Lu Chong immediately remembered what happened at Li Wenshan's 70th birthday.

……

At that time, there was a group of people at the banquet, who were Li Wenshan's friends in the calligraphy and painting industry. After the banquet, they proposed to write pictures for Li Wenshan as a birthday gift.

Lu Chong was not interested in this and wanted to leave.

At that time, there was a young man, a famous young calligrapher named Lu Zhenhua. He loved Qin Yumeng, Li Wenshan's granddaughter policewoman. When he saw that Qin Yumeng was very close to Lu Chong, he was jealous, so he said to provoke Lu Chong: "Mr. Lu made great contributions to Li's birthday banquet this time, Mr. Lu left ink treasures, and Li was more happy..."

Others didn't know why, so they urged them one after another.

At that time, ten thousand grass and mud horses collapsed in Lu Chong's heart. Although he had many teachers and learned many skills, he didn't learn calligraphy, because he didn't need calligraphy to be an agent in modern society.

But a large group of people encouraged Li Wenshan and Qin Yumeng to look at him with hopeful eyes.

Lu Zhenhua saw Lu Chong's face embarrassed. He guessed that Lu Chong certainly couldn't write, so he pushed it harder. Those who didn't like Lu Chong's slightly arrogant attitude at the banquet also pushed it with Lu Zhenhua.

Lu Chong was gradually forced to ride a tiger.

However, he had an idea and came up with a solution: "you write first. I'm in a hurry. Go to the bathroom first." then he turned and walked to the bathroom.

Lu Zhenhua and others thought that Lu Chong was an excuse to urinate and escape, and laughed at them one after another.

Li Wenshan and Qin Yumeng were also disappointed.

Lu rushed to the bathroom and took out a roll of paper, a roll of yellow paper.

If there are people who know the goods, they will be shocked!

If there are people in calligraphy, they must beat their chest and feet!

Because this is the only authentic work of Wang Xizhi, the sage of calligraphy, in the world!

I saw it written: "Xizhi's head: the pole of chaos, the tomb first, and then the poison. It's cool to pursue. It's called Mu destroy. The pain runs through the heart and liver, and the pain should be what to do! Although it's repaired, it hasn't been galloping, and the poison benefits deeply, what to do! I don't know what to say when I feel choked on the paper. Xizhi's head and head."

As a work of Wang Xizhi in his later years and a work expressing Wang Xizhi's grief, the funeral Sutra is incisive and uninhibited. It is different from the fluency and integration of Lanting preface. When writing Lanting preface, the mood is mainly relaxed and cheerful. The handwriting in the funeral Sutra is scrawled and sometimes there are traces of stagnation, From this, we can see the sadness, anger and depression of Wang Xizhi when he wrote this work!

Liu Yi, the cultural relic swindler, apologized for spending 300 million to get Wang Xizhi's "peace post". In fact, it is not an authentic work of Wang Xizhi, but a copy of the Song Dynasty!

How did Lu Chong get the "post of mourning chaos"?

The reason is very simple. He has perspective eyes. He found that there is a layer of talent behind the Japanese national treasure what garbage rattan painting. Before giving the rattan painting to Wang Gongming, he took down the talent behind the rattan painting and collected it properly. It was placed close to him at that time, and then placed it in the storage space of the mysterious ring.

He is going to Japan again because Japan has searched too many Chinese national treasures!

……

The stele inscription by Huang Tingjian, a calligrapher of the Northern Song Dynasty, was auctioned in the capital for a sky high price of 436.8 million yuan, setting a world record for the transaction of Chinese art. However, it is unknown that the stele inscription was previously hidden in Japan, and it is only one of the vast number of Chinese national treasures in Japan.

The inscription on the mainstay flowed into the Shanghai sea from Lingnan and was purchased by Wu Fu of Jinling. It soon flowed into Japan and was collected by a private museum. There were a large number of Chinese art treasures from the Yin Dynasty to the late Qing Dynasty. For example, huaisu's fish eating post and Mi Fu's Yan Shan Ming flowed out from here. Huang Tingjian's other excellent work Li Bai's reminiscence of the past tour poem is the treasure of the town hall with its neighbors.

The Japanese invasion caused great damage to Chinese cultural relics, destroyed 741 historic sites, robbed 3 million books and manuscripts and 3.6 million cultural relics, and another 1870 boxes of skull fossils of "Beijingers" were also looted and disappeared. Japan implemented the "Golden Lily operation", plundering at least 6000 tons of gold in Jinling. Toshiro and other Japanese troops searched everywhere for celebrity calligraphy, paintings and antiques, and 13000 oracle bones lost overseas were plundered to Japan. As a victorious country, Huaxia only recovered 10 boxes of fossils and more than 35000 ancient books unearthed from Zhoukoudian.

23000 overseas famous paintings have been recorded, of which one third are in Japan. Among the more than 90000 items in the collection of the Tokyo National Museum, including more than 10000 Chinese cultural relics, jade from the Neolithic Liangzhu culture, porcelain from the Tang, song and Yuan Dynasties, and porcelain calligraphy and painting from the Qing Dynasty. The museum collects Ma Yuan's painting of crossing the water in the cave mountain, the painting of fishing alone in the cold river, Liang Kai's painting of snow landscape, the painting of Li Bai singing, the painting of the sixth ancestor cutting bamboo, and Li Di's painting of red and white hibiscus.

In addition, there are countless Chinese cultural relics and treasures in museums all over Japan. Almost all of the more than 1000 public and private museums in Japan have Chinese collections, which should be hundreds of thousands.

The calligraphy of Wang Xizhi, a famous calligrapher and "sage of calligraphy" in the Eastern Jin Dynasty, has a lingering charm in Japan for thousands of years. Wang Xizhi's "suiluan tie" was introduced into Japan in the Tang Dynasty, or brought by monk Jianzhen during his eastward journey. Now it is kept by the Japanese royal family. It is considered to be the only authentic work of Wang Xizhi.

……

Now it seems that the "funeral Sutra" collected by the Japanese royal family is a fake. Like the "peace Sutra", it is copied by future generations, and Lu Chong's hands are the real ones!

Lu Chong doesn't know how to read, but he is expected to have Qi skills and know how to read talent!

This "Luan tie" is very talented. Of course, it is the authentic work of the sage of calligraphy. Looking at the copies of "Ping'an tie", "Lanting preface" and other works, it is less than one tenth of this "Luan tie".

Lu Chong uses his Qi control technique to absorb his talent.

After a while, the soaring talent has completely disappeared, which shows that Lu Chong has all the talent of the book sage Wang Xizhi, and it is the talent in his later years. This soaring talent absolutely kills Lu Zhenhua outside!

He hid the funeral post and went out of the bathroom.

At that time, Lu Zhenhua and others were still snickering at Lu Chong's urination. Lu Chong stepped forward and smiled faintly: "these days, I'm learning the calligraphy of the calligrapher Wang Xizhi. I haven't learned it for a long time. I didn't want to make a fool of myself in front of you, but since someone asked me to write something, I'll write a few words to congratulate Li Laoqi on his seventh birthday. Well, I'll write longevity, happiness and Corning!"

Lu Chong's words pointed out Lu Zhenhua's sinister intentions and put the two men on the scene of the duel.

At this time, Lu Chong poured all the talent he had just absorbed into his brush.

Lu Chong held the brush, which fell on the rice paper.

A group of calligraphers stood by and looked like watching the excitement. They didn't think much of Lu Chong. After all, Lu Chong was only in his early twenties. Unlike Lu Zhenhua, who had practiced calligraphy since childhood for more than 20 years, he is now in his thirties. There is also Gong Qifeng, a master of calligraphy and vice president of the National Calligraphy Association.

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