heroine of this movie, Lu Feng, is not ready to be handed over to Yang Mi.

Because, he and Yang Mi will collaborate in "Gu Jian Qi Tan" and "Xiu Chun Dao 2"... The couple who have collaborated many times will make the audience bind them.

What's more, Nazha hasn't had a masterpiece so far!

The "Slaying Spirit" in "Assassination Novelist" is the heroine Lu Feng specially designed for Nazha... Lu Feng helped Nazha redo all the character settings.

…

I wrote it all night.

Lu Feng changed the heroine [Slaying Spirit] and all the background settings.

"I finally finished writing it, but it exhausted me to death."

Lu Feng looked at the newly released script of "Assassination Novelist" and felt very happy.

This is the first time he has modified a script.

Not much has been changed.

I changed the character settings of [Li Mu] and [Tu Ling] so that he and Nazha could make this movie together.

After finishing writing the script, Lu Feng came downstairs with his laptop in his arms.

Nazha is preparing breakfast.

Lu Feng didn't go out to fool around. He came back very early yesterday, which made Nazha very happy. She got up early this morning, humming a little tune.

"Lu Feng, you haven't slept all night, go to bed quickly."

Last night, before going to bed, Nazha secretly took a look in the study and found that Lu Feng had been typing on the keyboard and didn't know what he was writing.

She was very considerate and did not disturb Lu Feng, and went back to sleep alone.

Today, Nazha got up early in the morning and prepared to cook a bowl of old duck and pork belly soup for Lu Feng to replenish his health.

"Nazha, I wrote a brand new script. The heroine is tailor-made for you. Do you want to take a look?"

"Really or not? Of course I want to see it!"

Nazha never expected that Lu Feng stayed up all night and was actually writing a movie script, and he was using it to praise her!

She was indescribably happy.

"Is it "East Palace"?"

Nazha suddenly thought of something.

Nazha had already read the first version of the script of "Eastern Palace". She was tortured to death and cried so hard that she used several packs of tissues.

Could it be that Lu Feng thought the plot was too tragic, so he was changing the script?

"'Assassination of Novelists'... this script looks a bit weird."

Nazha took Lu Feng's computer and took a look at it. Just looking at the title, she couldn't tell what the script wanted to express.

However, when Nazha patiently continued to look at it, her eyes quickly widened, and there was a hint of sweetness in her eyes. (End of chapter)