The Cold President's Best Master

Kawabata Kotaro, if pardoned, quickly pulled up Koichiro and ran away with a disheartened face.

After walking for a long time, Kawabata Inutaro stopped * *, and Inuchi Ro shook his voice. "Why are you so afraid of that Zhan people?"

Kawabata Kotaro fought a cold war: * * * * * * fly over the walls of the battle of China, he told me, that there are some master of martial arts, and there are some high flying men on the wall. A Chinese commander killed more than 100 soldiers in China and killed one of our country's officers. I think the man who played us today must be so great. If such a person wants to kill us, he will be afraid. I'm afraid the police can't protect us, not to mention those violent elements who fear him so much. We'd better not provoke such a ferocious God! "

Lu Chong returns to his hotel with Meixue Fujita.

After a day and night's running, Lu Chong was a little tired. He fell into bed and went to sleep.

Fujita Meixue lay in the same bed with him and looked at his handsome side face when he slept. She wanted to follow the example of other female students and come to help and communicate with the big brother from China. No, if the big brother from China was willing to talk to her, she would rather paste it upside down, but the big brother seemed to have no interest in her. When he returned to the hotel, he fell asleep, as if there was no her at all Such a young and beautiful girl.

Lu Chong continued to practice his oath not to touch Japanese women. Early the next morning, while Meixue Fujita was still asleep, he quietly packed his luggage, checked out, took a taxi and rushed to the imperial Museum in Edo.

Before he went, Lu Chong thought that the museum would be overcrowded and heavily guarded like the National Palace Museum in China. When he really arrived, he found that the imperial museum was sparsely populated and there seemed to be no decent military and police guards. Japan was so arrogant.

Although he didn't see much defensive power, Lu Chong was still careless.

He went to a remote corner and used the technique of changing muscles and bones. His aura fluctuated on the facial muscles, and suddenly became a stiff Japanese man with a bitter hatred. Coupled with a loose suit and a little messy hair, he was the image of a Japanese office worker.

The only flaw may be that when buying tickets, Lu Chong really didn't know Japanese, so he said two words in English.

Lu Chong speaks English very smoothly. The ticket seller, Japan, suddenly admires him. When he doesn't look up, he thinks he is an American. He looks up in fear, but he finds that this is a Japanese face.

At that time, a little doubt arose in the conductor's heart. Nani, where can Japanese English be so good.

After buying the ticket, Lu Chong didn't go straight to the theme to find the green dragon jade carving. Instead, he wandered around the inner side of the imperial chamber Museum, looking like an ordinary tourist.

In fact, he was watching hidden cameras in every corner, watching every checkpoint and guard.

When the observation was almost over, he walked inside.

After entering the main hall, there is also a security check. However, no one is searched. It depends on the self inspection of the machine. If you bring any contraband in or take any antiques out, the machine will automatically alarm. This is not difficult for Lu Chong.

At the critical moment, Lu Chong can make the alarm device fail.

After entering the main hall, Lu Chong paid close attention to the guards and cameras in the hall. It seems that the emperor's room museum is loose outside and tight inside. The guards and cameras inside are obviously denser than outside.

Lu Chong first entered the exhibition hall of Japan's local national treasures. According to the era, the archaeological relics of Japan from prehistoric to historical times were displayed, including stone tools, rope patterns, maisheng pottery, filling wheel, Han style mirror, bronze duo, ceramics and other treasures.

For a long time, Lu Chong did not like Japanese culture, and was not interested in Japanese history and cultural relics, so he did not take a close look. However, some cultural relics were national treasures designated by the Japanese government. Lu Chong focused on them, including the images of ten disciples, Fujiwara Buddha paintings, snow boat ink splashing landscapes, Shouye Yongde pine and cypress screens, etc.

Few of these national treasures are easy to carry. Only a snow boat and ink splashed landscape can be made into a scroll and taken away.

After reading these so-called Japanese national treasures, Lu Chong continued to walk to the Oriental pavilion where the Chinese national treasures were stored.

Along the way, Lu Chong spent most of his energy visiting these surveillance cameras and guards to ensure complete security for later operations.

After he understood the defense situation here, he wholeheartedly looked for the green dragon jade carving in the Oriental Pavilion.

In the process of looking for the jade carving of the green dragon, Lu Chong found that most of the cultural relics displayed here are cultural relics from China, which were robbed by Japan from China. The exhibits include prehistoric stone tools and colored pottery, bronze ware of the Shang and Zhou dynasties, pottery and portrait stones of the Han Dynasty, Buddha statues of the Wei, Jin, northern and Southern Dynasties, gold, silver and tricolor of the Tang Dynasty, porcelain, calligraphy and painting of the song, yuan, Ming and Qing Dynasties, etc. they are displayed in the open air The relocated heimen, xiaocang and other buildings, as well as Sarcophagus, stone statues, stone animals, stone pillars, etc. among the more than 90000 collections in the museum, including tens of thousands of Chinese cultural relics, Japan shamelessly took the picture volume of Xiaoxiang sleeping tour by Li Sheng of the Southern Song Dynasty, the picture of red and white Hibiscus by Li Di of the Southern Song Dynasty, the picture of snow landscape by Liang Kai of the Southern Song Dynasty and the picture of broken Jane Han mountain by Indra of the Yuan Dynasty In addition to the painting of crossing the water in the cave mountain by Ma Yuan of the Southern Song Dynasty, the painting of fishing alone in the cold river by Zhu Duan of the Ming Dynasty, the painting of flowers by Zhao Zhiqian of the Qing Dynasty, and the calligraphy works of famous artists such as Huang Tingjian, Zhu Xi, Zhao Mengfu, Badashan people and Zheng Xie, many of which are of great value.

Lu Chong searched little by little, found thousands of Chinese cultural relics, and finally found the green dragon jade carving.

Lu Chong looked at the green dragon jade carving carefully for a while and determined that it was genuine.

After watching it for a while, he walked away. After all, China and Japan are fighting for this green dragon jade carving. It is estimated that the Japanese are watching it closely. If they pay too much attention to this, it is easy to arouse the suspicion of the Japanese and is not conducive to their later actions.

He turned and walked to other cultural relics. While looking at other cultural relics, he studied how to retreat later, and silently reviewed the retreat route in his heart.

He looked at the time. It was nearly noon, so he was ready to go out for dinner and save energy. In the afternoon, he began to plan. Suddenly, he found that something had happened in front of the green dragon jade carving in the distance.

He stepped forward and looked carefully. It turned out that a middle-aged man who looked like a Chinese took out his camera and was ready to take pictures of the green dragon jade carving. The Japanese staff nearby hurried forward to stop it. They quarreled with each other.

The Chinese middle-aged man shouted angrily in English: "this is our Chinese cultural relics, which are cultural relics in an illegal situation. What right do you have to display! I want to accuse you to international public opinion!"